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The Cliffs Of Moher, Megan M. Mishler
The Cliffs Of Moher, Megan M. Mishler
TYGR: Student Art and Literary Magazine 2018-present
No abstract provided.
Entire Issue, Kyra E. Blair, Rachel Sedgwick
Entire Issue, Kyra E. Blair, Rachel Sedgwick
TYGR: Student Art and Literary Magazine 2018-present
No abstract provided.
The Psychology Of Dystopian And Post-Apocalyptic Stories: The Proverbial Question Of Whether Life Will Imitate Art, Donna Roberts
The Psychology Of Dystopian And Post-Apocalyptic Stories: The Proverbial Question Of Whether Life Will Imitate Art, Donna Roberts
International Bulletin of Political Psychology
Dystopian and Post-Apocalyptic genres challenge our notions of Aristotelian mimesis vs Anti-mimesis – i.e., In the study of the human condition, does life imitate art or art imitate life? Popular culture, then and now, provides us with examples to depict the circularity of these notions and the psychological importance of exploring this aspect of human nature, particularly the contemplation of our own collective demise. While we recoil in horror at the images these genres portray, we are also morbidly fascinated by them, and we can’t help but ask ourselves . . . Could that really happen? Will that happen?
Comment …
Giiwe, Skyler Kuczaboski
Cempasuchitl, Jennifer Lopez
The Anti-Yellow Agenda, Karen Zheng
La Figuration De L'Art Dans Les Romans De V.Y. Mudimbe, Olga Hel-Bongo
La Figuration De L'Art Dans Les Romans De V.Y. Mudimbe, Olga Hel-Bongo
Présence Francophone: Revue internationale de langue et de littérature
In Mudimbe's novels, art depicts the author and his writings, through a play of substitution and decentering. The author uses the artistic medium to escape constraints of discursive, religious, political or sexual order and as a place of transfiguration of the characters' desires. The aim of this article is to show that references to painting, literature, cinema and music reflect the refusal of the I to speak about oneself, except indirectly. The author chooses a strategy of decentering by combining the language of words and of images, and suggests, behind the mask of narrative representation, a taste for provocation, social …
The Lady, Kara Neely
Deer Diagram, Kara Neely
Rational Structure, Juan Requena
Some Poison, Some Requena
The Twilight Of The Gods, Juan Requena
Act Your Age, Not Your Shoe Size, Laura-Leigh Todd
Chewing Gum, Rodger E. Bishop Ii
Dévoiler, Rachel Burns
Six And A Half Years Of Roadkill, Chris Da Rosa
Hypotheticals, Mirielle Smith
The Summer Kill-Off, Patrick Kay
Full Issue, The Anthology
Full Issue, The Anthology
The Anthology
This is the entirety of the 2013 Winthrop Anthology issue.
Look At Me, Look At You. And Don't Turn Back, Hannah Bacon
Look At Me, Look At You. And Don't Turn Back, Hannah Bacon
The Anthology
A prose story
Dreamt An Ocean, Kendall Henderson
Leaving Snow White, Rachel Burns
Rarity, Ashley Moore
Adult Food, Lindsey Monroe
Full Issue, The Anthology
Full Issue, The Anthology
The Anthology
This is the entirety of the 2014 Winthrop Anthology issue.
Undone, Laurie Hilburn
Peppered Moth, Connie Shen
Cornpone Gives Directions, Patrick Kay
No Nerves, Ana Barkley
Summer House, Caroline Riley