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Images Of/And The Postmodern. Review Of Spectacular Allegories: Postmodern American Writing And The Politics Of Seeing By Josh Cohen, Kathleen Fitzpatrick
Images Of/And The Postmodern. Review Of Spectacular Allegories: Postmodern American Writing And The Politics Of Seeing By Josh Cohen, Kathleen Fitzpatrick
Pomona Faculty Publications and Research
Josh Cohen, in his new book Spectacular Allegories: Postmodern American Writing and the Politics of Seeing, argues that postmodern American novelists ranging from Norman Mailer to Joan Didion, Robert Coover to James Ellroy, do not merely fall into accord with this critique -text good; image bad- but are in fact using the allegorical nature of their encounters with and representations of visual culture as a means of reintroducing the image to history, an attempt to construct a new critical politics of visuality. The possibility of a critical visual agency is raised for Cohen in these writers’ gendered representations of the …
Film Review: The Thin Red Line, James Morrison
Film Review: The Thin Red Line, James Morrison
CMC Faculty Publications and Research
In Malick's new film, his first in 20 years, this tension is gone. The Thin Red Line, based on James Jones' 1962 novel of World War II, pursues the strains of ardent feeling of the director's earlier work but, without seeming to renounce it, forsakes the irony. The core of the film follows an American battalion's fight against the Japanese for a hill at Guadalcanal, and although this core provides dramatic grounding for the movie, it is flanked at both ends, beginning and end, by stretches of storytelling so fragmentary, so mercurial, they're nearly abstract.
Deslanting The Lens, Lui Amador
Deslanting The Lens, Lui Amador
CGU Theses & Dissertations
Deslanting the Lens examines the historical and sociological implications of how Asian men have been represented in popular American film. From the early days of “yellowface” to caricatures like Long Duck Dong, Asian men have been relegated to perpetual foreigner status in American cinema. This paper will explore why the portrayal of Asian men has been limited to very specific ideas about Asian and Asian Americans are in society. This analysis will also include how socio/political events have shaped and influence popular perceptions about Asians, that inform how Asian men continue to be depicted in film.