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Still, Unfolding, Ramolen Mencero Laruan
Still, Unfolding, Ramolen Mencero Laruan
Electronic Thesis and Dissertation Repository
Together with my Master of Fine Art thesis exhibition, still, unfolding, at Zalucky Contemporary (Toronto, Ontario), this dossier constitutes the following accompanying components: a comprehensive artist statement, documented artwork, an interview with artist Erika DeFreitas, and a curriculum vitae. These components contextualize my subject-position, and outline theoretical research, motivations, and reflections that drive my work. I expand on the diasporic experience, politics of knowledge, and the autobiographical genre as they are linked methodologies in the retrieval of immigrant histories. The fusion of autobiography and fiction becomes a hopeful approach in challenging forgotten or omitted history and confronts the expectations …
El Espacio Torcido En La Narrativa Mexicana De Temática Homosexual: 1977-1997, Juan Carlos Rocha Osornio
El Espacio Torcido En La Narrativa Mexicana De Temática Homosexual: 1977-1997, Juan Carlos Rocha Osornio
Electronic Thesis and Dissertation Repository
This thesis examines how the narratives of Raúl Rodríguez Cetina, Luis Zapata, Mario Bellatin, and Gerardo Guiza Lemus recreate what I call Espacio Torcido (Queer Space) in which they aim (some more than others) at questioning and deconstructing the values of the heteronormative system: ambiguity, pleasure, rupture, and the quest for legitimacy compose this space. While each author takes a different approach, it can be said that they all participate in the construction of the history of the gay community in Mexico as seen in the latter part of the XX century: 1977-1997. In particular, this study looks at how …
Relational Viewing: Affect, Trauma And The Viewer In Contemporary Autobiographical Art, Matthew Ryan Smith
Relational Viewing: Affect, Trauma And The Viewer In Contemporary Autobiographical Art, Matthew Ryan Smith
Electronic Thesis and Dissertation Repository
This dissertation examines the communicative relationship between contemporary autobiographical art and the viewer. By analyzing the work of six artists, Richard Billingham, Jaret Belliveau, Larry Clark, Nan Goldin, Lisa Steele and Bas Jan Ader, I maintain that lived experience and personal history condition the way viewers respond to autobiographical art. I turn to literary theory as a critical methodology to argue that autobiographical art operates as a catalyst for identification, memory and self-discovery. I use affect and trauma theory to demonstrate how artwork produces meaning and discourse through the viewer’s feelings, emotions and bodily sensations. Consequently, I survey the importance …