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La Leçon De Ouologuem Ou Le Portrait De L'Artiste En « Pisse-Copie, Nègre D'Écrivains Célèbres », Désiré Nyela
La Leçon De Ouologuem Ou Le Portrait De L'Artiste En « Pisse-Copie, Nègre D'Écrivains Célèbres », Désiré Nyela
Présence Francophone: Revue internationale de langue et de littérature
The transformation of the African griot/storyteller into a writer was built on the sacredness of his mission, animated by the flame of engagement, inspired by blackness. However, the irruption of Ouologuem into the literary scene brought about a Copernican revolution of sorts by paving the way for a parodic reversal in the conception of the writer. Indeed, Ouologuem's knowledge of the asperities of the literary system surrounding the African novelist leads him to deconstruct the sacred character of the writer's figure; a desecration that places the figure of the writer and the fictional characters of his novel on the same …
Aimé Césaire, Jacques Roumain Et L’Équivoque Du « Retour », Fritz Calixte
Aimé Césaire, Jacques Roumain Et L’Équivoque Du « Retour », Fritz Calixte
Présence Francophone: Revue internationale de langue et de littérature
This article adresses the issue of return in Aimé Césaire and Jacques Roumain’s works. These writers, like many other Caribbean writers, have the particularity to update the old dream of return to homeland of the slaves transplanted to the New World. They reproduce by fiction the uncomfortable legacy of colonial societies. But the authors depicting this theme, usually do so in the form of an obsessive search for an ideal life to realize somewhere else than here. Jacques Roumain is in this tradition with a few additions. Aimé Césaire for his part, proposes in his notebook of a return to …
Roland Brival Et Le Métissage:Un Nouvel Humanisme, Yolande Aline Helm
Roland Brival Et Le Métissage:Un Nouvel Humanisme, Yolande Aline Helm
Présence Francophone: Revue internationale de langue et de littérature
the article focalizes on roland Brival’s conception of “métissage” in his fiction texts:for him, it is synonymous to a new “humanism”. i revisit the theories which have permeate French caribbean literature (negritude, creolity, creolization). they are not synonymous of “métissage”; in fact, Brival’s vision is apart from the “creolity” movement.