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Gothic Girlhood And Resistance: Confronting Ireland’S Neoliberal Containment Culture In Tana French’S The Secret Place, Mollie Kervick
Gothic Girlhood And Resistance: Confronting Ireland’S Neoliberal Containment Culture In Tana French’S The Secret Place, Mollie Kervick
Critical Inquiries Into Irish Studies
The Secret Place (2014) exposes a persistent Western cultural impulse to contain the emotions of teenage girls when they demonstrate control over their lives. In the Irish context, the dismissal of teenage girls is resonant of a containment culture in which controlling women’s bodies and minds has been essential to upholding heteropatriarchal ideals. Resistance to the novel’s unresolved supernatural elements by readers and critics and the lack of sustained academic scholarship also point to an unsettling complacency with the neoliberal impulse to contain female emotion and lived experience in post-Celtic Tiger Ireland.
Queer Horror, Laura Westengard
Queer Horror, Laura Westengard
Publications and Research
This chapter examines the queer Gothicism of American horror to consider the ways in which marginalized genders and sexualities have been either condemned or covertly endorsed through horror’s textual and visual mediums. In mainstream cis-heteronormative society, queer genders and sexualities have been an abjectified, “horrific” presence, and these mainstream investments represented via horror, as a mode of expression devoted to irruptions of the body, means that the presence of queerness is often registered as an a priori spoliation of bodily norms. Like the term “queer” itself, audiences have often reappropriated the Gothic figures that appear in horror, and some queer …
Succubus Matters, Jeremy Chow
Succubus Matters, Jeremy Chow
ABO: Interactive Journal for Women in the Arts, 1640-1830
This essay argues that the Gothic succubus pioneers new frameworks for examining female sexuality, sexual violation, and consent in the eighteenth century. M. G. Lewis’s The Monk (1796) reveals the Bleeding Nun as a demonic female ghost that is both sadistic and hypersexualized, especially in her tryst with Don Raymond. The spectrality of the succubus reimagines the displacement of the female body as something both material and ethereal, and in so doing, renders consequent displacements of consent, agency, and sexuality, which may characterize queer Gothic tropes. I interweave discussions of consent alongside representations and theories of ghosts throughout the eighteenth …
Haunted Heroines: An Examination Of The Complication Of The Gothic Heroine, Molly S. Callison
Haunted Heroines: An Examination Of The Complication Of The Gothic Heroine, Molly S. Callison
Honors Projects
This undergraduate research thesis is an examination of two of the most significant evolutions of the literary figure of the Gothic heroine, focusing on innovations made by Jane Austen in Northanger Abbey (1817) and Charlotte Brontë in Jane Eyre (1847). It discusses the origins of the Gothic heroine, set up by Horace Walpole in The Castle of Otranto (1764), and examines the ways that Austen and Brontë make their heroines more internally complex, bringing not only realism to the Gothic heroine but a psychological depth to the feminine Gothic.
A Non-Normative Paradigm: Disability And Gender In Nineteenth-Century Gothic Literature, Malena Sol Pendola Biondi
A Non-Normative Paradigm: Disability And Gender In Nineteenth-Century Gothic Literature, Malena Sol Pendola Biondi
FIU Electronic Theses and Dissertations
Within nineteenth century society, normalcy is presented through unfeasible means of appearance and identity, leading to a rejection of the self. By exploring characters in Victorian gothic literature, who are marginalized by society, and invoking the work of Gail Weiss, Kim Hall, and others, this essay investigates the way these norms are immortalized through published representations and how they expose the lingering presence of rejection of disabled, queer, and gender-fluid bodies. Through the analysis of Mary Shelley’s Frankenstein and Oscar Wilde’s The Picture of Dorian Gray, I look at the contextualization of marginalized existence compared to able-bodiedness and normalized …
The Imperial Gothic: Contact Tracing Narratives Of Disease, Disorder, And Race In Global American Literature, Emma Brownstein
The Imperial Gothic: Contact Tracing Narratives Of Disease, Disorder, And Race In Global American Literature, Emma Brownstein
Honors Papers
This thesis examines the intersections among gothic literature, empire, and contagion, and traces the emergence and evolution of a yet unexplored subgenre: the Imperial Gothic. Where early American Gothic narratives express anxieties about national stability and the republican subject, the Imperial Gothic explores anxieties that emerge when imperialism brings white Americans into contact with foreign commodities, environments, and bodies, ranging from foreign nationals, immigrants, and enslaved peoples, to Martians. It demonstrates how viral threats to the body correspond to the nationalist conception of foreign threats against the imagined white body politic. What emerges from this body of global and interplanetary …
Confined In (Patri)Architecture: How Gothic And Horror Literature Exposes Ongoing Violence And Oppression Against Women, Clara A. Macilravie Cañas
Confined In (Patri)Architecture: How Gothic And Horror Literature Exposes Ongoing Violence And Oppression Against Women, Clara A. Macilravie Cañas
Dissertations and Theses
This project focuses on the intersections of space, power, gender, religion, and the architecture of institutions that confine and repress women. I argue that these texts focus on how patriarchal and domestic ideologies lock women into gendered expectations through oppressive gender politics. Chapter one demonstrates how early gothic female writers used representations of physical structures, such as abbeys and castles, to expose the eighteenth-century woman’s experiences of abuse and confinement by repressive patriarchal and monarchal rule. This chapter connects themes and arguments within Sophia Lee’s The Recess (1783) and Ann Radcliffe’s A Sicilian Romance (1790) to reveal the metaphors that …
Re-Envisioning The Tropics: Nick Joaquin's Philippine Gothic, Ella Marie Jaman
Re-Envisioning The Tropics: Nick Joaquin's Philippine Gothic, Ella Marie Jaman
Honors Projects
This paper examines selected stories from Filipino author, Nick Joaquin, through a gothic lens. Drawing from recent development in Gothic studies, I work within a tropical gothic and postcolonial gothic framework to suggest a localized "Philippine gothic" represented within Nick Joaquin's work. Stories examined include the novel "The Woman Who Had Two Navels," as well as the short stories "Summer Solstice, Mass of St. Sylvestre," and "The Order of Melkizedek."
The Terrors Of Everyday Life: The Gothic Novel As A Woman's Conduct Guide To Survival, 1791-1817, Jessica Berg
The Terrors Of Everyday Life: The Gothic Novel As A Woman's Conduct Guide To Survival, 1791-1817, Jessica Berg
Electronic Theses and Dissertations
The Gothic is often associated with the fantastical, with people and events that only take place within our darkest nightmares. In my thesis, I explore how, in the hands of Ann Radcliffe and Jane Austen, the Gothic exposes the hidden dangers of reality perpetuated by conduct literature. Within conduct manuals, thousands of regulations direct women’s behaviors and identify the perfect woman as one who exists passively within the safety of the domestic sphere. Radcliffe’s The Romance of the Forest (1791) and Austen’s Northanger Abbey (1817) engage in subterfuge against eighteenth-century conduct literature and expose the realities of the domestic sphere: …