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Beyond Victimhood: Female Agency In Nigerian Civil War Novels, Enajite E. Ojaruega
Beyond Victimhood: Female Agency In Nigerian Civil War Novels, Enajite E. Ojaruega
CLCWeb: Comparative Literature and Culture
Enajite E. Ojaruega discusses in her “Beyond Victimhood: Female Agency in Nigerian Civil War Novels” the agential roles women played during the Nigeria-Biafra war as reflected in selected fictional narratives. Female characters are generally impacted negatively by their individual and collective war-time experiences. However, there is another important aspect of women's war-time experiences that has largely been underplayed in most historical or literary accounts on war. Female agency recognizes this gender’s participatory roles during the conflict as they reconstruct their subjectivity in more beneficial ways in the unfolding circumstances of war. Women are depicted as being able to explore their …
Where Are The Women?: An Ecofeminist Reading Of William Golding’S Lord Of The Flies, Hawk Chang
Where Are The Women?: An Ecofeminist Reading Of William Golding’S Lord Of The Flies, Hawk Chang
CLCWeb: Comparative Literature and Culture
The absence of female characters and their voices in William Golding’s Lord of the Flies (1954) has been previously examined. On the surface, this fiction focuses on the struggle and survival of a group of boys who are left alone on a Pacific island against the background of nuclear warfare. The only presence of women in the story seems to be the aunt via a boy’s narration. However, when approaching the fiction through the lens of ecofeminism, we can find a range of feminized entities which are metaphorically embodied in the natural surroundings of the secluded island. The boys’ interactions …
Women Writing For Other Women In Colombia’S Current Armed Conflict, María Mercedes Andrade
Women Writing For Other Women In Colombia’S Current Armed Conflict, María Mercedes Andrade
CLCWeb: Comparative Literature and Culture
In her article "Women Writing for Other Women in Colombia's Armed Conflict" María Mercedes Andrade compares Patricia Lara's Las mujeres en la guerra (2000) and Patricia Tovar's Las viudas del conflicto armado en Colombia: Memorias y relatos (2006). Andrade's objective is to compare how these texts of testimonios deal with the question of representing women's experience and of turning oral testimonies into writing. Lara, writing for a popular audience, edits her material in order to make it more literary and mixes fictional accounts with the testimonios she collects. In contrast, Tovar writes for an academic public and reflects about the …