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“It’S Not A Fucking Book, It’S A Weapon!”: Authority, Power, And Mediation In The Book Of Eli, Seth M. Walker
“It’S Not A Fucking Book, It’S A Weapon!”: Authority, Power, And Mediation In The Book Of Eli, Seth M. Walker
Journal of Religion & Film
The mediation of religious narratives through sacred texts is intimately bound to the power relations involved in their transmission and maintenance. Those who possess such mediated messages and control their access and interpretation have historically held privileged positions of authority, especially when those positions are not easily contested. The 2010 film The Book of Eli uniquely engages these elements by placing the alleged last copy of the King James Version of the Christian Bible at the forefront of a clash between different individuals in a post-nuclear wasteland. This paper, drawing on Max Weber’s notion of “charisma,” and scholars addressing religion, …
The Crimes Of Love. The (Un)Censored Version Of The Flood Story In Noah (2014), Wojciech Kosior
The Crimes Of Love. The (Un)Censored Version Of The Flood Story In Noah (2014), Wojciech Kosior
Journal of Religion & Film
A swift survey of Noah reviews clearly shows that the audience’s sensitivity was challenged in several regards; Noah was portrayed as a “religious extremist” and “borderline psychopath”, the Creator proved to be a “distant—unaware or uncaring—overseer”, while Aronofsky himself was said to have a “sinister purpose of leading people to believe that Christianity and Judaism are something they are not.” On closer examination, however, the above summarized pleas are not entirely relevant for two basic reasons. First, the movie consists of ideas that have been in use since antiquity, rearranged and composed into a new-old story and all the arguments …