Digital Commons Network^™

A Theory Of Veteran Identity, Travis L. Martin

Theses and Dissertations--English

More than 2.6 million troops have deployed in support of the wars in Iraq and Afghanistan. Still, surveys reveal that more than half feel “disconnected” from their civilian counterparts, and this feeling persists despite ongoing efforts, in the academy and elsewhere, to help returning veterans overcome physical and mental wounds, seek an education, and find meaningful ways to contribute to society after taking off the uniform. This dissertation argues that Iraq and Afghanistan War veterans struggle with reassimilation because they lack healthy, complete models of veteran identity to draw upon in their postwar lives, a problem they’re working through collectively …

Low Fidelity, Drew Mccoy Robinson

Senior Projects Fall 2017

Senior Project submitted to The Division of Arts of Bard College.

Culture As A Tool Of Exclusion: An Analysis Of Mathieu Kassovitz's La Haine, Abigail Maccumber

Scripps Senior Theses

Using the film La Haine (1995), directed by Mathieu Kassovitz, as an object of analysis, this paper explores culture as a tool of exclusion in France through sociological, architectural, and political contexts. It investigates La Haine as one of the first representations of the banlieue to mainstream French audiences, as well as the ways in which the film reveals how immigrants and children of immigrants struggle to find personal, cultural, and national identity in France.

The Places That Became Home: A Collection Of Short Stories And Memories, Stephanie Ewing Mace

CMC Senior Theses

This is a collection of short stories and memories from the eight places that I have lived. Through these stories and memories, I reflect on themes of identity and community. I also consider the idea of home: what defines a home, how we make a place feel like a home, and what transforms a city or a town into a home. Each chapter also includes my own original designs and photographs.

The stories about Sharon and Westwood, small towns in Massachusetts, focus on childhood and familial relationships. The narratives about St. Louis, Missouri and Toluca Lake, California, consider the transition …

The Emergence Of The Feminist Fatale In American Film Noir, Anne Dennon

All Master's Theses

The femme fatale, a quasi-eternal figure of female transgression and retributory violence, has gradually entered popular culture’s symbolic lexicon as representative of mainstream feminism and postmodern femininity. Tracing the development of the femme fatale into a feminist pop culture icon necessitates establishing her sociopolitical status in the late modern era through her presence in Victorian sensational literature. The femme’s translation from the Victorian context to the American mediascape presages her evolving presence in three cinematic eras: classic film noir, neo-conservative retro noir, and millennial neo-noir. Feminist film criticism tends to identify the femme fatale as a protofeminist, a productive transgressor …