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Final Master's Portfolio, Savannah Packman
Final Master's Portfolio, Savannah Packman
Master of Arts in English Plan II Graduate Projects
This portfolio uses Marxist and feminist film theory to analyze various forms of visual media. It analyzes Mark Mylod's film The Menu (2022), Julie Taymor's film Across the Universe (2007), the historic V-J Day Kiss photograph, and popular TikTok videos. This portfolio focuses on the impact of capitalism in the political and economic sphere. It also analyzes images of women throughout history and critiques how these images have been used to formulate the American body politic.
Navigating Global Capitalism: Identity, Ambivalence, And Resistance In Cultural Productions, Ahmad Bilal
Navigating Global Capitalism: Identity, Ambivalence, And Resistance In Cultural Productions, Ahmad Bilal
Master of Arts in English Plan II Graduate Projects
I have navigated global capitalism in cultural productions that include selected short fiction of Rohinton Mistry, Michelangelo Antonioni's L'Avventura, Boots Riley's Sorry to Bother You , and Benedict Andrews' Seberg. In these works, I have explored resistance, marginality, mobility, and identity to reflect how capitalism transcends local boundaries to become a pervasive social system worldwide.
First Comes Love, Then Comes Disparage: How The Production Code Impacted Women’S Roles In Romantic Comedies, Emma Hoback
First Comes Love, Then Comes Disparage: How The Production Code Impacted Women’S Roles In Romantic Comedies, Emma Hoback
Honors Projects
Through the analysis of twelve films, I looked to see how the creation and dissolving of the Motion Picture Production Code impacted women’s representation on screen. I looked at six films from the pre-Code era of film (1930-1934) and six films from the newly defined post-Code period (1968-1972). In this paper, I break down the Production Code itself and conduct genre research. The romantic comedy sub-genre was selected for this project. The romantic comedy creates a space for women to have leading roles and have comedy make fun of or reinforce gendered stereotypes. This paper looks at how women went …
Coming Out Of The Coffin: The History And Present Of Queerness In The Vampire Genre., Bailey Drummond
Coming Out Of The Coffin: The History And Present Of Queerness In The Vampire Genre., Bailey Drummond
Honors Projects
This essay delves into the captivating and lasting influence of vampires on popular culture since their creation. The fascination with vampires can be traced back to literary works such as John Polidori's "The Vampyre" and Bram Stoker's classic "Dracula," which have served as foundations for vampire mythology across different media platforms. Despite the evolution of media and cultural contexts, certain themes surrounding vampires have persisted throughout history. Notably, vampires have been portrayed as symbols of sexuality and queerness, reflecting societal fears and desires from past eras to the present day. These themes have been critically analyzed and dissected in various …
Audio Dramas As Self-Expression For Marginalized Identities, Athena Towne
Audio Dramas As Self-Expression For Marginalized Identities, Athena Towne
Honors Projects
Fiction podcasts, also knows as Audio Dramas, often afford a level of creative freedom to potential creators that is not seen in other popular media. This is seen explicitly through the marginalized representation that popular works in the medium allow. This work seeks to explore why the medium allows for such stories to flourish, as well as how these stories are received. Then, to test this theory, this paper documents the process of creating an audio drama, from conception to completion.