Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 4 of 4
Full-Text Articles in Entire DC Network
Guido Mazzoni. On Modern Poetry. Translated By Zakiya Hanafi. Belknap Press, 2022., Anthony Degenaro
Guido Mazzoni. On Modern Poetry. Translated By Zakiya Hanafi. Belknap Press, 2022., Anthony Degenaro
Studies in 20th & 21st Century Literature
Review of Guido Mazzoni. On Modern Poetry. Translated by Zakiya Hanafi. Belknap Press, 2022. 294 pp.
Candelas Gala. Clara Janés: La Poética Cuántica O La Física De La Poesía. Csic, 2021., Nicolás Fernández-Medina
Candelas Gala. Clara Janés: La Poética Cuántica O La Física De La Poesía. Csic, 2021., Nicolás Fernández-Medina
Studies in 20th & 21st Century Literature
Review of Candelas Gala. Clara Janés: La poética cuántica o la física de la poesía. CSIC, 2021. 203 pp.
Dominique Fourcade: Recalculations, James Petterson
Dominique Fourcade: Recalculations, James Petterson
Studies in 20th & 21st Century Literature
This article explores the relationship between poetry, photography and choreography in the writings of contemporary French poet Dominique Fourcade. Close readings of Fourcade’s 2001 M W alongside other of his works reveal some of the fundamental techniques of his writing, founded on formal recalculations sparked by interaction with other art forms, specifically the photography of Barbara Morgan and Isabelle Waternaux and the dance choreography of George Balanchine, Merce Cunningham, Pina Bausch, Mathilde Monnier and William Forsythe. The analysis also proposes alternative multi-disciplinary directions for the reception of poetry.
Surreal And Canny Selves: Photographic Figures In Claude Cahun , Gayle Zachmann
Surreal And Canny Selves: Photographic Figures In Claude Cahun , Gayle Zachmann
Studies in 20th & 21st Century Literature
In her 1975 essay, Le Rire de la méduse, Hélène Cixous enthusiastically announced that it was high time for women to enter into discourse. A full half-century earlier, Claude Cahun (1894-1954), a powerful writer and a haunting photographer and artist, was already inscribing herself, Woman, and a woman's voice in visual and verbal self-portraits, photomontages, prose texts, poetry, and aesthetic and political treatises. Cahun's uncanny interventions in both verbal and visual discourse cannily interrogate conventions of literary and pictorial representation and the constructions of self, gender and culture that they exhibit. Insistently asking readers and spectators, "What's wrong with …