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Bozo The Clown: An Icon As American As An Apple Pie In The Face, Gregory Kent Oswald
Bozo The Clown: An Icon As American As An Apple Pie In The Face, Gregory Kent Oswald
Dissertations, Theses, and Capstone Projects
There is no single path toward the creation of an American icon, a person or item with resonance to all in the country as well as having an ability to serve as a symbol of America itself for those outside the borders. This thesis considers certain elements that propelled the journey of the entertainment for children, Bozo the Clown, into a representational figure in the minds of young and old. Like all things American, his roots include many elements from outside the country: the name derives from foreign tongues mostly in derisory terms, but in at least one instance as …
No Longer, Not Yet: Retrofuture Hauntings On The Jetsons, Stefano Morello
No Longer, Not Yet: Retrofuture Hauntings On The Jetsons, Stefano Morello
Publications and Research
From Back to the Future to The Wonder Years, from Peggy Sue Got Married to The Stray Cats’ records – 1980s youth culture abounds with what Michael D. Dwyer has called “pop nostalgia,” a set of critical affective responses to representations of previous eras used to remake the present or to imagine corrective alternatives to it. Longings for the Fifties, Dwyer observes, were especially key to America’s self-fashioning during the Reagan era (2015).
Moving from these premises, I turn to anachronisms, aesthetic resonances, and intertextual references that point to, as Mark Fisher would have it, both a lost past …