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Family Memory, Religion And Radicalism: The Priestman, Bright And Clark Kinship Circle Of Women Friends And Quaker History, Sandra Stanley Holton
Family Memory, Religion And Radicalism: The Priestman, Bright And Clark Kinship Circle Of Women Friends And Quaker History, Sandra Stanley Holton
Quaker Studies
In the nineteenth century, women Friends frequently preserved private family papers - spiritual memoranda, letters, diaries, photograph albums, household accounts, visitors books and so on. One such collection holds the personal papers of women in, among others, the Bragg, Priestman, Bright, and Clark families, who lived during this period mainly in the regions of Newcastle, Manchester and Bristol. Such material allows an exploration of the domestic culture shared among these families and, in particul ar, the legacy of family memory preser ved among this collection. A significant part of that legacy, it is argued, was the various representations of womanliness …
Time, Photography, And Optical Technology In Nabokov's Speak, Memory, Tetyana Lyaskovets
Time, Photography, And Optical Technology In Nabokov's Speak, Memory, Tetyana Lyaskovets
CLCWeb: Comparative Literature and Culture
In her article "Time, Photography, and Optical Technology in Nabokov's Speak, Memory" Tetyana Lyaskovets discusses how Vladimir Nabokov narrates time in his autobiography by invoking photography and optical instruments. Photography and optical technology function in Speak, Memory as metaphors and probe the limits of chronological time. Nabokov portrays time as personal and reversible time that collapses the past and the present and allows one to glimpse the future. Because this temporal collapse is not possible physically but, as Nabokov believes, can be achieved through one's will, he engages optical technologies which provide a spatial form for his project to …
Turning To See Otherwise, Jennifer L. Martin
Turning To See Otherwise, Jennifer L. Martin
Electronic Thesis and Dissertation Repository
This thesis dossier, in combination with an exhibition at the McIntosh Gallery, considers whether an archival collection can generate an alternative narrative other than that which may already exist in the original film and photographic documents. Rather than represent a singular truth, I seek to articulate the transformative realities of collective memory by re-orienting the material for broader viewer identification. I have mined photographic and filmic materials from a personal family archive to focus fragments that specifically record the gesture of the turning face—the turning towards the observer. This “turn” then includes both the turn towards the initial film-maker embedded …
TodavíA Bailamos La Cueca Sola : From Local Protest Practice Against Chile's Dictatorship To (Trans)National Memory Icon, Karolina Sonja Babic
TodavíA Bailamos La Cueca Sola : From Local Protest Practice Against Chile's Dictatorship To (Trans)National Memory Icon, Karolina Sonja Babic
Legacy Theses & Dissertations (2009 - 2024)
This dissertation is a multi-sited cultural-historical ethnography about the cueca sola, a dance that was created to denounce the disappearances of citizens during Chile's dictatorship in the 1970s. Some women with missing relatives, who belonged to the music group Conjunto Folclórico of the Association of the Relatives of the Detained and Disappeared (AFDD), created a variation on the Chilean national dance (the cueca - traditionally a courtship dance between a man and a woman) which did not involve a male partner. Instead, they performed it alone. In so doing, these women, who were among the first to denounce the military's …