Open Access. Powered by Scholars. Published by Universities.®
- Institution
Articles 1 - 3 of 3
Full-Text Articles in Entire DC Network
Immigrant Stories: Exploring The Conflicts That A Filmmaker Must Face In A Documentary, Berenice Saez Briceno
Immigrant Stories: Exploring The Conflicts That A Filmmaker Must Face In A Documentary, Berenice Saez Briceno
Electronic Theses and Dissertations
This study attempts to address the personal conflicts that a filmmaker must face in the making of a documentary. It contrasts definitions and theories with the experience of producing the documentary entitled Immigrant Stories and the ethical implications of making it. To conclude, it summarizes the results of the study as final thoughts.
Exploring Ethnic Stereotypes Through The Production Of Five Short Films, Ines Galiano Torres
Exploring Ethnic Stereotypes Through The Production Of Five Short Films, Ines Galiano Torres
Electronic Theses and Dissertations
This is a nontraditional thesis that combines social research in ethnic stereotypes in TV and film with the creative process of film production. This paper contains the formal step of research, in addition to the details on the production and creation of five original short films related to the issue of ethnic representations.
The Development Of Loop-Based Cinematic Techniques In Twentieth Century Motion Pictures And Their Application In Early Digital C, David Scoma
Electronic Theses and Dissertations
For centuries, repetition in one form or another has been seen as a significant element in the artistic palette. In numerous formats of expression, duplication and looping became a significant tool utilized by artisans in a multitude of creative formats. Yet within the realm of film, the Griffith and Eisenstein models of cinematic editing techniques (as the most popular-- and near-monolithic--narrative aesthetic criteria) effectively disregarded most other approaches, including looping. Despite the evidence for the consistent use of repetition and looping in multiple ways throughout the course of cinematic history, some theorists and practitioners maintain that the influx of the …