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Écriture De L'Enfance Et Projection Fictionnelle De Soi Dans Impossible De Grandir De Fatou Diome, Damo Junior Vianney Koffi
Écriture De L'Enfance Et Projection Fictionnelle De Soi Dans Impossible De Grandir De Fatou Diome, Damo Junior Vianney Koffi
Présence Francophone: Revue internationale de langue et de littérature
This article examines the retelling of childhood in Impossible de grandir. Not only does the study focus on the recalling of childhood memories taken as locus of survival of the "je", as expression of the novelist's personality disguised as Salie, her fictional double, but it also examines the processes and implications of such a mode of literary creation set up as an internal and post traumatic dialogue between present and past, a present and past self. Such conversation, I argue, makes apparent the fragmentations of the "je" and the hybrid identity construction of Fatou Diome. As well, provided this process …
Passage, Unité Nationale Et Écriture Du Mythe Dans Falagountou De Yamba Élie Ouédraogo, Alain Joseph Sissao
Passage, Unité Nationale Et Écriture Du Mythe Dans Falagountou De Yamba Élie Ouédraogo, Alain Joseph Sissao
Présence Francophone: Revue internationale de langue et de littérature
The metaphor of national unity through the passages of the eponymous hero Falagountou Yamba Elie Ouédraogo: myth of unity or unity of the myth? Yamba Elie Ouédraogo brushed a gargantuan romantic mural in her latest novel Falagountou. Falagountou appears in many ways like a quest for the Grail of identities to form identity. These passages of the hero mythical half-man, half-Hercules – like the epic of Gilgamesh – crosses different regions of Burkina Faso who report a culmination of the intermediate time, in-between, to apprehend modalities that govern the construction of crises, utopias, individual projections. In this, the novelist is …
Entre Expatriation Et Apatridie : Les Romans De Gaston-Paul Effa Et Henri Lopes, Yves Abel Feze
Entre Expatriation Et Apatridie : Les Romans De Gaston-Paul Effa Et Henri Lopes, Yves Abel Feze
Présence Francophone: Revue internationale de langue et de littérature
The stories of exile and return from exile of novelists Gaston-Paul Effa and Henri Lopes give themselves to read on how to register a double “desappartenance” and focuses in the heart of their narratives the figure of a now be stateless, alien to itself and to the Other. We propose, therefore, to study the reconstruction of identity as it is the result of emigration and return on the homeland. This leads thus to the conclusion that the stateless defies the nation in order to situate itself and his stories in a transnational space.
Mères Migrantes Et Fi Lles De La République : Identité Et Féminité Dans Le Roman De Banlieue, Mame-Fatou Niang
Mères Migrantes Et Fi Lles De La République : Identité Et Féminité Dans Le Roman De Banlieue, Mame-Fatou Niang
Présence Francophone: Revue internationale de langue et de littérature
This article examines the writings of female authors from the French suburbs, whose novels feature female protagonists born in immigrant families and engaged in a quest to redefine self. The novels explore the generational differences between these characters and the impact of the quest for self on mother-daughter relations. Their analysis brings light to the authors’ attempt at conjuring the stereotypes generally attached to the banlieue and to immigrant women. I argue that through the evocation of non-hegemonic visions, these novels present the banlieues as dynamic spaces allowing for a new discursive practice of identity and citizenship.
Entre France Et Vietnam : Linda Lê Et La Problématique Mémorielle, Hervé Tchumkam
Entre France Et Vietnam : Linda Lê Et La Problématique Mémorielle, Hervé Tchumkam
Présence Francophone: Revue internationale de langue et de littérature
Building on Paul Ricoeur’s work on memory and forgetting, this article analyzes exile and identity in Linda Lê’s Calomnies, a novel that narrates the peregrinations of a young girl exiled from her native Vietnam because of French war but nevertheless living in France. Building on the contention that identity is somewhat problematic in exile, I argue that while the narrator’s resort to her relatives in order to remember her past, her struggle to battle oblivion often takes shape against the backdrop of collective memory. More specifically, I investigate Calomnies to show that the narrative of exile and the subsequent quest …
Langue Et Identité Chez Leïla Sebbar. Vers Une Filiation Renégociée, Cécilia W. Francis
Langue Et Identité Chez Leïla Sebbar. Vers Une Filiation Renégociée, Cécilia W. Francis
Présence Francophone: Revue internationale de langue et de littérature
In Je ne parle pas la langue de mon père (2003), L’arabe comme un chant secret (2010a), as well as in other components of her intimate prose, Leïla Sebbar reflects on her sense of dispossessed identity due to linguistic exile and an unknown heritage, resulting from ruptures in her paternal filiation. Drawing from the works of Jacques Derrida, Régine Robin and Simon Harel, which form the basis of our argumentation, we examine various dimensions of the severed parental bond. The article proposes to examine how Sebbar’s autobiographical writings, which incorporate scenarios dealing with legacy transmission expressed in terms of auditory …
Parades Banlieusardes. El Hadj De Mamadou Mahmoud N’Dongo Et Les Identités Criminelles, Hervé Tchumkam
Parades Banlieusardes. El Hadj De Mamadou Mahmoud N’Dongo Et Les Identités Criminelles, Hervé Tchumkam
Présence Francophone: Revue internationale de langue et de littérature
This article aims at understanding the relation between crime and identity formations in the French banlieues, especially in the wake of the 2005 urban riots. The essay performs a reading Mamadou N’Dongo’s novel El Hadj at the intersection of aesthetics and politics in order to scrutinize identity formations and related debates at stake in the prisons of poverty and oppression that constitute the banlieues whose inhabitants are the third or fourth generation of the heirs to African immigration in France. Ultimately, the paper contention is that what I call “banlieue parade” stands out as the new model of identity that …