Digital Commons Network^™

Bad Girls In Corsets: Women And The Transgressive Body In The Nineteenth Century, Colleen Warwick Green

Open Access Dissertations

Women, and their bodies, posed an increasing anxiety for Victorian society. Culturally and outwardly, the Victorian era strove to maintain a level of decorum that, increasingly, the nineteenth-century woman were, rebelling against. The urge for women to break through social barriers and constraints binding them to the century created a divergence in thought from the traditional mores of the past, in turn affecting the ways in which womens’ bodies were portrayed, displayed and manipulated by the authors and artists of the century.

As women entered actively entered into spaces once closed to them, they furthered the rift of uncertainty and …

Prudery And Perversion: Domination Of The Sexual Body In Middle-Class Men, Women, And Disenfranchised Bodies In Victorian England, Ashley Barnett

Electronic Theses and Dissertations

This research argues that with the rise of the middle-class, Victorian England saw the development of a power model in which middle-class men, middle-class women and disenfranchised bodies of children and lower-class women suffered from the demands of bodily domination. Because the bodily health of middle-class men was believed to represent national health, it was imperative that he dominate his body, particularly with regard to sexual urges. Consequently, the bodies of women with whom he sought sexual release suffered from forms of bodily domination as well. Through an analysis of journals and private writings of those living in Victorian England, …

'And I Am A Material Girl': How Aesthetics And Material Culture Fashion Femininity In Edith Wharton's The Age Of Innocence, From Text To Film, Avery Novitch

Honors Theses

This thesis explores the role of aesthetics and material culture in Edith Wharton’s 1920 novel The Age of Innocence and in Martin Scorsese’s 1993 film adaptation. In Wharton’s Old New York, material opulence is arguably the most essential aspect of culture. Newland Archer is the primary authority on fashion and taste within the narrative, and is thus charged with enforcing standards of socially constructed Victorian femininity with regard to his two romantic interests, May Welland and Ellen Olenska. Scorsese’s film uses mise-en-scène to echo the detail rich design aesthetic found in Wharton’s prose; however, the film’s abandonment of Newland’s distinctly …

"Mother, I Will": Female Subjectivity And Religious Vision In The Brontës Novels, Amanda Scott

UNLV Theses, Dissertations, Professional Papers, and Capstones

Anne, Charlotte, and Emily Brontë have long attracted sustained critical attention, in

large part because of their strong female protagonists. These strong-willed women self-assuredly reject oppression and model new paradigms for the Victorian woman to empower her subjectivity. This subjectivity serves, in turn, not only as the ability to form and express views counter to outworn social prescriptions, but it also serves as the centralized interior focus that allows their protagonists to think of themselves as the foremost subjects of their lives, rather than see themselves as pawns to be moved about in the games of patriarchal hierarchy. This study …