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Analyzing The Enduring White Reception Of Raisin In The Sun: Defining And Reexamining The “Universal” Label, Kayla J. Baur

Student Theses

Hansberry’s intent to centralize the Black American family while simultaneously addressing divisive topics of race and gender positioned Raisin as a prescient, continuously relevant work that is open for interpretation for years to come. With this intent in mind, critics acclaimed Raisin and hailed it as a universal play for every theatergoer to enjoy. However, this enduring sentiment of Raisin as “universal” is a construct created by the predominantly-white theater industry. This perceived universality is dependent on the audience’s ability to find entertainment value in the story, even if the idea of only deriving amusement from the story undermines Hansberry’s …

Defining Elegant Taste In Emma And The British Housewife, Genevieve Brewer

Masters Theses

Master's Thesis completed at Trinity College, Hartford CT

Bedeviled Beauty: My Journey Through White American Theater Institutions, J'Aila C. Price

University of New Orleans Theses and Dissertations

Game console: Oculus Quest

World: American Theater Institutions

Player: Minority

Place: United States

Level: “Ain’t no way.”

This thesis explores the contrast between the Westernized philosophies ingrained in my education and my identity as a Black female artist. It sheds light on the difficulties of pursuing higher education in the arts and the gaps that arise from limited exposure to culturally diverse Black resources, revealing the systemic issues in Western performance education. The paper also discusses the insights gained from my journey as a Black female artist, focusing on my thesis performance of Blood at the Root, which is …

Decadent Gothic: The Horrors Of An Urban World, Kyle Willis

Honors College

The purpose of this thesis is to analyze and understand the rapid popularity of horror literature in the 1880s and 1890s through a literary style known as decadent Gothic. To do this, I will analyze two keystone texts of the style: Robert Louis Stevenson’s 1886 novella, Strange Case of Dr Jekyll and Mr Hyde, and Oscar Wilde’s 1891 novel, The Picture of Dorian Gray. This analysis will be done using a framework of London’s nineteenth-century urbanization to understand the represented fears in both texts. This thesis shows that urbanization created a decentralized environment full of frightening stimuli, and that decadent …

Georgia Ghosts: History, Folklore, And The Roots Of The Southern Gothic, Katherine M. Mcdowell

Master's Projects

There is something quintessentially human about ghost stories, yet particular regions tend to be more powerfully associated with haunted folktales than others. One of the regions is the southeastern United States. In fact, these oral traditions appear to have influenced the area's best-known literary subgenre: the Southern Gothic.

Why is the South considered haunted? Are there particular qualities in historical events that make them more likely to engender ghost stories? What makes the South's folkloric spirits so powerful that they appear even in modern literature? Most of all, what connects the region's history and folklore with the Southern Gothic? By …

Rewrite The Past And Remember The Future: How Expatriates Built An Independent Ireland, Morgan Grabowski

English Honors Papers

This paper seeks to answer the question “How did Ireland create a unique identity after gaining independence from England?” In order to answer that question, I analyzed five different Irish authors who wrote in a timeframe spanning the first half of the twentieth century. These authors are W.B. Yeats, Lady Gregory, Elizabeth Bowen, James Joyce, and Samuel Beckett. These authors, at one point or another, wrote texts which are considered Irish, while living abroad. Because of this, this paper focuses on their status as expatriates, and how that influenced their contributions to the Irish Literary Revival, which is the literary …

The Hidden Date In Yeats’S ‘Easter 1916’, Thomas Dilworth

English Publications

[This essay is a revised version of one with the same title published in Explicator 67:4 (Summer 2000), 236-7, copyright T.D]

Coda: Storytelling As A Cultural Context In Vona Groarke’S Hereafter, Niamh Macgloin

Critical Inquiries Into Irish Studies

No abstract provided.

Hereafter: The Telling Life Of Ellen O’Hara: An Interview With Vona Groarke, Elizabeth Brewer Redwine

Critical Inquiries Into Irish Studies

No abstract provided.

The Ghost Of John Nisbet: Hugh Macdiarmid’S First Published Work, Alan Riach

Studies in Scottish Literature

Discusses the first published item, a short play, signed with the name 'Hugh M'acDiamid', and sets in its biographical and historical context just after the First World War and in the literary context of 1922 and international modernism, in 1922, viewing it as 'an encapsulation of its moment, and most importantly as an elegiac tribute to a friend,' arguing that 'Performing "Nisbet" as a play intimates the drama of fractured modernist selfhood implicit in the written text,' and concluding that it should be seen 'in the whole national context of Scotland finding a way towards a reconstruction of itself, a …

Macdiarmid The Spaceman: Extraterrestrial Space In Hugh Macdiarmid’S Poetry From Sangschaw To A Drunk Man Looks At The Thistle, Michael H. Whitworth

Studies in Scottish Literature

Looking at Hugh MacDiarmid’s Sangschaw (1925), Penny Wheep (1926), and A Drunk Man Looks at the Thistle (1926), this article considers MacDiarmid’s use of science, particularly astronomy, in the 1920s. It traces known and possible sources for his scientific knowledge in books and periodicals, especially The New Age. It examines the image of light travelling through space, found in popular astronomy works by Felix Eberty and Camille Flammarion. It also compares his conception of the earth as a moving object in space with that found in poems by Thomas Hardy.

‘To “Meddle Wi’ The Thistle”’: C. M. Grieve’S Scottish Chapbook, The Little Magazine, And The Dilemmas Of Scottish Modernism, Scott Lyall

Studies in Scottish Literature

Examines C. M. Grieve’s (Hugh MacDiarmid’s) most important journal enterprise, The Scottish Chapbook, which critics have assumed marks the beginning of a modernist Scottish renaissance. Against this view, this article argues that the range of contributions to the Chapbook were generally not modernist in their formal characteristics, many recalling the Victorian or fin-de-siècle periods. While the Chapbook’s brief lifespan (1922–23) was typical for modernist little magazines, the dilemmas encountered by Grieve’s periodical – restricted finances, lack of avant-garde contributors – are explained here as a side-effect of ‘localist modernism’, a concept defined by Eric B. White.

“This Wonderful Machine”: How Should We Teach Humanities Texts Like Gulliver’S Travels In The Time Of Chatgpt?, Richard J. Haslam

Critical Humanities

The quoted phrase in the essay title comes from a passage in Jonathan Swift's Gulliver’s Travels in which a Grand Academy of Lagado professor demonstrates a “wonderful Machine” that can generate scores of books “without the least Assistance from Genius or Study.” The essay explore the challenge for teaching classic humanities texts like Gulliver that the (perhaps not so) “wonderful Machine” called ChatGPT poses. Student Owen Terry’s Chronicle essay (May 12, 2023) identifies two crucial aspects of that challenge: “We don’t fully lean into AI and teach how to best use it, and we don’t fully prohibit it to keep …

Feminist Phenomenology And First-Person Narrative: Understanding Gender And Social Conflict In Anna Burns’ Milkman, Sushree Routray, Rashmi Gaur Professor

Comparative Woman

In her magnum opus Milkman (2018), Anna Burns employs a subversive and artfully crafted first-person narrative, deftly exposing the arduous and tumultuous struggles encountered by individuals who dare to defy the confines of traditional gender roles. Through a relentless and unflinching narrative, the novel fearlessly confronts the harrowing manifestations of psychological torment, the insidious spectre of relentless stalking, and the manipulative machinations of gaslighting, all the while fervently interrogating the notion of a fixed and immutable gender identity. In a relentless odyssey toward self-realization, the protagonist's journey unfurls against a backdrop of traumatic events and the unyielding pressures imposed by …