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Case Relations Of The Two Part Verb In English, Lester Gould Woody Aug 1970

Case Relations Of The Two Part Verb In English, Lester Gould Woody

Master's Theses

This paper attempts to explore one relatively small phenomenon of language. Linguistics is what might be thought of as a discipline in its infancy. Men have studied language for thousands of years: Dionysius Thrax of Alexandria codified the grammar of Greek in the second century B.C. But it has been only in the last thirty to forty years that scholars have studied language as it is spoken, as the living tool for symbolization that more than anything else distinguishes man from the lower animals. Linguists try to describe and to explain language, not to prescribe how it should be used. …


James Branch Cabell : Laughing Existentialist, George R. Hazelton Jul 1970

James Branch Cabell : Laughing Existentialist, George R. Hazelton

Master's Theses

In the history of American literature, there have been numerous authors whose popularity and critical acclaim were long in coming often delayed long past their deaths. Melville, for example, comes immediately to mind. Others have enjoyed a brief notoriety and have then slipped into oblivion for years until their "rediscovery."

One of the prime vehicles for renewed interest in ignored American authors has been the critical consideration of American humorous literature that has flowered during the 1940's, 50's and the 60's, This criticism, given impetus by Walter Blair's Native American Humor (1937)has made Seba Smith, Edgar Wilson Nye, and Finley …


The Barren Soul : A Study Of Ellen Glasgow's Religious Revolt, Reva May Jenkins Jul 1970

The Barren Soul : A Study Of Ellen Glasgow's Religious Revolt, Reva May Jenkins

Master's Theses

He stared in amazement. "You're writing on Ellen Glasgow, on her religious beliefs! Did she have any?"

The time, the speaker, and the words changed but never the question. This paper is my answer. It is the study of five rather different aspects of a religious philosophy. All of Miss Glasgow' s writings were examined. However, since all the fictional writings could not be properly studied in a paper of this size, examples were taken mainly from seven novels selected as representative. These include the following: the first two published novels, The Descendant and Phases of an Inferior Planet; …


The Thematic Relationship Of Laurence Sterne To David Herbert Lawrence, Frederick Thornett Hardy Jul 1970

The Thematic Relationship Of Laurence Sterne To David Herbert Lawrence, Frederick Thornett Hardy

Master's Theses

Among the pioneer novelists of the eighteenth century, Laurence Sterne stands out as an unexplained curiosity. In many ways the most modern of the early novelists, he is regarded as the first stream-of-consciousness author, and thus the forerunner of the most significant school in today's fiction. Sterne constructed his original style from ideas derived from the seventeenth century philosopher, John Locke, in his Essay Concerning Human Understanding. A less obvious but equally defendable fact is that this philosophical work provided Sterne with a thematic as well as stylistic bridge into the twentieth century. The clearest illustration of this relationship is …


Shakespeare's Treatment Of Kingship In The Lancastrian Tetralogy, June Stemen Allman Apr 1970

Shakespeare's Treatment Of Kingship In The Lancastrian Tetralogy, June Stemen Allman

Master's Theses

The English history play reached its highest peak of development between 1595 and 1599, for it was during these years that Shakespeare wrote the set of four plays covering the historical period from Richard II to Henry V. Each of the plays is a single entity, but in their entirety, they constitute a unified tetralogy concerning the rise of the house of Lancaster. Through the illegal seizure of the crown by Bolingbroke from Richard II to the glorious reign of Henry V, Shakespeare, as an intensely political writer, examines the facets of kingship and its inherent power and authority.


An Examination Of The Influence Of August Strindberg Upon Eugene O'Neill, Mary Emily Parsons Edwards Apr 1970

An Examination Of The Influence Of August Strindberg Upon Eugene O'Neill, Mary Emily Parsons Edwards

Master's Theses

Eugene O'Neill made no effort to hide the names of those writers and literary works which were important to him, and most of his biographers cite the fact that from the commencement of his playwrighting [sic] career O'Neill was influenced by the Swedish writer August Strindberg. O 'Neill himself was, in fact, one of the first to call attention to the kinship between his work and that of his "Master." In his Nobel Prize acceptance speech, he indicated that he was delighted to have an opportunity to discuss the debt Ameri­can drama owed to the modern drama of Europe, and, …


Ring Lardner As Dadaist, Buford Donald Fisher Apr 1970

Ring Lardner As Dadaist, Buford Donald Fisher

Master's Theses

This thesis is not a history of Dada, nor does it attempt to trace any direct influences that Ring Lardner may have on current literature. What it does strive to achieve is proper understanding of one facet of Lardner's work.

During the period that the Dad ists were actively trying to establish a new order by destroying the old (and theoretically, Dada itself), Lardner was creating nonsense playlets . His critics, for the most part, could not comprehend his intentions, so this aspect of his work was relegated to obscurity.

Half a century later, Dada has become more relevant historically; …


The Role Of The Peripheral Narrator In Moby-Dick, Heart Of Darkness And The Great Gatsby, Erana Leiken Apr 1970

The Role Of The Peripheral Narrator In Moby-Dick, Heart Of Darkness And The Great Gatsby, Erana Leiken

Master's Theses

The purpose of this thesis is to examine the unique role of the peripheral narrator in Moby-Dick, Heart of Darkness and The Great Gatsby. Each narrator's point of view is unique in that, though he is a character within the story, his participation in the action is restricted by his peripheral status which allows him to witness and evaluate the other characters, particularly the pro­tagonlst. The distinguishing characteristic of this narrative frame necessitated by the use of such a narrator is that the author surrenders his omniscience regarding his other characters by letting his narrator tell the reader only what …