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Great Mirror Of Motherly Love: Maternal Fantasy, Mystic Mothers, And Reflected Selves In Modern And Contemporary Japanese Fiction, Jessica E. Legare Aug 2016

Great Mirror Of Motherly Love: Maternal Fantasy, Mystic Mothers, And Reflected Selves In Modern And Contemporary Japanese Fiction, Jessica E. Legare

Arts & Sciences Electronic Theses and Dissertations

Fantasy and mysticism often serve as key elements in escapist literature—constructing stories that move protagonists beyond the furthest reaches of the real, the familiar and the human. Yet, the otherworldly can also bring the protagonist within reach of the familiar if we consider the representations of mothering in the following Japanese narratives: Tanizaki Jun’ichirō’s “Longing for Mother” (1919), Izumi Kyōka’s “The Holy Man of Mount Kōya” (1900), Takahashi Takako’s “Doll Love” (1976), and Ono Masatsugu’s “Prayers from Nine Years Ago” (2014). Through their depictions based on supernatural and spiritual tropes, mystical-mother figures become metaphorical mirrors meant to reflect the protagonists’ …


Mr. Jonathan P. Berger: Gentle Conflations, Jonathan Patrick Berger, Mr. Jonathan P. Berger May 2016

Mr. Jonathan P. Berger: Gentle Conflations, Jonathan Patrick Berger, Mr. Jonathan P. Berger

Graduate School of Art Theses

Sentimentality is a critical aspect of human existence because it is human-natural, agendered, and provides ground for gentle conflation of the domestic sphere and the roles within it. As an artist, I am able to utilize sentimentality to open possibilities and welcome, instead of molest, viewers into contemplation with the assumed norms of domesticity.

With its origins founded in the Age of Enlightenment, sentimentality was a praiseworthy endeavor, one based on intelligence and contemplation. I define sentimentality as the emotional intellect’s way of encoding or decoding the soft emotions surrounding and within objects, people, times or ideas. Soft emotions are …


Make Love And War: Chinese Popular Romance In Greater East Asia, 1937-1945, Chun-Yu Lu May 2016

Make Love And War: Chinese Popular Romance In Greater East Asia, 1937-1945, Chun-Yu Lu

Arts & Sciences Electronic Theses and Dissertations

My dissertation examines Chinese popular romances produced and consumed in the Japanese colonized and occupied regions, including Taiwan, Manchukuo, and Shanghai, during the Second Sino-Japanese War. I investigate the complex relationships between emotion, representation, and consumption vis--vis wartime discourses and sociopolitical turmoil. Through extensive archival research in Taiwan, China and Japan, I (re)discovered and reevaluated five important wartime popular romance writers and their works. In addition to fiction, sequels, film and stage play adaptations, Japanese translation and readers/viewers responses all together create the cultural phenomena of the popular romance genre. In this dissertation I ask the following questions: How are …


On The Role Of Sublimation In The Works Of Gabriele Reuter, Maria Skene-Björkman May 2016

On The Role Of Sublimation In The Works Of Gabriele Reuter, Maria Skene-Björkman

Arts & Sciences Electronic Theses and Dissertations

In my thesis I discuss the relationship between Nietzsche’s concept of amor fati (love of fate) and Lacan’s understanding of sublimation through the lens of selected works by Gabriele Reuter. I argue that Reuter deploys an understanding of will power that draws on the Nietzschean concept of amor fati, which ultimately serves the function of sublimation as discussed by Lacan. In their respective efforts at establishing their own identities, the female protagonists in Reuter’s novels have to learn to overcome their sufferings, and in doing so they transform the process of identity formation into a life-affirming enterprise in the spirit …


A Borrowed Language, Yvonne Osei Apr 2016

A Borrowed Language, Yvonne Osei

Graduate School of Art Theses

Art has the potency of mediation: bridging human differences, questioning voids in historical trajectories, negotiating spaces of relevance, and most importantly, being signifiers that embody the absent. I speak in a borrowed language, a multilingual visual tongue, inspired by a culmination of Western and African Art modes of practices to create charged platforms for multicultural communication.

My art presents visual portals that allow for intercultural and interracial mingling as issues of colorism, present-day colonialism, gender inequality and the politics of dress are foregrounded for collective deliberation. The essence of the work is often activated and brought to its full potential …