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Cesaire's Tempest Writes Back To The Empire, Sawsan Ahmad Daraiseh, Nancy Habis Al-Doghmi, Banan Ahmad Daraiseh

Association of Arab Universities Journal for Arts مجلة اتحاد الجامعات العربية للآداب

Aimé Césaire, who lived the experience of colonialism, wrote back to Shakespeare’s play The Tempest in a play of his own, which he called A Tempest. Unlike notions of A Tempest as a simplistic writing back, the current research reveals A Tempest as a sophisticated play in which Césaire uses his own creative methods, some of which incorporate the colonizer and others the colonized, to write back to the Empire which Shakespeare represents well and reflects. This research performs a deep analysis of A Tempest, revealing the voice of the Other as enabled; arguing with and disabling The Tempest’s deep …

Accepting Or Opposing The Status Quo: A Look At The Women Characters In Mariama Bâ’S So Long A Letter (1981) And Chimamanda Adichie’S Purple Hibiscus (2003), Omolola Giwa

Electronic Theses and Dissertations

What exactly is the status quo of women in Africa? Women’s selfhood has been systematically subordinated or outright denied by law, customary practices, and cultural stereotypes. Scholars like Judith Bennet suggest that religious practices and colonial rule subjugate African women. Patriarchal ideologies guide the society’s discrimination against women and this has influenced the status of women, especially married women and the way they respond in times of affliction.

Authors like Chimamanda Adichie and Mariama Ba in their fictional novels The Purple Hibiscus and So Long a Letter focus on capturing the struggles and conditions of women in the Western African …

Caliban The Savage : Shakespeare’S Critique Of Colonialist Misappropriation Of Indigenous Identities, Leonard Aquil Hughes

Theses, Dissertations and Culminating Projects

This thesis engages with Shakespeare’s The Tempest, analyzing the character Caliban as a critique of British colonialism. I argue that Caliban is not intended simply as a begrudged antagonist, but as a figure intended to represent New World natives. Shakespeare’s “savage” also acts as an on-stage embodiment of Africans and other victims of British imperial exploits that suffered subjugation and hegemony. With this character, Shakespeare provides a demonstration of the relationship between Europeans and the colonized, while challenging the very institution of colonialism. Such a work provides valuable post-Shakespearean insights as well. Caliban contributes directly to the dialogue surrounding the …

The Imperial Gothic: Contact Tracing Narratives Of Disease, Disorder, And Race In Global American Literature, Emma Brownstein

Honors Papers

This thesis examines the intersections among gothic literature, empire, and contagion, and traces the emergence and evolution of a yet unexplored subgenre: the Imperial Gothic. Where early American Gothic narratives express anxieties about national stability and the republican subject, the Imperial Gothic explores anxieties that emerge when imperialism brings white Americans into contact with foreign commodities, environments, and bodies, ranging from foreign nationals, immigrants, and enslaved peoples, to Martians. It demonstrates how viral threats to the body correspond to the nationalist conception of foreign threats against the imagined white body politic. What emerges from this body of global and interplanetary …

Men Who Conquered & The Women Who Mov'd Them, Nikita Chinamanthur

Scripps Senior Theses

Considering John Dryden’s Aureng-Zebe and Christopher Marlowe’s Tamburlaine the Great, this thesis examines how drama shaped popular ideas of the Indian subcontinent in Renaissance England. This thesis engages in a comparative analysis of formal choices such as doubling, tripling, and etymology to assess the efficacy of two incomplete portrayals of South Asia configured as women.

Eco-Material Rifts In South Asian Anglophone Fiction, Muhammad Manzur Alam

Graduate Theses, Dissertations, and Problem Reports

I examine how South Asian Anglophone fiction represents the evolution and derangement of postcolonial ecologies, especially how unrelenting colonial and capitalist interventions affect the symbiotic relationship between subaltern people and nonhuman entities. The conceptual methodology develops from Karl Marx’s theory of “metabolic rift,” which illustrates how capitalist exportation of crops causes loss of important soil nutrients because the nutrients are consumed in distant locations and not returned to the original soil. My concept of “eco-material rifts” extends Marx’s idea to contend that the “rifts” have grown into more complicated and difficult to remediate modes of material rifts today. I scrutinize …

Tea, Fiction, And The Imperial Sensorium, Kate Thomas

Literatures in English Faculty Research and Scholarship

This article explores a cultural paradox in nineteenth-century England: that tea, a colonially sourced comestible, was figured as a curative for the exhaustions incurred by building and administering an empire. Pursuing the idea that colonialism reconfigured the sensorium of both colonised and coloniser, I trace how tea – as a stimulant and a palliative – was an agent in mediating the highs and lows of imperial feeling. I correlate sitting down and tea-drinking with the settlings of colonial annexation and with the consumption and production of fiction, specifically the genres of fantasy and sensation fiction. Writers engaged include Wilkie Collins, …