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Desire Lines: An Annotated Screenplay, Alexandra Tydings

Dissertations, Theses, and Capstone Projects

This thesis explores under theorized questions of power, sexuality, and gender on the film set by analyzing the role of the Intimacy Coordinator (IC), a recent arrival in that space. A film set has its own culture, built from conventions, rituals, and hierarchies. The work of the IC occurs at the nexus of some of the most entrenched and invisible of these dynamics, including gender roles, bodily autonomy, and the power to consent. The author, having worked professionally as an actress, a director, and most recently an Intimacy Coordinator in film and television, now turns to feminist and queer theory, …

Seeing Is Believing: Observing Trans Spirituality Through The Smith-Waite Tarot, Phoebe Santalla

MFA in Illustration & Visual Culture

In 1909 the Rider Company published the Smith-Waite Tarot deck which featured 78 illustrated cards by Pamela Colman Smith. With heavy use of appropriated and ambiguous symbology, the Smith-Waite deck became a meditation tool for realizing alternative realities. By observing the history of the deck, analyzing Smith’s approach to illustration, and retracing the counterculture occult explosion in the 1970s, this essay argues that the Smith-Waite deck is an object the reflects the queered body and self. The modern, trans-contentious, Western political climate creates an environment that obscures the fact that transgender people exist beyond the medicalization of their bodies. To …

‘Poetry Is Not A Luxury’, Rage Should Not Be A Privilege: The Potential Power Of The ‘Racial Imaginary’, Georgia Mcgovern

CMC Senior Theses

Female rage exists outside of the constructed masculine ideal of anger. To examine female rage, one must analyze the intersections between gender and race. I examine white women's privilege and access to female rage in reality and the fictional world. I explore Black Feminist poetry as a form of storage for rage at gender-based prejudice, racial injustice, and their intersection. Using Myisha Cherry’s term “Lordean Rage”, I recognize this specialized manifestation of female rage as an artistic, intergenerational source of energy for change.

I examine Claudia Rankine’s term “racial imaginary” as an imaginative space in which white people draw lines …

Disney Princess Films: Feminist Movements And The Changing Of Gender Roles, Mckinley M. Frees

Chancellor’s Honors Program Projects

No abstract provided.

Skin Echoes, Andreia Santana

Theses and Dissertations

Santana’s explores the intersection of biology and identity, incorporating living matter and performative gestures into installations to reflect on social constructs of history and gender. By observing water and its qualities of defying Western dichotomies, Skin Echoes focuses on the material interchanges across bodies and the wider material world.

The Yellow Qipao, Feibi Wang

Honors Projects

This is a creative project centered around the pre-production of a short film about queer Asian American Christianity and the research that went into it. The synopsis of the script written for the short film is a life in the day of Aspen. Aspen prepares for church and is indecisive of the clothes they want to wear, because they are gender non-conforming. They come out to their mom and there is conflict. My research going into this project consists of researching media representation of queerness, Asian American identity, and Christianity, and how the three identities intersect in Aspen’s life and …

Embodiment And Gendered Subjectivity In Ukrainian Women’S Film, Poetry, And Prose During Perestroika (1985-1991), Sandra J. Russell

Doctoral Dissertations

In this dissertation, I look to Ukrainian women’s literary and filmic contributions in the final Soviet years of perestroika to recontextualize and reconsider feminist and gendered epistemologies in Eastern Europe. I view the last Soviet Ukrainian filmmakers, writers, and artists as groundbreaking in their conceptualization a new, more “liberal” vision of nation, especially through their increasingly open and subversive critiques of the Soviet state. I locate perestroika as a powerful moment in Ukraine’s histories of resistance to the weaponization of colonialist and imperialist mythologies, past and present. For women in particular, the stakes of this shifting articulation of nation became …

Film Women Violence, Madison R. Ross

Masters Theses

As a condensed version of social reality, film has become a more common object of modern sociological and criminological investigation. As such, we can explore film to understand taken-for-granted as well as innovative constructions of social phenomena. Among these are gendered violence. We can use film to dig deep into its logics, elaborated in visual and narrative representations. Prior literature has analyzed crime films and the behavioral constructions within them, outlining the representations of serial homicide, rape, mass shootings and revenge. However, few studies have outlined films that do meaningful, non-voyeuristic representational work on the issue of violence against …

Conceptions Of Space, Gender, And Movement Within Literature And Film: An Analysis Of "The Whimper Of Whipped Dogs" & Westward The Women, Stephanie Fishleigh

Electronic Theses, Projects, and Dissertations

Often portrayed as static, and neutral, “space,” as it is used in this paper, refers to a literary conception, one which encompasses a sphere of locations as well as settings of events, characters, and objects within a literary narrative. Much to our detriment, humans are often compelled to codify and compartmentalize the world around us, using perceived differences as our epistemological touchstone. This phenomenon extends even to our relationship to space. In examining the interplay between space, geographies, genre, and gender, using two objects of analysis, this paper seeks to further the current scholarship on how gender ideology informs our …

"I Want To Know What I'M Looking At": Surveilling Gender As A Response To Cultural Anxieties In Halloween, Sleepaway Camp, And Scream, Jennifer Jacinda Mclawhorn

Institute for the Humanities Theses

The purpose of this thesis is to investigate slasher films and how they use gendered tropes to respond to and perpetuate cultural anxieties. The methodology primarily uses textual analysis that includes close attention to content, context, and discourse. The study reveals structural patterns and problems that emerge within slasher films, specifically within the Final Girl trope and the behaviors that govern it. In surveilling the Final Girl’s gender performativity, it is apparent that abjection, or a gut reaction to something that exists between two distinct boundaries or categories, is provoked when the Final Girl crosses a socially established gender boundary. …

Fantasized Masculinity Performed In American War Narratives, Shea O'Scannlain

English Honors Theses

In this thesis I wanted to explore the ways that masculinity has been written in history through the genre of fiction. The first chapter discusses traumatized white masculinity in Kurt Vonnegut's novel SlaughterHouse Five and Oliver Stone's film Born On The Fourth of July. The second chapter deals with the female Black experience in response to the white patriarchy in Toni Morrison's novel Home and HBO's television series LoveCraft Country. And finally chapter 3 deals with mythologized masculinity redeemed through violence in Martin Scorsese's film Taxi Driver and Frank Miller's comic book series The Dark Knight Returns. …

She Speaks Spanglish, A Podcast Series, Kate Fernanda Becerra

Humanities and Cultural Studies | Senior Theses

This is a podcast series about the immigrant experience in the United States. The series discusses immigration with a focus on women, at different stages of life and their involvement with the daunting transition into a different country and culture. The show will focus on one family, their close friends, and communities. It will also explore feminist themes through the lived experience of the people interviewed. Those who were interviewed have ties to central Mexico (Zacatecas, Jalisco, Michoacan) and Northern California. The Podcast host shares this experience and does one episode based entirely on her perspective as a daughter of …

At What Price: Insidious Hegemony And Character Archetypes Woven Into Until Dawn, Courtney Harvey

Electronic Theses and Dissertations

Supermassive Games’s Until Dawn tasks its players with helping eight teenagers survive a night of terror. All eight playable characters may live or die depending on the player’s choices and gameplay proficiency. Despite its intricacies, the game still relies heavily on horror movie tropes, which the characters embody, and they face different treatment based on their gender, race, and sanity. Particularly, the weapons available to them and the scenarios for their deaths and survival contribute to trapping the characters within their given characteristics and forcing them into a role that they cannot ever fully break free from. While the branching …

Female Victimization In The 1970s And 1980s Slasher Film, Sarah Lukowski

Undergraduate Theses and Capstone Projects

To examine this portrayal of women in 1970s and 1980s slashers, I will first provide background on the genre using the influential films The Texas Chain Saw Massacre (1974) and Halloween (1978), and from there I will define the genre in accordance with its characteristics and formulaic conventions. Clover’s groundbreaking work (1987; 1992), offers a feminist perspective on slasher films and will provide substantial evidence throughout my paper. Then, I will compare and contrast multiple content analyses from the 1980s to the 2000s that use empirical studies to evaluate the degree to which women are victimized in slashers by the …

“I Save Me”: Gender, Agency, And Power In Better Call Saul, Stephanie Kocer

All Graduate Theses, Dissertations, and Other Capstone Projects

Historically, women on television have been portrayed in wife and mother roles, making them a foil to their husbands, but never the main focal point of the show. These characters stay on the sidelines, without being given truly original storylines where they are allowed to drive their own narratives. During the first season of Better Call Saul, Kim Wexler is a supporting character, without any storylines that aren’t linked to Jimmy McGill. Jimmy often treats Kim as a damsel in distress. He thinks it’s his job to save her, and usually from the chaos that he’s created. In this thesis …

Screening For Our Fathers: Representations Of Native American Masculinity In American Film, Jeromy Duane Miller

Graduate Theses and Dissertations

In this work, I examine representation of Native American masculinity in the American film industry. The American film industry began just over a century ago, and one of its earliest subjects was the Native American. Throughout its history, the American film industry has maintained a steady trajectory of exploitation and erasure of Native American men and their subsequent masculine qualities. While there are notable historical outliers and critical exceptions in the 21st century, Native American men in film have been continually reduced to corpses, devoid of significant social presence, and denied meaningful explorations of their sexuality and interpersonal identity. The …

Bitten By The Demon Of Cinema: An Examination Of Women-Made Horror, Erica Tortolani

Doctoral Dissertations

Moving away from a discussion of horror films directed by men, “Bitten by the Demon of Cinema” those films—and, where appropriate, works across media, like on television, the Internet, and in the visual arts—created by women. As I explore in this dissertation, women-made horror has narrative, thematic, and stylistic qualities that borrow from the genre at large but are then transformed into a class of films all of their own. While seemingly diverse, they share enough commonalities to constitute a new mode of filmmaking altogether. The films and filmmakers that I have chosen in this dissertation are cases in point …

Framing Of Female Leading Roles In Drama Series On Video Streaming Platforms, Manatalah Soliman

Theses and Dissertations

This comparative study examines the female-centered drama series aired on VOD services from three different genres. While several studies have established the stereotypical representation of women in the drama series, most research has focused on individual countries. The significance of this study relies upon the fact that the series is from VOD services, notably Netflix and Shahid VIP. The study bridges a gap in the literature by adopting a comparative perspective to analyze gender portrayals from six drama series, three from each country, from three genres. The contemporary drama genre included Valeria from Spain and Leh Laa?! Why Not?! from …

Tale As Old As...Feminism? The (Re)Making Of Beauty And The Beast, Cara Doreen Hardman

Theses - ALL

In this thesis, I investigate Disney's positioning of the live-action Beauty and the Beast as feminist. Up to this point, Disney's animated Beauty and the Beast has both been hailed as presenting audiences with an empowered princess and criticized for the Beast's aggressive behavior and the positioning of Belle as a woman meant to propel the Beast's story forward. I provide an assessment of the gender politics depicted in Disney's live-action Beauty and the Beast, and I problematize the tendency to classify texts as either entirely feminist or utterly antifeminist. As a whole, this thesis provides an in-depth analysis of …

Beyond The Image: Marilyn Monroe, Shelley Winters, And The Method, Emily K. Oliver

Film and Media Studies (MA) Theses

Sexist gossip for women and professional celebration for men is a longstanding, detrimental trend within popular culture, society, and film studies scholarship. While this tendency can be traced consistently throughout film history, it is particularly apparent within the discourse surrounding the transitional period of postwar Hollywood (1945 - 1960). Though frequently disassociated from one another for their seemingly oppositional contemporary legacies, Marilyn Monroe and Shelley Winters began their careers synonymously as studio- created ’blonde bombshell’ archetypes. Monroe’s and Winters’ early acting credits represent severe industry illustrations of objectification and sexist tactics to utilize female bodies to sell performances. Following variable …

Exquisite Corpses: Markedness, Gender, And Death In Video Games, Meghan Blythe Adams

Electronic Thesis and Dissertation Repository

This dissertation analyzes gendered death animations in video games and the way games thematize death to remarginalize marked characters, including women. This project combines Georg Wilhelm Friedrich Hegel’s work on the human subjection to death and Georges Bataille’s characterization of sacrifice to explore how death in games stages markedness. Markedness articulates how a culture treats normative identities as unproblematic while marking non-normative identities as deviant.

Chapter One characterizes play as a form of death-deferral, which culminates in the spectacle of player-character death. I argue that death in games can facilitate what Hegel calls tarrying with death, embracing our subjection to …

“I’M Real I Thought I Told Ya”: Developing Critical Media Literacy Through U.S. Latinx Digital Media Representations, Solange T. Castellar

Dissertations, Theses, and Capstone Projects

This thesis explores how audiences engage with U.S. Latinx media representations through the practice of critical media literacy. I interrogate how media consumers construct critical media literacy through interacting with U.S. Latinx figures on digital media platforms, particularly on the social-media app, Twitter, and the user-generated video content platform, YouTube. Throughout this thesis, I argue that users on these platforms who engage with U.S. Latinx pop culture figures, like Jennifer Lopez and Belcalis Almanzar (Cardi B), read, digest, and comprehend a variety of multimedia images, texts, or videos, and that this engagement becomes an accessible form of critical media literacy, …

La Sensibilidad De La Lente Crítica: Las Dinámicas De Poder Y Los Papeles De Género En El Cine Mexicano Contemporáneo, China Campagnuolo

Honors Theses

This project explores the socio-cultural evolution of gender dynamics through the analysis of four contemporary Mexican films: Amores perros (2000) directed by Alejandro González Iñárritu, Y tu mamá también (2001) directed by Alfonso Cuarón, Las elegidas (2015) directed by David Pablos, and Roma (2018) also directed by Cuarón. These directors are part ofMexico’s cinematic “New Wave,” a modern resurgence of Mexican film that depicts a realistic side of the nation’s political, social, and economic issues. In the opening chapter, I analyzeAmores perros and Y tu mamá también, two earlier films of the “New Wave.” These movies areheavily focused on toxic …

Through The Lens Of Koreans: The Influence Of Media On Perceptions Of Feminism, Neha Cariappa

Master's Projects and Capstones

Regardless of country and culture, the media has the power to influence the opinions and perceptions of its viewers. This project evaluates specific Korean movies—and the reactions of South Koreans to gender representations in films that are considered “feminist”—along with the variety show genre, which also tends to reinforce gender stereotypes and imbalances. With these media representations as a framework, this research explores the impact of the internet in forwarding feminist views along with unearthing the reactions of Koreans. Given the anonymity of the internet and social media, these platforms allow for honest expression and counterpoints to sexist views and …

Everything Feels Like The Future But Us: The Posthuman Master-Slave Dynamic In Japanese Science Fiction Anime, Ryan Daly

Masters Theses

This thesis is an exploration of the relationships between humans and mechanized beings in Japanese science fiction anime. In it I will be discussing the following texts: Ergo Proxy (2006), Chobits (2002), Gunslinger Girl (2003/2004), and Mahoromatic (2001/2002). I argue that these relationships in these anime series take the form of master/slave relationships, with the humans as the masters and the mechanized beings as the slaves. In virtually every case, the mechanized beings are young females and the masters are older human males. I will argue that this dynamic serves to reinforce traditional power structures and gender dynamics in a …

Final Master's Portfolio, Heather M. Stephenson

Master of Arts in English Plan II Graduate Projects

This collection examines hegemonic responses to shifting gender norms in a series of Anglo-American novels and films in the late 19th century through the late 20th century. Beginning in the Victorian era before progressing to the 1950s, 1960s, and the 1970s—with gestures to the Jacobean era and the contemporary period—each piece in this collection examines one or more text(s) as a vignette demonstrative of changing gender issues within their context. By situating each text within its historical and cultural milieu, this collection examines efforts, in different instances, to reassert long-standing gender norms throughout the ages. Not only does the collection …

Acting Hysterical: Analyzing The Construction, Diagnosis And Portrayal Of Historical And Modern Hysterical Women, Gillian Singer

Honors Theses

Hysterical women’s stories from the 19th and 20th centuries have all too often been ignored and furthermore, invalidated through the capitalization and spectacularization of hysterical women’s experiences. “Acting Hysterical: Analyzing the Construction, Diagnosis and Portrayal of Historical and Modern ‘Hysterical’ Women” aims to acknowledge hysterical women’s narratives by studying the visual documentation of hysterical women. Visual documentation of hysteria began with the photographing of Dr. Jean-Martin Charcot’s “hysterical” female patients and extends to modern cinematic representations from the last two decades of historical and modern hysterical women.

Medical Muses, a book based in years of research by Asti Hustvedt served …

Misinterpretations Of The Taming Of The Shrew: Adaptations And Their Emphasis On Gender, Brianna Reisenwitz

HON499 projects

Misinterpretations of The Taming of the Shrew: Adaptations and Their Emphasis on Gender focuses on modern adaptations of The Taming of the Shrew. Modern adaptations have a preoccupation with gender that was not necessarily present in the original play, and that is because they fail to include the induction scene. The works discussed are the book Vinegar Girl, the films Isi Life Mein, Deliver Us From Eva, 10 Things I Hate About You, and the television show BBC's ShakespeaRe-Told. In these adaptations, several gender focused themes are apparent. With the framing story, though, the play has many different interpretations, and …

Violence In The Hands Of Women: An Analysis Of Gendered Violence In Life Is Strange And Before The Storm, Mitchi Anne Maja

Senior Theses

This thesis is an analysis of the video games Life is Strange and Before the Storm and how they serve to reflect social expectations and norms placed upon both women and men even today. Cultural studies recently accepted video games as a form of media to study, especially with the prevalence and accessibility of video games in various platforms. Violence in video games is culturally associated with men and the male audience; my analysis focuses on violence in the hands of women. By analyzing the choices I made as a player and how these games present their narratives and characters, …

Poison Ivy's Green Screen Debut: A Rhetorical Criticism On Erasing Identity On Screen, Jennifer Baney

University of the Pacific Theses and Dissertations

This project investigates the loss of power on screen for female comic book characters. Specifically, I investigate how scenes create narratives using heteronormativity and over-sexualization of female characters. The artifact of analysis included in this project is Batman and Robin (1997). This text focuses on Poison Ivy, including the background of the character before dissecting her role in the film. Turning to Sonja J. Foss (2009) and her feminist critique as a guide to understanding the implications of this research. Using feminist criticism, I argue that Poison Ivy was put in a lesser position, removed of her power, and was …