Digital Commons Network^™

Mysterious Proposal, Henry Berger

Senior Projects Fall 2021

This is a mysterious proposal regarding a trio of films which harness an ‘energizing vision’ that lingers beyond the movie theatre. There is a focus on travel, memory, landscape and the internal world. I was interested in the ways in which the ephemeral experience of film may alter the way we take in the world around us; the way we process each other.

Memory Card, Simone S. Leitner

Senior Projects Spring 2015

“I have always had a phenomenal memory,” a sentiment that I just recently remembered. Growing up I could recite every number in a thirteen string, remember a poem after one read, quote every menial conversation I had ever had. I considered myself cursed and blessed with an elephant’s memory: it made me extremely sensitive to others, often confused and upset when I heard people repeat the same things to me and make the same gestures. Had our interaction not meant anything? Do they not remember me?

Now I don’t remember. I lose things. I feel irresponsible with objects and conversations …

How To Make Love In A Graveyard: An Integrative Approach To Celebrating Trauma, Memory, And History Through Alain Resnais’ Hiroshima, Mon Amour, Molly M. Pearlstein

Senior Projects Spring 2011

This paper is an exploration of trauma through the lens of Alain Resnais’ 1959 film, Hiroshima, Mon Amour. Elle. We hypothesize that Elle develops Posttraumatic Stress Disorder (PTSD) after witnessing the traumatic death of her first love. Diagnosing Elle using the DSM-IV-TR criteria for PTSD, we demonstrate how she continues to fit the criteria for PTSD fourteen years later. Within this investigation, we target dissociation as an important factor in Elle’s posttraumatic response. The issue of dissociation is discussed in relation to memory, and to a larger extent, historical trauma. Through an integrative approach, film analyses elaborate the elusive …