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The Lion's Country: C.S. Lewis's Theory Of The Real By Charlie W. Starr, Mark-Elliot Finley

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Book review for Charlie Starr's The Lion's Country: C.S. Lewis's Theory of Reality

L’Inadéquation Du Rêve À La Réalité Dans Madame Bovary (1857) De Gustave Flaubert, Abderrahim Bentai

Dirassat

The protagonist of Madame Bovary, namely Emma, a dreamy and romantic woman, will experience a bitter failure, as her marriage to Charles Bovary, a mediocre health officer, will bring her a procession of disappointments and disillusions. The radiant life she has long dreamed of alongside a wealthy and elegant husband turns into a mediocre and monotonous life with Charles, but also the inhabitants of her village, mostly uncultivated and narrow-minded peasants.

“How Difficult Not To Go Making ‘Reality’ This And That”: Virginia Woolf’S Record Of Representation, Julia E. Eifert

Senior Projects Spring 2020

Virginia Woolf writes in her journal in March 1929 that:

[...]Life is very solid, or very shifting? I am haunted by the two contradictions. This has gone on for ever: will last forever; goes down to the bottom of the world- this moment I stand on. Also it is transitory, flying, diaphanous. I shall pass like a cloud on the waves. Perhaps it may be that though we change; one flying after another, so quick so quick, yet we are somehow successive and continuous- we human beings; and show the light through.

Woolf obsessively journaled her anxieties concerning the linearity …

Breaking The Fourth Wall, Esther Elizabeth Karram

Masters Theses

This creative, non-fiction thesis is written in memoir form and analyzes how a person perceives reality, how that perception is broken, and how a person copes with the limitations of a new reality. In examining my life, I came to realize that many of my performative tendencies stemmed from a desire to be loved and the belief that love was contingent upon perfection. What follows is my struggle to try to maintain that perfection, the failure to do so, and the slow acceptance of being an imperfect person in an imperfect world.

Flash As Fiction: Exploring Jennifer Egan’S Nuanced Portrayal Of Photography, Matthew Del Busto

Undergraduate Honors Thesis Collection

Photographs are everywhere. They’re blown up on billboards, airdropped via iPhones, and slapped on the sides of semis, telling stories of war, politics, sport, and most everything in between. Yet, how much credence should we allow photographs, which display not reality itself but a two-dimensional abstraction of a single moment’s reality? As the ubiquitousness of images continues to increase, it is more critical now than ever to understand photography as a cultural force having measurable influence on both society as a whole and the individuals within it. In the writing of Pulitzer Prize-winning author Jennifer Egan, ideas about photography and …

Poe's Entangled Fiction: Quantum Field Theory In "The Colloquy Of Monos And Una" And "The Mystery Of Marie Rogêt", Jean A. Little

Theses and Dissertations

When seen among the constellation of Edgar Allan Poe's works culminating in Eureka, "The Colloquy of Monos and Una" and "The Mystery of Marie Rogêt," take on an important role as vehicles for scientific contemplation. Similar to early quantum physicists, such as Einstein and Schrödinger, Poe uses macro-level analogies to explore the unity of individual entities, which becomes an important tenet of his explanation of the universe. His thought experiments also resemble those of modern physics in their approach to reality as probabilistic, an idea that finds its echo in quantum field theory, which distinguishes between observed particles and their …

Folklore, Stories, And Truth, Rebekah Hartshorn

Student Works

An exploration of Michael Ende’s The Neverending Story through the lens of the academic discipline of Folklore. Where is the line between reality and imagination? Stories are true because they influence lives and people interact with them. Many stories believed to be true have origins that are lost to time and their truth is questionable at best. However, when an audience interacts with a story, the story begins to exist within the timeline of the audience members’ lives. The story becomes part of the truths that they live.

The Lives And Deaths Of Flora Mac-Ivor And Rose Bradwardine: Romance And Reality In Sir Walter Scott's Waverley, Monica D. Allen

Student Works

In Sir Walter Scott’s Waverley, Scott presents the problem of romance versus reality. He does this by personifying romance and reality through Flora Mac Ivor and Rose Bradwardine. Flora, with her passion, represents romance. While Rose, a more mellow character, represents reality. Waverley finds that he must choose between them. Rose is a “kindred spirit” to him, while Flora resembles “one of his daydreams.” They embody these ideas through a physical location. Flora’s location is the romantic Scottish Highlands, and Rose’s location is simply her father’s home. Besides location, the figurative deaths of Flora and Rose embody romance and …

Reining Over Reality: Power And Performance In Shakespeare's Henry Viii And Richard Iii, Katherine A. Cahill

English Publications and Other Works

Plots. Hidden motives. Subtlety, falseness, treachery: Richard III, Wolsey—each of these leaders engage in the craft of deception, in subtle avenues of power-wielding, to preserve authority. Wolsey flatters, double deals, and eliminates other favorites with King Henry VIII in his desire to achieve the papacy. Similarly, Richard III lies, betrays, kills, and flatters his way to the throne. William Shakespeare’s Henry VIII and Richard III each, in following its respective monarch, examine performance as it’s used to gain, maintain, and wield power.

As the term “performance” carries with it many definitions and connotations, I will define it here as deliberate …

The Role Of Magic In Fantasy Literature: Exposing Reality Through Fantasy, Martin Cahill

English

No abstract provided.

And Then, He Folds His Patterned Rug: Repressive Reality And The Eternal Soul In Vladimir Nabokov, Elizabeth Cook

Masters Theses

While Vladimir Nabokov has deservedly earned fame as a stylist of the strange, most critics who study his novels approach his absurd and beautiful characters as little more than fractured victims of a wholly subjective reality. Compounding the misunderstanding is the tired debate over whether or not Lolita is literary, pornographic, or some cruel game of cat-and-mouse in which Nabokov seizes control of his readers' sense of morality. However, critics who read Nabokov as nothing more than a manipulative stylist neglect to realize that his characters suffer such absurd distortions of spirit and mind because their environment--the "average" reality of …

Shakespeare And Cervantes Are Dead: The Construction Of Fiction And Reality In Hamlet And Don Quixote, Joanna Parypinski

Undergraduate Honors Thesis Collection

The reason that Hamlet and Don Quixote can be studied so thoroughly on the poststructuralist notion of a false or constructed reality is because they were both works far ahead of their time, often reflecting extremely postmodernist ideas. Don Quixote is generally considered the first modern novel, and Hamlet is also identified with the beginning of the modern age (Oort 319). Yet beyond this, these authors play games with the reader and with the structure of the fiction itself, which would fit sensibly in a 20th or 21st century novel rather than an early 17th century work. These new methods …

A True War Story: Reality And Simulation In The American Literature And Film Of The Vietnam War, Alexis Turley Middleton

Theses and Dissertations

The Vietnam War has become an important symbol and signifier in contemporary American culture and politics. The word "Vietnam" contains many meanings and narratives, including both the real events of the American War in Vietnam and the fictional representations of that war. Because we live in a reality that is composed of both lived experience and simulacra, defined by Baudrillard as a hyperreality, fiction and simulation are capable of representing particular realities. Vietnam was shaped by simulacra of Vietnam itself as well as simulacra of previous American conflicts, especially World War II; however, the hyperreality of Vietnam differed largely from …

An Analysis Of "The Real," As Reflected In Conrad's Heart Of Darkness, Beverly Rose Joyce

ETD Archive

Heart of Darkness, as a framed narrative, questions perception and authenticity. It is difficult to discern Marlow's individual voice, for it is buried within a layering of narration. Critics ascribe the words of the text to Marlow, claiming he is the one who, in Achebe's words, dehumanizes Africans. Yet, the quotation marks suggest otherwise. Perception is relevant to an analysis of Heart of Darkness, for it is unclear whose point of view constructs the text, that of Kurtz, Marlow, or the frame narrator. Since the narrative is likely composed of multiple perspectives, it is difficult to determine whose reality it …

Images Of Loss In Tennessee Williams's The Glass Menagerie, Arthur Miller's Death Of A Salesman, Marsha Norman's Night, Mother, And Paula Vogel's How I Learned To Drive, Dipa Janardanan

English Dissertations

This dissertation offers an analysis of the image of loss in modern American drama at three levels: the loss of physical space, loss of psychological space, and loss of moral space. The playwrights and plays examined are Tennessee Williams's The Glass Menagerie (1945), Arthur Miller's Death of a Salesman (1949), Marsha Norman's 'night, Mother (1983), and Paula Vogel's How I Learned to Drive (1998). This study is the first scholarly work to discuss the theme of loss with these specific playwrights and works. This dissertation argues that loss is a central trope in twentieth-century American drama. The purpose of this …

The "Infernal World": Imagination In Charlotte Brontë'S Four Novels, Cara Maryjo Cassell

English Dissertations

If you knew my thoughts; the dreams that absorb me; and the fiery imagination that at times eats me up and makes me feel Society as it is, wretchedly insipid you would pity and I dare say despise me. (C. Brontë, 10 May 1836) Before Charlotte Brontë wrote her first novel for publication, she admitted her mixed feelings about imagination. Brontë’s letter shows that she feared both pity and condemnation. She struggled to attend to the imaginative world that brought her pleasure and to fulfill her duties in the real world so as to avoid its contempt. Brontë’s early correspondence …

Some Shattering Simplicity: Suffering, Love, And Faith In The Thought Of C.S. Lewis, Jennifer Woodruff

Inklings Forever: Published Colloquium Proceedings 1997-2016

A repeated theme in the works of C.S. Lewis is the tension inherent in why and how we believe and accept Christianity. Christianity makes sense of reality, but at the same time shatters all our expectations of reality. Examining Lewis’s writings about the nature of suffering, faith, and love we learn how this is not a contradiction but a shattering simplicity that reveals the truth about reality.

Presented at the 1997 Frances White Ewbank Colloquium.

Tolkien's Elvish Craft, Dwayne Thorpe

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This paper examines “fusion”, the basis of artistry, in the works of J.R.R. Tolkien. Fusion takes place in descriptive passages, in the characters’ perception and in the language Tolkien uses. Fusion works toward the purpose of Tolkien’s fiction, which is to be found in the Christian views of earth and escapism, especially as expressed by sea-longing.

Problems Of Translating Into Russian, Natalia Grigorieva

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

The general traditions of Russian literature has been based on the requirement that any literary translation should be good literature in itself as well as preserving the author’s manner of writing. It seems that understanding of J.R.R. Tolkien and his books is growing very slowly in Russia. There have never been any professional literary works on Tolkien or the problems of translating his works. A number of approaches to translating are connected with this fact. A short history of this subject shows that both the author’s attitude and fairy-story reality should be reproduced correctly and with care. I am going …

Truth Or Consequences: On Being Against Theory, Steven J. Mailloux

English Faculty Works

No abstract provided.