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Voices Trapped Within The Portrait: Annetje Kool Pieter Vanderlyn And The Expectations Regarding Gender In Public And Private Spheres In A Burgeoning Nation, Abigail Hollander
Voices Trapped Within The Portrait: Annetje Kool Pieter Vanderlyn And The Expectations Regarding Gender In Public And Private Spheres In A Burgeoning Nation, Abigail Hollander
Honors Theses
The main subjects of this study, Pieter Vanderlyn, the attributed artist of “A Portrait of Annetje Kool” (c.1740), and Annetje Kool, the sitter, both had subversive identities relative to the sociocultural expectations of New Netherland, a Hudson River Valley based settlement. The oil portrait on canvas depicts a young woman in an elaborate dress with lace and gilt embellishments. To understand this portrait’s historical context, this thesis examines how male and female voices functioned on the margins of the moral boundaries that shaped expectations of gender appropriate thought and action during the colonial, revolutionary, and post-revolutionary eras in New York …
A Picture Is Worth A Thousand Words: The Visual Culture Of Twentieth Century Feminism In The United States, Julianne Quinn
A Picture Is Worth A Thousand Words: The Visual Culture Of Twentieth Century Feminism In The United States, Julianne Quinn
Honors Theses
This thesis explores the role that visual signs and signifiers played in the resource mobilization of feminism in the United States during the twentieth century. Visual cultures are important sociological characteristics of a society by creating a symbolism that is specific to a time and place. First, social movement theory is described and how it is related to a culture’s visual expression. Next, these theories are applied to each of the three “waves” of feminism that occurred during the twentieth century, as well as an explanation of the trajectory of each wave. To supplement the investigation into each wave are …