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The Spectacle Of Orphanhood: Reimagining Orphans In Postbellum Fiction, Afrin Zeenat
The Spectacle Of Orphanhood: Reimagining Orphans In Postbellum Fiction, Afrin Zeenat
Graduate Theses and Dissertations
Orphan iconography has always been deployed in American literature and culture, but nineteenth-century American literature, fiction in particular, abounds in orphans, both real and imaginary. The orphan’s amphibious nature is hailed and demonized as the epitome of individualism and unbridled freedom, and also as the location of society’s anxiety. This complicated and conflicted construction of orphans animates the Social and cultural realm in postbellum America, foregrounding issues of class, race, and gender.
Evaluating A Brief Sexual Violence Therapy Group For Incarcerated Women, Marie Elisabeth Karlsson
Evaluating A Brief Sexual Violence Therapy Group For Incarcerated Women, Marie Elisabeth Karlsson
Graduate Theses and Dissertations
Incarcerated women report higher rates of sexual victimization and mental illness than the average woman and incarcerated men. Researchers have argued that sexual victimization is a pathway to prison for women, and that there is a lack of trauma-focused treatments in prisons. Some researchers have evaluated trauma-focused group treatments for incarcerated women (Bradley & Follingstad, 2003; Cole et al., 2007; Ford, Chang, Levine, & Zhang, 2013; Kubiak, Kim, Fedock, & Bybee, 2012; Paquin, Kivlighan, & Drogosz, 2013; Roe-Sepowitz, Bedard, Pate, & Hedberg, 2014; Zlotnick, Johnson, & Najavits, 2009), with mixed results and several limitations. Most of these treatments are lengthy …
Occupying The Pedestal: Gender Issues In Ellen Gilchrist, Karon Reese
Occupying The Pedestal: Gender Issues In Ellen Gilchrist, Karon Reese
Graduate Theses and Dissertations
Ellen Gilchrist's works shows the struggles of women living in a postmodern South. This dissertation explores Gilchrist's representations of southern women as they transition from the old South to modernity. Gilchrist's work depicts women who attempt to break off the pedestal of white Southern womanhood, but never quite do, often simultaneously disrupting and confirming traditional notions of a "good Southern lady." Gilchrist shows how women occupy the pedestal as a form of refuge and also as a form of protest. These are women who, as they navigate the transition to a new South, are reluctant to surrender the privilege of …