Digital Commons Network^™

The Allegory Of United States Settlers V. Native Americans In Wes Craven's The Hills Haves Eyes (1977), Blue Van Alst

University Honors Theses

The year 1977 saw the release of Wes Craven’s second major production, The Hills Have Eyes. A film that sits within a filmic library of Craven that works to use the horror genre to reflect on and critique the American society that he lived in. The Hills Have Eyes employs the stereotypes that the films of John Ford helped to solidify in U.S. society. He does this in order to explore the tense historical relationships between Indigenous and United States settlers during the time of westward expansion. Using the white middle class Carter family to serve as settlers, and …

Hemingway In Hollywood: From Page To Screen, Hayden Hendricks

University Honors Theses

Little attention has been paid to how film adaptations affected Hemingway’s popular reputation (and vice versa). This thesis traces Hemingway's celebrity through the case studies A Farewell to Arms (1932), The Killers (1946), and The Old Man and the Sea (1958). It details their production histories, analyzes the changes made from page to screen, and discusses the contextual motivations behind such divergences. Finally, it considers the ways in which the filmmakers adapted texts of different lengths to fit feature length runtimes and, in doing so, found cinematic equivalences of literary form.

"It's Not The Same Anymore" (2023): A Reflection On The Creative Process Behind My Queer Coming-Of-Age Short Film, Olivia Lee

University Honors Theses

"It's Not The Same Anymore" stands as a poignant queer coming-of-age short film crafted by individuals who share the queer experience, with the intention of resonating deeply with the queer community. The narrative intimately captures the journey of a young queer woman as she navigates the realms of love, heartbreak, and the quest for self-discovery. Amidst a media landscape that frequently falls short in its representation of LGBTQ+ voices and authentic lived experiences, this film aspires to bridge the gap and bring forth a much-needed sense of belonging and recognition.

A link to the short film can be found here: …

Colonialism's Creation Of Machismo And Its Influence On Domestic Violence And Sexual Assault: A Film Analysis Of Telenovela Dv/Sa Anthologies, Yoselin Aguirre Perez

University Honors Theses

Using Lothar Mikos' (2014) content analysis framework, this thesis uses a Xicana feminist epistemology to conduct a film analysis on telenovela anthologies Mujer, Casos de la Vida Real (1986-2007) and Lo Que Callamos Las Mujeres (2001-today). The impact that harmful depictions of domestic violence and sexual assault, and their foundations in colonialism, is discussed throughout my writing. The cynical and racist implications that problematic portrayals of domestic violence and sexual assault within the Latinx community is analyzed. This thesis claims that popular media, while attempting to bring awareness to these sensitive and life-threatening issues, have perpetuated a culture of recrimination …

Lights, Camera, Climate Action: Investigating Emotional Responses To Climate Change Trailers (Documentary, Television, & Narrative Film), Erik Daniel Schell Devore

University Honors Theses

This research examined the emotional responses elicited by different genres of environmental visual media (VM) trailers. Six undergraduate Environmental Science and Management student participants self-selected to watch trailers from three different genres of VM: a documentary film, a television series, and a narrative film. The goal of this research was to understand the extent people become aware of various environmental VM topics, how VM elicits emotional responses, the effectiveness of VM in promoting action, and to gain a better understanding of how producers and directors can potentially modify VM to have a greater impact on changing participants' attitudes toward climate …

Kurdish Filmmaking In Turkey: History And Narratives, Omar Sadik

Dissertations and Theses

This research investigates the history and politics of cultural production by examining Kurdish filmmaking in Turkey. Sadik provide an analysis of contemporary films and filmmakers to explore how Kurdish cinema in Turkey is situated in broader, global political-economic structures. By examining this important case through the lens of history and memory, Sadik clarify how production and aesthetics in Kurdish cinema point to important systemic processes. Sadik uses three main research strategies in this study: a historical survey of Kurds in Turkey, an analysis of ten semi-structured interviews with contemporary Kurdish directors and an analysis of films directed by Kurdish filmmakers …

If It Ain't Broke, Don't Fix It: Understanding The Value In Producing Film Adaptations And Movie Franchises, Courtney Mcdonald

University Honors Theses

The business of making movies is not an easy one; in an industry where very few see financial success, risk aversion often takes the wheel. In order to combat the immense amount of uncertainty, existing research has attempted to establish factors of film success, including actor star power and reviews. However, statistical studies evaluating these factors have produced consistently inconclusive results. To approach this idea from another perspective, this paper investigates two specific areas of film—movie adaptations and film franchises—that contain valuable properties not always as explicitly connected to box office results. While many movies are referenced, two film franchises …