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Type Z, Zazie Elena Ray-Trapido Jan 2017

Type Z, Zazie Elena Ray-Trapido

Senior Projects Spring 2017

Senior Project submitted to The Division of Arts of Bard College.


Look At Where You Listen: A Study Of Commercial Music And Mediation, Thomas Walton Moore Jan 2017

Look At Where You Listen: A Study Of Commercial Music And Mediation, Thomas Walton Moore

Senior Projects Spring 2017

A joint senior project submitted to the divisions of arts and social studies. This project aims to reconsider the 'album' as a format of music distribution that has effects on the consumption-of and relationship-with music as commodity. This project consists of writing and recorded-music-making. Please email tom (at) dpimusic (dot) com for a link.


New York To Hollywood: Advertising, Narrative Formats, And Changing Televisual Space In The 1950'S, Peter Mccormack Jan 2017

New York To Hollywood: Advertising, Narrative Formats, And Changing Televisual Space In The 1950'S, Peter Mccormack

Senior Projects Spring 2017

Senior Project submitted to the Division of Social Studies of Bard College


Film No Longer Telling A Story; Film Itself As The Story: Reflexive Constructions In Alfred Hitchcock And Jean-Luc Godard, Amy Ertie Chabassier Jan 2017

Film No Longer Telling A Story; Film Itself As The Story: Reflexive Constructions In Alfred Hitchcock And Jean-Luc Godard, Amy Ertie Chabassier

Senior Projects Spring 2017

Senior Project submitted to The Division of Arts of Bard College


Why Did I Marry A Sentimentalist?: Family & Domesticity In The Films Of Steven Spielberg, Emmet Dotan Jan 2017

Why Did I Marry A Sentimentalist?: Family & Domesticity In The Films Of Steven Spielberg, Emmet Dotan

Senior Projects Spring 2017

Senior Project submitted to The Division of Arts of Bard College.


Lifecasting & Ubiquitous Relationships, Alexis Charlotte Williams Jan 2017

Lifecasting & Ubiquitous Relationships, Alexis Charlotte Williams

Senior Projects Spring 2017

My subjects do not know I exist. They do not know who I am, and they do not know their lives are the center of my painting series. But I know them - at least, I think I do. My acrylic paintings depict people in domestic spaces in specific moments in time. The relationships of person-to-person, person to space, paint to canvas and voyeur to subject drives my obsession to watch and to paint what I see. What I am seeing are a collection of pixels that make up human forms, living rooms, and kitchens. These digital bodies move through …


Low Fidelity, Drew Mccoy Robinson Jan 2017

Low Fidelity, Drew Mccoy Robinson

Senior Projects Fall 2017

Senior Project submitted to The Division of Arts of Bard College.