Digital Commons Network^™

The Feminine Harp As Feminist Tool: Early Professional Footing For Women In Mid-Twentieth-Century America, Chelsea Lane

Dissertations, Theses, and Capstone Projects

In 1930s North America, women—for the first time—were accorded permanent principal positions in significant American orchestras. Edna Phillips, Alice Chalifoux, and Sylvia Meyer, all students of the legendary harp pedagogue Carlos Salzedo, have been celebrated as pioneers for the prestigious employment they obtained in the Philadelphia Orchestra, Cleveland Orchestra, and National Symphony Orchestra, respectively, between 1930 and 1933. Despite the impressiveness of these accomplishments, however, the narrative of their “firstness” is not wholly accurate. In actuality, female harpists have occupied orchestral posts as acting principals, substitutes, and second harpists since the very inception of orchestras. The cause for their early …

Freestyle's Forsaken, Sage D. Rivera

Theses and Dissertations

Freestyle is a genre of music born in the mid-1980s from Latino and Black communities in the urban epicenters of the United States. This project spotlights a freestyle music artist “Corina," and how she suffered a patriarchal construct but finally got the moment of significance she deserved.

Girl Friends, Camila Santander

Dissertations, Theses, and Capstone Projects

Friendships between women are common and essential parts of women's lives; however, they are often overlooked. This capstone project titled Girl Friends is a film on which eight women are interviewed and asked about their friendships with other women. They discuss the importance of having female friends and how they create love, support, and companionship. The interviewees also talk about female friendships and romantic partners coexisting, the pressures to find a romantic partner to find fulfillment, as opposed to good friends. Additionally, they describe how friendships between women can be competitive and catty, and how female relationships can change as …

A House Of One’S Own: Challenges And Re-Definitions Of Female Subjectivity And Domestic Space In Italian Women Writers From The 1950s To The Early 2000s, Nicole Paronzini

Dissertations, Theses, and Capstone Projects

With an in-depth analysis of selected Italian novels written by female writers from the 1950s to the early 2000s, this dissertation addresses and discusses the challenging relationship between female identity and the home, perceived both as constraining space and metaphor of human interiority. The projects aim to show that these characters, as representative of the female individual, are capable to use the domestic space as a privilege universe in which re-defining themselves, modifying their own and other perception as passive objects of patriarchal society to the one of subjects in fieri.

If, on one hand, the house has been …