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Yellow Fever: Asian Representation In Western Pornography, Chye Shoong Chin

Student Scholar Symposium Abstracts and Posters

This research project seeks to explore the various implications porn films make on Asians Orientalism. Generally, Asians in pornography are composed of multiple negative archetypes, all based on the underlining purpose of servitude. Characters are portrayed through stereotypes including the use of colonial language to misrepresent Asian men and women in both straight and gay porn videos. Referred to as Orientalism, this ideology exploits Asian characters to privilege the White, male viewer. My research project investigates the following question: How are Asians represented in gay and straight pornographic films and pornographic scenes?

I will be applying scholarly arguments to various …

Diasporadical: In Ryan Coogler's 'Black Panther,' Family Secrets, Cultural Alienation And Black Love, Terri P. Bowles

Markets, Globalization & Development Review

This is a review of the film Black Panther (2018) by Ryan Coogler, which traces the arc of the comic book hero as he faces an unanticipated challenge to his power by a man who threatens not just his throne but also the future of his nation. The review explores the ways in which the legacy of slavery and colonialism inform the distinct political and philosophical ideologies of the two main characters, and how inequality drives political thought.

Wonder Woman: Classical Hero, Modern Superheroine, And Feminist Figure, Victoria A. Karnes

Celebration of Learning

Wonder Woman, an Amazonian princess and superheroine who has been inspiring women since her comic debut in 1941. From her origins to the villains she faces, Wonder Woman’s stories and character are wrapped up in allusions to famous myths and figures of Greek and Roman literature. In my Senior Inquiry, I investigate Wonder Woman’s Classical connections and compare the ancient portrayal of Amazonian women to their portrayal in the comics and the recent films Wonder Woman (2017) and Justice League (2017). Also, in my Senior Inquiry, I analyze Dr. William Marston’s complicated and problematic feminist views which inspired his creation …

Private Rainbows, Mikey F. Estes

Theses and Dissertations

I make art that refers to how the self is mediated through structures, objects, and images — a kind of self-portraiture that circles around its subject, reflecting a state of simultaneous formation and disintegration. Over the past few years, I have used my iPhone as a tool to make images of everyday life. As the user of this device, I am defined by both my presence and absence. I am interested in the process of locating the self within the scattered yet ordered space of the screen.

Visual Representation Of Women In Media, Olivia Medina, Morgan Bailey, Phoebe Bonfield, Blake Fonberg

Women’s Studies, Feminist Zine Archive

No abstract provided.

La Adaptación Afro-Futurística Y El Placer Como Supervivencia En "Los Pueblos Silenciosos" De Elena Palacios Ramé, Samuel Ginsburg

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

In “The Silent Towns,” from the 1950 collection The Martian Chronicles, Ray Bradbury tells the story of the last man and woman left on Mars. While Walter has romanticized visions of a perfect match, he is ultimately disappointed by Genevieve’s and chooses to live out his life alone. Sixty years later, director Elena Palacios Ramé revived this science fiction classic to ask a simple question with a complex answer: What happens if you move the story to Havana? In the short film Los pueblos silenciosos (2010), Palacios replaces Mars with an abandoned Cuban capital, matching Walter with an extravagant Afro-Cuban …

Bengali Art House Cinema, Women’S Subjectivity, And History: Satyajit Ray’S Use Of Silence In Charulata (1964) And Devi (1960), Lakshmi Quigley

Journal of International Women's Studies

Unmediated representations of women’s everyday subjective experiences of historical events are difficult to find in discourses about masculinity and femininity. Discussions often centre on normative expressions of sexual difference, explaining the ways in which patriarchy was reconstituted rather than focusing on women’s experiences. Late nineteenth century strands of nationalist thought in the Bengal relied on gendered ideas about the nation, self, and society in their representations of womanhood, which served as a symbol of the nation. Various historians have explored the idealised versions of women that these discourses presented, but often these studies fail to examine portrayals of the subjective …

The Generosity Paradox, Paul Walker

Faculty & Staff Research and Creative Activity

No abstract provided.

In-Terracial Conversation, Cheryl Dunye, Alexandra Juhasz

Publications and Research

No abstract provided.

Some-Ness In No-When: Queer Temporalities In The Horror Genre, Melody Hope Cooper

Theses, Dissertations and Capstones

In my research, I question why heteronormative society is afraid of the elements of horror films that are inherently queer. My focus is on temporal understandings of horror through the concepts of queer time, as theorized by Jack Halberstam and the theory of the abject, as presented by Julia Kristeva. I examine the relationship between queer time and heteronormative time. The abject serves as the return of time without identity or defined by binaries. Queer time is the time that will destroy heteronormative time’s conception of itself. This then relates to the horror that is created by the queering of …

Reclaiming The Streets: Investigating Female Experience Of Cinematic Urban Violence, Angelica De Vido

Journal of Feminist Scholarship

The spatial ideologies and narrative tropes of gendered victimhood, which are designed to induce fear and anxiety, are routinely employed to govern and restrict female access to and experience of urban spaces—both in cinematic depictions and in the real world. This paper explores how such tropes are challenged and rewritten in three screen narratives based in urban landscapes: London in Happy-Go- Lucky (2008), Paris in Amélie (2001), and New York in Sex and the City (1998–2004). Contrary to the ideologies of fear that routinely dominate urban narratives, I will argue that the texts under discussion instead display the city as …

#Representationmatters: A Study Of Masculinity In The Avengers Movies, Lauren F. Cooke

Senior Projects Spring 2018

Senior Project submitted to The Division of Social Studies of Bard College

The Dancer's Paradox: Dance In Egyptian Film, Roberta L. Dougherty

Roberta L. Dougherty