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Articles 1 - 30 of 145
Full-Text Articles in Entire DC Network
La Vie Et Demie Ou Les Corps Chaotiques Des Mots Et Des Êtres, Caroline Giguère
La Vie Et Demie Ou Les Corps Chaotiques Des Mots Et Des Êtres, Caroline Giguère
Présence Francophone: Revue internationale de langue et de littérature
Due to its polysemy, corporality has several functions in the works of Sony Labou Tansi. More than descriptive or thematic elements, the novelistic bodies in La vie et demie are at the same time meeting points for multiple meanings, objects and producers of discourse. This study aims to demonstrate how the writing of the body is symbolic of a disorder that characterizes the forms and contents of Sony Labou Tansi’s novels and invites the reader to reflect on language and its power.
Chaos Temporel Et Chaos Romanesque Dans Allah N'Est Pas Obligé D'Ahmadou Kourouma, Nathalie Roy
Chaos Temporel Et Chaos Romanesque Dans Allah N'Est Pas Obligé D'Ahmadou Kourouma, Nathalie Roy
Présence Francophone: Revue internationale de langue et de littérature
This paper proposes an analysis of time representation in Allah n’est pas obligé with concepts taken from Temps et récit. It aims to show that in relation to Kourouma’s novel, one of Ricoeur’s hypothesis is revealingly insufficient. This hypothesis actually questions representation modes occuring in the text, exposing one of the sources of fictional chaos.
Folie Et Écriture Dans Calomnies De Linda Lê, Ching Selao
Folie Et Écriture Dans Calomnies De Linda Lê, Ching Selao
Présence Francophone: Revue internationale de langue et de littérature
This article proposes to explore the many faces of madness through a reading of Linda Lê’s Calomnies, in which two narrative voices are presented. The following shall demonstrate how this novel reproduces a “romantic” perception of madness as encountered in Michel Foucault’s work. Although this narrative text introduces a mad narrator speaking in the “I” persona, it nonetheless points out the difficulties of letting madness speak for itself. These difficulties are also examined in this study.
Westview: Vol. 24, Iss. 1 (Fall/Winter 2004)
Silouette (Fall 2004)
Silhouette
Fall 2004
- Advisor: Brian Richards
- Editor in Chief: Jazz Osman
- Assistant Editors: Jessica Thompson, Taryn Malone
- Poetry: Jen Pistole, Phillip Cooke, Peter Scherer
- Prose: Melissa Hoople, Shaun Umland, Justin Isaac
- Art: Kim Crum, Charles Haskins, Heidi Osborne
- Layout: Hank Waring
- Cover: Amanda Ellis
- Distribution: Ashley Brewer
- Events: Amy Reiser
- Music: Lee Fisk, Miranda Dunn, Jeanna Nunn
- Publicity: Shane Henderson
With special thanks to:
- Nick Gampp
- Doug Parsley
- Elsie Shabazz
- Terry Allen
Le Goût Des Jeunes Filles De Dany Laferrière : Du Chaos À La Reconstruction Du Sens, Nathalie Courcy
Le Goût Des Jeunes Filles De Dany Laferrière : Du Chaos À La Reconstruction Du Sens, Nathalie Courcy
Présence Francophone: Revue internationale de langue et de littérature
This paper analyses the way politics, society and the representation of speech is structured in Le goût des jeunes filles, Dany Laferrière’s fourth novel. How do the events told and the disorganised narration itself symbolise the unspeakable? Moreover, how does the characters’ speech rebuild the meaning of existence, and how does Laferrière see the future? Chaos, madness, all that overtakes or destroys the norm, anchors fiction in an attempt to reorganize reality and the imaginary.
Face À La Meute – Narration Et Folie Dans Les Romans De Boubacar Boris Diop, Susanne Gehrmann
Face À La Meute – Narration Et Folie Dans Les Romans De Boubacar Boris Diop, Susanne Gehrmann
Présence Francophone: Revue internationale de langue et de littérature
The article analyses the narrative techniques and the theme of madness in three novels by the Senegalese writer Boubacar Boris Diop, caracterised by narrative polyphony and metatextual reflexion on the production of a story. The speech of protagonists affected by “intellectual madness” plays a strategic role in the structure of the novel which, as a hybrid genre, draws on oral and literary traditions in a still splintered aesthetic. The image of the pack represents an unreasonnable society condemning a so-called mad individual whose madness consists in bringing a counter-memory of the foundation myths.
Transcrire L'Horreur Sur L'Espace De La Page, Bernadette Ginestet-Levine
Transcrire L'Horreur Sur L'Espace De La Page, Bernadette Ginestet-Levine
Présence Francophone: Revue internationale de langue et de littérature
Rachid Boudjedra’s Timimoun uses the theatrical convention of a minibus taking tourists to the desert. In this mini-bus, news from the outside world is brought through the radio, which plays the part of a messenger. The narration moves forward by a progression of press releases that report bombings committed by terrorists. The barbarian nature of the acts is transcribed on the page by means of typography. The spatial/visual convention itself is set in concentric lexical fields – liquid, then desertic – erected as fences in an attempt to confine the unbearable.
Les Pouvoirs Du Récit : Un Remède Au Chaos Du Monde? En Attentant Le Vote Des Bêtes Sauvages, Madeleine Borgomano
Les Pouvoirs Du Récit : Un Remède Au Chaos Du Monde? En Attentant Le Vote Des Bêtes Sauvages, Madeleine Borgomano
Présence Francophone: Revue internationale de langue et de littérature
Right from his first novel, Les Soleils des Indépendances (1970), Kourouma introduced the theme of the reversed world, a baroque metaphor for the state of Africa after Independence. In Monnè (1990), telling the history of this reversal, he insisted on its linguistic roots. Consequently, En attendant le vote des bêtes sauvages (1998) shows how this reversal in the context of Cold War, favoured the genesis and development of dictatorial powers leading to an actual apocalypse. This victory of Chaos is told as a donsomana, traditional song of expiation among the Malinke hunters. The forms and magic virtues of this song …
Parties Annexes
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Untitled Photo #1, Erin Nagel
Archaeology, Mary Akers
Omi The Amazing, Deborah Gillespie
William Eagle Feather Fails To Divulge How Reverend Burden Died, Robert Cooperman
William Eagle Feather Fails To Divulge How Reverend Burden Died, Robert Cooperman
Westview
No abstract provided.
Untitled Photo #2, Erin Nagel
Sage And Cowdogs, Walt Mcdonald
Dancing With Siva, Fredrick Zydek
Mary Lafrance, After Her Talk With Sheriff Dennehy, Robert Cooperman
Mary Lafrance, After Her Talk With Sheriff Dennehy, Robert Cooperman
Westview
No abstract provided.
Contributors, Westview Staff
The Conditions Upon Norbert's Planetesimal, Stefanie Freele
The Conditions Upon Norbert's Planetesimal, Stefanie Freele
Westview
No abstract provided.
The Sad Tale Of Angel Sonora, Thor Jourgensen
The Revised Standard Version, Rachel Chalmers
Waiting For It, Deborah Atherton
Photographs, Gerald Wheeler
High In The San Juan, Walt Mcdonald
My Boy At Shiloh, J. Chester Johnson
Pentimento, Julia Wendell
Original Sin, Allison M. Smith
Caliban, His Letter To Prospero, George Young
Grandfather And His Kelvedon Sweetheart, John Grey