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Father Of All Destruction: The Role Of The White Father In Contemporary Post-Apocalyptic Cinema, Felicia Cosey
Father Of All Destruction: The Role Of The White Father In Contemporary Post-Apocalyptic Cinema, Felicia Cosey
Theses and Dissertations--English
Since September 11, 2001 a substantial number of English-language, post-apocalyptic films have been released. This renewed interest in the genre has prompted scholars to examine the circumstances within western society that make post-apocalyptic films appealing to audiences. The popularity of these films derives from a narrative structure that reinforces conservative notions of good and bad and moral absolutism. The post-9/11, post-apocalyptic film typically features a white male hero who, in one way or another, reestablishes the pre-apocalyptic social order through proclamations of mandatory and prohibitive laws that must be adhered to by the survivors. The hero of post-apocalyptic film does …
The Contest Of Marriage: Domestic Authority In The Victorian Novel, Morgan Richardson
The Contest Of Marriage: Domestic Authority In The Victorian Novel, Morgan Richardson
Theses and Dissertations--English
In “The Contest of Marriage: Domestic Authority in Victorian Literature”, I argue that depictions of engaged and newlywed couples in the Victorian novel consistently dismantle the concept of marriage, depicting the process of two individuals attempting to become one couple as a tenuous and even dangerous project to be undertaken during the nineteenth century. By looking at works where the decision to marry comes at the beginning of the novel rather than the conclusion, I examine the ways in which different novelists document and anatomize the consistent failures in the theoretical underpinnings of domesticity and conjugality. Given that gender, separate …
Come Together: Desire, Literature, And The Law Of The Sexual Revolution, Eir-Anne E. Edgar
Come Together: Desire, Literature, And The Law Of The Sexual Revolution, Eir-Anne E. Edgar
Theses and Dissertations--English
While some scholars have viewed the Sexual Revolution as a “war” with winners and losers, this project finds that all Americans were subject to the fantasy of liberation. This fantasy takes different forms during the era, including relaxed sexual strictures against pre-marital sex, the availability of birth control, and an increased focus on sexual pleasure. However, the seemingly liberatory quickly becomes conservative, coming into focus through the analysis of court cases and legal mandates that protected the declining structures of marriage and heteronormativity. Beginning with widespread fears about interracial mixing in the early 1950’s, escalated by the end of segregation …
Strong, Independent, And In Love: Fighting Female Fantasies In Popular Culture, Allison P. Palumbo
Strong, Independent, And In Love: Fighting Female Fantasies In Popular Culture, Allison P. Palumbo
Theses and Dissertations--English
During the late 1970s and 1980s, feminist critics like Janice Radway began to reconsider so-called women’s genres, like romance novels and soap operas and melodramas, in order to address the forms of subversion and expressions of agency they provided female audiences. However, in spite of greater willingness to consider the progressive potential in romance narratives, there has been little such consideration given to stories of romance for the fighting female character—defined as a protagonist who uses violence, via her body or weapons, to save herself and others. The fighting female has received a good deal of attention from critics like …