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Otaku – A Case Of Assigned Identities, Steven O'Branovich
Otaku – A Case Of Assigned Identities, Steven O'Branovich
Honors Theses
With the international rise in popularity of anime and manga in the 1990s, Japan shattered its image as a nation of soulless salary men and robots and became an entertainment giant. Since then, anime has become an even larger force in the global cultural landscape, growing from a niche tape-trading market at science fiction conventions to inspiring large-scale conventions of its own. The driving force behind this expansion is a group of people known as otaku. Internationally, otaku are often defined simply as enthusiastic fans of Japanese popular culture and of anime and manga in particular. In Japan, however, the …
Revisiting A Struggle: Port Kembla, 1938, Rowan Cahill
Revisiting A Struggle: Port Kembla, 1938, Rowan Cahill
Rowan Cahill
A review and discussion of the 2015 documentary film 'Pig Iron Bob' (Producer/Director Sandra Pires). The focus of this film is the dramatic 2-month long boycott by Australian waterside workers in Port Kembla (NSW), 1938/39, of a cargo of Australian pig-iron bound for Japan. The workers took their action in protest against Japanese militarism and the Sino-Japanese War. The boycott enraged the conservative Australian government of the day which pulled out all stops to maintain its policy of appeasement towards Japan.
Lone Wolves And Stray Dogs: The Japanese Crime Film, 1931-1969, Aaron Gerow, Rea Amit, Samuel Malissa, Noriko Morisue, Hsin-Yuan Peng, Stephen Poland, Grace Ting, Takuya Tsunoda, Justine Wiesinger, Young Yi, Inuhiko Yomota, Jō Ōsawa, Phil Kaffen
Lone Wolves And Stray Dogs: The Japanese Crime Film, 1931-1969, Aaron Gerow, Rea Amit, Samuel Malissa, Noriko Morisue, Hsin-Yuan Peng, Stephen Poland, Grace Ting, Takuya Tsunoda, Justine Wiesinger, Young Yi, Inuhiko Yomota, Jō Ōsawa, Phil Kaffen
Film Series Commentaries
“Lone Wolves and Stray Dogs: The Japanese Crime Film, 1931–1969” is a continuing collaboration between the Council on East Asian Studies at Yale University and the National Film Center of the National Museum of Modern Art, Tokyo. Ever since the success of the French crime film Zigomar in 1911, the Japanese film industry has produced numerous movies depicting criminals and the detectives who try to apprehend them. Chivalric yakuza, modern mobsters, knife-wielding molls, hardboiled gumshoes, samurai detectives, femme fatales, and private eyes populate Japanese cinema, from period films to contemporary dramas, from genre cinema to art film, from the …