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Graphomania: Composing Subjects In Late-Victorian Gothic Fiction And Technology, Gregory D. Brophy

Electronic Thesis and Dissertation Repository

This dissertation explores the varied phenomena of “automatic writing” in Victorian Gothic fiction, reading the genre’s fascination with the irrepressible signifying practices of the body in light of the medical, criminological and scientific discourses that underwrite the “scriptural economy” of the late nineteenth century with their own arsenal of automatic writing machines. I have titled the project "Graphomania," and I consider the term a keyword of late-Victorian culture—one that names a distinctly Victorian pathology of compulsive writing, but that alludes also to the widespread epistemic hope that writing could render objectively the internal and subjective experiences of individuals.

In a …

The Burdens Of Body's Beauty: Pre-Raphaelite Representations Of The Body In William Morris's The Defence Of Guenevere And Other Poems (1858) And Algernon Swinburne's Poems, Thomas A. Steffler

Electronic Thesis and Dissertation Repository

This dissertation studies representations of the body in the first two published volumes of Pre-Raphaelite poetry, William Morris’s The Defence of Guenevere, and Other Poems (1858) and Algernon Charles Swinburne’s Poems and Ballads, First Series (1866). These two volumes (along with Dante Gabriel Rossetti’s 1870 Poems) were disparaged as the work of the “Fleshly School of Poetry” by the critic Robert Buchanan in 1871, and this dissertation seeks to understand through close reading how the depiction of the body in the poetry of Morris and Swinburne so perturbed their contemporaries and why it continues to elude modern readers. Particularly, this …