Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 4 of 4
Full-Text Articles in Entire DC Network
The Zombie Apocalypse Has Already Happened: Queering Subjectivity In Zombie Film, Jessica Dunn
The Zombie Apocalypse Has Already Happened: Queering Subjectivity In Zombie Film, Jessica Dunn
Electronic Theses and Dissertations
This dissertation traces the encounter between psychology as a human science and the viral zombie film genre using the collaborative works of Deleuze and Guattari in conjunction with the queer anti-humanist theories of Colebrook and Halberstam. I interwove thematic (i.e. plot, dialogue, character development) and cinematographic (i.e. shot composition, editing, lighting, musical score) analyses of fourteen viral zombie films with theoretical arguments regarding the deterritorialization of the human subject and its relevance to psychology as a human science. The films were selected from the plethora of viral zombie films released after the turn of the 21st century. The selection was …
Nonbinary Identities And The Self: A Contemporary Analysis Of Hedwig And The Angry Inch, Gender Identity, And Existentialism, Emily "Soren" Hodshire
Nonbinary Identities And The Self: A Contemporary Analysis Of Hedwig And The Angry Inch, Gender Identity, And Existentialism, Emily "Soren" Hodshire
Cultural Studies Capstone Papers
Although there has been extensive discourse about gender and the performativity of gender from scholars, there is little room for the language and existence for Non-binary identities in the material world. Through a reading and discourse analysis informed by both queer theory and existentialism, this project demonstrates that the film, Hedwig and The Angry Inch (2001) goes beyond disrupting gender binaries to giving up on gender binaries altogether, postulating the existence of a creative identity beyond male and female. This film is used as a case study to analyze and deconstruct gender on screen and how people read gender non-conforming …
How Queer Came To Be: Deconstructing White Queerness In Melville's "Bartleby," Ginsberg's Howl, And Morrison's A Mercy, Sara Elizabeth Parnell Wilcox
How Queer Came To Be: Deconstructing White Queerness In Melville's "Bartleby," Ginsberg's Howl, And Morrison's A Mercy, Sara Elizabeth Parnell Wilcox
Graduate Theses
In American LGBTQ+ communities, questions continually arise about what it means to live in a post-gay marriage world. Is there still a need for a division between LGBTQ+ and heteronormative spaces, such as nightclubs or parades? What purpose does the ideological signification of a queer identity serve if, ostensibly, queer communities are now equal with their heteronormative counterparts? Rather than accepting the homonormative, post-gay marriage premise that underlies frequent, current representations of “queerness” in terms of white, male, gay bodies, I plan to explore the convergence of aesthetics and politics as a method of freeing queer theory from some of …
Disarming “Nature” As A Weapon: A Queer Ecosemiotic Reimagining Of Futurity And Environmental Ethics Through Memoir, Sam Lauer
Master’s Theses
In this thesis, I posit that the need for an active, conscious, and radical queering of ecocriticism as a literary and cultural theory has arisen in light of the postmodern problematization of “nature” and the “natural,” along with the queerness of society, culture, and science. The way we understand “nature” (in life and in texts), whether of physical environments, inherent selfhood, or normalcy, begs to be appropriately informed by discourses and realities of queerness in order for both social and environmental healing to take place. I have analyzed three works of queer creative nonfiction—memoirs—to illuminate the ways in which the …