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Becomes A Woman Best: Female Prophetic Figures In Shakespeare's Plays, Alan Morris Cochrum

English Theses

This dissertation argues that female characters in Shakespeare’s The Winter’s Tale, Henry VIII, Richard III, Macbeth, and 1 Henry VI function as prophets in the style of the Old Testament. In a culture that venerates Holy Writ but also devalues women, a dramatic exemplar wrapped in the mantle of a biblical prophet becomes a potential model for playgoers as well as an embodied critique. Paulina, Katherine of Aragon, and Margaret of Anjou condemn injustice, uphold the cause of the vulnerable, challenge the abuse of royal and spiritual authority, and frequently echo aspects of biblical figures such as Moses, Isaiah, and …

Review Of Marjo Kaartinen, Breast Cancer In The Eighteenth Century, Marie Mulvey-Roberts

ABO: Interactive Journal for Women in the Arts, 1640-1830

No abstract provided.

Revamping The Roles Of Women In Vampire Film Or Women Who Suck The Life Out Of You, Christy Freadreacea

Kaleidoscope

No abstract provided.

Perilous And Fair: Women In The Works And Life Of J.R.R. Tolkien (2015) Ed. Janet Brennan Croft And Leslie A. Donovan, Deidre A. Dawson

Journal of Tolkien Research

Perilous and Fair: Women in the Works and Life of J.R.R. Tolkien (2015), ed. by Janet Brennan Croft and Leslie A. Donovan

Women's Speech As Reflected In The Television Series, Friends, Gema Del Moral

Theses and Dissertations - UTB/UTPA

This research focuses on analyzing how contemporary women’s speech is reflected in the popular television show Friends through the characters’ differences in gender and their variances in language forms. The aim of this thesis is to find out if there are certain lexical and syntactical characteristics that distinguish women’s language from men’s language. In this study, a corpus linguistic approach is used to collect the data and make a quantitative analysis based on the verbal communication of the characters involved in Season 4 of Friends. The analysis of the linguistic features of verbal communication of all the characters in Season …

Julian Of Norwich: Voicing The Vernacular, Therese Elaine Novotny

Dissertations (1934 -)

Julian of Norwich (1342-1416), the subject of my dissertation, was a Christian mystic whose writings, Revelation of Love and A Book of Showings, are the earliest surviving texts in the English language written by a woman. The question that has puzzled scholars is how could a woman of her time express her vision in such innovative and literary language? The reason scholars have puzzled over this for centuries is that women had been denied access to traditional education. Some scholars have answered this problem through close textual comparisons linking her text to those in the patristic tradition or through modern …

From England's Bridewell To America's Brides: Imprisoned Women, Shakespeare's Measure For Measure, And Empire, Alicia Meyer

Department of English: Dissertations, Theses, and Student Research

This thesis examines the experience of largely single women in London’s house of correction, Bridewell Prison, and argues that Bridewell’s prisoners, and the nature of their crimes, reveal the state’s desire for dependent, sexually controlled, yet ultimately productive women. Scholars have largely neglected the place of early modern women’s imprisonment despite its pervasive presence in the everyday lives of common English women. By examining the historical and cultural implications of early modern women and prison, this thesis contends that women’s prisons were more than simply establishments of punishment and reform. A closer examination of Bridewell’s philosophy and practices shows how …

Review Of Amanda E. Herbert, Female Alliances: Gender, Identity, And Friendship In Early Modern Britain, Angela Rehbein

ABO: Interactive Journal for Women in the Arts, 1640-1830

Review of Amanda E. Herbert, Female Alliances: Gender, Identity, and Friendship in Early Modern Britain. New Haven: Yale UP, 2014. xi, 256 pages: illustrations; 24 cm. ISBN 978-0-300-17740-4.

Recalling Anna, Reclaiming Trauma: A Psychoanalytic Approach To Jean Rhys's "Voyage In The Dark", Emily Duffy

English Independent Study Projects

A psychoanalytic reading of Jean Rhys's Voyage in the Dark, which compares the experiences, dreams and memories of the character Anna with that of Freud's protagonist, Dora, in his Portrait of Dora.

Protofeminist Women In Bronte’S Jane Eyre And Braddon’S Lady Audley’S Secret, Allison Wong

Dissertations and Theses

No abstract provided.

The Odds And The Ends: What To Do With Some Letters Of Catharine Macaulay, Olivera Jokic

Publications and Research

Biographers of Catharine Macaulay (1731–91), much like her contemporaries, often agreed that the woman’s reputation was shaped by the peculiar company she kept: prominent, intellectual, political, radical, revolutionary, and occasion- ally “foolish.”3 This essay examines why it matters what company a writer keeps, especially when that writer is a woman and her reputation is tied to the status of her letters and her correspondents.

Striving For Salvation : Margaret Anna Cusack, Sainthood, Religious Foundations And Revolution In Ireland, 1829-1899, Sean Heather K. Mcgraw

Legacy Theses & Dissertations (2009 - 2024)

Margaret Anna Cusack, later Sister Mary Frances Clare, and also known as Mother Clare, (6 May 1829 - 5 June 1899) was an Anglo-Irish Protestant who became a Catholic Nun and the foundress of a still existent Catholic religious order, the Congregation of the Sisters of St. Joseph of Peace. She was also a vociferous champion for the poor, for Irish political rights, for Irish nationalism, and was the first Irish nationalist woman historian and a prolific writer who wrote more than one hundred works. She was a radical, a revolutionary, a champion and hero, a source of conflict and …

Creating The Self: Women Artists In Twentieth-Century Fiction, Bethany Dailey Tisdale

Theses and Dissertations

In novels of artistic development (or künstlerromane) by women in the early twentieth-century, becoming an artist is intimately tied to becoming recognized as an individual. It would appear that an era of rapid change and expanding opportunities for women would result in affirmative narratives of women’s artistry, but studying texts by Edith Wharton, Anzia Yezierska, Zelda Fitzgerald, and Dawn Powell shows that stringent gender roles can still keep women from realizing artist success.

In Wharton’s The House of Mirth, Lily Bart ruins her prospects on the marriage market by striving for freedom and aesthetic pleasure. Those desires cannot be reconciled …