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The Manner Of Mystery: Free Indirect Discourse And Epiphany In The Stories Of Flannery O'Connor, Denise Hopkins

LSU Master's Theses

This project addresses the narrative voice(s) in Flannery O’Connor’s short stories, particularly in relation to her conception of art. O’Connor critics often polarize the cultural and religious worth of her stories. As a Catholic, O’Connor was convinced that the “the ultimate reality is the Incarnation” (HB 92). As an artist, O’Connor believed that fiction should begin with a writer’s attention to the natural world as she comprehends it through the senses. It is no wonder, then, that her fiction lends itself well to critics interested in both her theology and her presentation of issues of race, class, and gender. My …