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Orphans Of The Motherland: Puerto Rican Images Of Spain In Jacobo Morales's Linda Sara , Wadda C. Ríos-Font
Orphans Of The Motherland: Puerto Rican Images Of Spain In Jacobo Morales's Linda Sara , Wadda C. Ríos-Font
Studies in 20th & 21st Century Literature
Puerto Rican identity has been confounded by Puerto Rico's prolonged colonial relationship to Spain (nearly 80 years longer than that of most other Latin American colonies) and its abrupt change in status to that of United States protectorate in 1898 after the Spanish American War. Increasingly, Puerto Rican identity has been theorized in sole reference to the political relationship with the United States. The residual presence of Spain and Spaniards in the construction of the new Puerto Rican collective, and the denial or nostalgia that might still be elicited by the former empire, have gradually receded into the background. Perhaps …
Antonio Banderas: Hispanic Gay Masculinities And The Global Mirror Stage (1991-2001) , Joseba Gabilondo
Antonio Banderas: Hispanic Gay Masculinities And The Global Mirror Stage (1991-2001) , Joseba Gabilondo
Studies in 20th & 21st Century Literature
Here I map out the Atlantic intertwining between neo-liberal/neo-imperial Spain and cinema by analyzing Antonio Banderas's body politics as the postmodern (post- or neoimperialist) Don Juan. Banderas's career trajectory from 1991 to 2001 coincides with larger political and historical developments. He arrived in Hollywood in the early 1990s, a moment when different but interconnected historical events came together— the end of the Cold War and the neo-liberal globalization of the United States with treaties such as NAFTA and GATT; the growing public profile of the fundamentalist religious right and gays; and the mainstream population's (unwilling) acceptance of Latinos as a …
"Soy Tú. Soy Él": African Immigration And Otherness In The Spanish Collective Conscience, Michael Ugarte
"Soy Tú. Soy Él": African Immigration And Otherness In The Spanish Collective Conscience, Michael Ugarte
Studies in 20th & 21st Century Literature
The commonly heard statement "Spain is different" contains a series of contradictions, paradoxes, and questions concerning Iberia's place within the global community, a community that is itself deeply contradictory—more and more the same and yet more and more fragmented. Immigration highlights the sameness/otherness dichotomy in Spanish culture, and the situation of African immigrants has especially caused the Spanish national consciousness an ethical quandary. Here I examine four recent cultural representations of African immigration in Spain—two journalistic works: Mikel Azurmendi's Estampas del Ejido and Antonio Elorza's articles in El País; and two documentary films: Básel Ramsis's El otro lado: un …