Open Access. Powered by Scholars. Published by Universities.®

Digital Commons Network

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 5 of 5

Full-Text Articles in Entire DC Network

Margaret Cavendish And Scientific Discourse In Seventeenth-Century England, Alisa Curtis Bolander May 2004

Margaret Cavendish And Scientific Discourse In Seventeenth-Century England, Alisa Curtis Bolander

Theses and Dissertations

Although the natural philosophy of Margaret Cavendish is eclectic and uncustomary, it offers an important critique of contemporary scientific methods, especially mechanism and experimentalism. As presented in Observations upon Experimental Philosophy and Blazing World, Cavendish's natural philosophy incorporates rationalistic and subjective elements, urging contemporary natural philosophers to recognize that pure objectivity is unattainable through any method of inquiry and that reason is essential in making sense and use of scientific observation.

In addition to its scientific implications, Cavendish's three-tiered model of matter presents interesting sociopolitical associations. Through her own use of metaphor and her theoretical fusion of matter and motion, …


Social Influences On The Female In The Novels Of Thomas Hardy., Jessica D. Notgrass May 2004

Social Influences On The Female In The Novels Of Thomas Hardy., Jessica D. Notgrass

Electronic Theses and Dissertations

Many female characters in Thomas Hardy’s novels clearly illustrate one of the Victorian stereotypes of women: the proper, submissive housewife or the rebellious, independent dreamer. Hardy does not demonstrate how women should be, but rather how society pressures women to conform to the accepted image. Hardy progresses from subtly criticizing society, as seen in The Return of the Native and The Woodlanders, to overtly condemning gender roles and marriage in Tess of the d’Urbervilles and Jude the Obscure. The characters of Thomasin, Mrs. Yeobright, and Grace Melbury illustrate those who submit to society’s expectations; and Eustacia Vye, Felice Charmond, Tess …


Amazonian Women: A Multi-Voiced Narrative On Surviving Breast Cancer, Melissa Bowles May 2004

Amazonian Women: A Multi-Voiced Narrative On Surviving Breast Cancer, Melissa Bowles

Undergraduate Honors Capstone Projects

When my mother was diagnosed with breast cancer in May of 2003, I immediately turned to journal writing and to reading to try and make sense of what was happening in my family. I searched websites for causes of breast cancer and ways to prevent it, I read literary women's memoirs, and I wrote a great deal about the way that I was feeling: scared, guilty, angry, broken. As a reader and a writer I needed to somehow intellectualize all of the things I was feeling. This writing project is a product of that initial response and of my subsequent …


Mary Shelley, Romantic-Era Women, And Frankenstein's Genesis, Jan Wellington Feb 2004

Mary Shelley, Romantic-Era Women, And Frankenstein's Genesis, Jan Wellington

Jan Wellington

No abstract provided.


Color (Sub)Conscious: African American Women, Authors, And The Color Line In Their Literature, Dikeita N. Eley Jan 2004

Color (Sub)Conscious: African American Women, Authors, And The Color Line In Their Literature, Dikeita N. Eley

Theses and Dissertations

Color (sub)Conscious explores the African American female's experience with colorism. Divided into three distinct sections. The first section is a literary analysis of such works as Toni Morrison's The Bluest Eye, Gloria Naylor's The Women of Brewster Place, Maya Angelou's I Know Why the Caged Bird Sings and Alice Walker's "If the Present Looks Like the Past, What Does the Future Look Like?" an essay from her collection In Search of Our Mothers' Gardens. The second section is a research project based on data gathered from 12 African American females willing to share their own experiences and insights on colorism. …