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Sowing Seeds Of Subversion: Nineteenth-Century British Women Writers' Subversive Use Of Fairy Tales And Folklore, Shandi Lynne Wagner
Sowing Seeds Of Subversion: Nineteenth-Century British Women Writers' Subversive Use Of Fairy Tales And Folklore, Shandi Lynne Wagner
Wayne State University Dissertations
"Sowing Seeds of Subversion: Nineteenth-Century British Women Writers' Subversive Use of Fairy Tales and Folklore" focuses on the fictional works of nineteenth-century British women authors, analyzing their use of fairy-tale and folklore motifs to criticize social mores, in particular those surrounding domestic ideology and the institution of marriage. By situating texts within their sociocultural contexts, I explore how nineteenth-century women authors revised and adapted classic fairy tales to communicate subversive, proto-feminist social criticism to a variety of audiences. I examine fiction and poetry published in literary annuals, in fairy-tale collections, and in the more generally available collections of poetry and …
Undermining The Angelic Restrictions Of First-Wave Feminism: What The New Woman Did, Didn't, And Wouldn't Do, Jane Kristen Asher
Undermining The Angelic Restrictions Of First-Wave Feminism: What The New Woman Did, Didn't, And Wouldn't Do, Jane Kristen Asher
Wayne State University Dissertations
This dissertation provides an intertextual reading of Grant Allen's The Woman Who Did (1895), Victoria Cross's The Woman Who Didn't (1895), and Lucas Cleeve's The Woman Who Wouldn't (1895) in order to historically and culturally contextualize these popular New Woman novels in social-purity feminism, the marriage debate, and reticent sexual politics of the late-nineteenth century. By examining the ways that The Woman Who heroines discursively and thematically engage with first-wave feminism and by focusing on this dialectical exchange of feminist ideas and practices as they were manifested in feminist publications and campaigns at the turn of the century, I argue …