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« Une Maison Abandonné, C'Est Comme Une Histoire Inachevée ». Espace, Corps Et Recit Dans La Nuit Sacrée De Tahar Ben Jelloun, Clarisse Barbier
« Une Maison Abandonné, C'Est Comme Une Histoire Inachevée ». Espace, Corps Et Recit Dans La Nuit Sacrée De Tahar Ben Jelloun, Clarisse Barbier
Présence Francophone: Revue internationale de langue et de littérature
We will analyze the relationship between body, space, and narration, three major concepts of La nuit sacrée that are intertwined in their value of potential means of alienation but also of liberation and of power. We will first examine the main closed spaces and their influence on Zahra's body and narration. Then we will analyze the occurrences of bodies to determine to which extent they inform of Zahra's progression - or regression - in her quest. Finally, Zahra's psychological evolution will be studied: Zahra finally finds her liberation through the somatization of her past, not its rejection, and through speech.
Postures Féminines Dans L’Oeuvre De Calixthe Beyala, Carmen Husti-Laboye
Postures Féminines Dans L’Oeuvre De Calixthe Beyala, Carmen Husti-Laboye
Présence Francophone: Revue internationale de langue et de littérature
The aim of this paper is to analyze, through the example of the feminist positions proposed by Calixthe Beyala in the novels she wrote between 1987 and 2007, the change of the novelist’s ideological and artistic perspective. It emphasizes the progressive loss of critical voice to the advantage of a new voice wishing to understand itself as individuality in its world. This study reveals the novelist’s contribution to the construction of a new position of the individual in the context of French social and cultural life.
La Vie Et Demie Ou Les Corps Chaotiques Des Mots Et Des Êtres, Caroline Giguère
La Vie Et Demie Ou Les Corps Chaotiques Des Mots Et Des Êtres, Caroline Giguère
Présence Francophone: Revue internationale de langue et de littérature
Due to its polysemy, corporality has several functions in the works of Sony Labou Tansi. More than descriptive or thematic elements, the novelistic bodies in La vie et demie are at the same time meeting points for multiple meanings, objects and producers of discourse. This study aims to demonstrate how the writing of the body is symbolic of a disorder that characterizes the forms and contents of Sony Labou Tansi’s novels and invites the reader to reflect on language and its power.