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Emily Dickinson's Funeral And The Paradox Of Literary Fame, Paul Crumbley Nov 2017

Emily Dickinson's Funeral And The Paradox Of Literary Fame, Paul Crumbley

English Faculty Publications

In the months preceding her death on May 15, 1886, Emily Dickinson requested that Emily Brontë's poem "No coward soul is mine" be read at her funeral, thereby enlisting Brontë's defiant declaration of immortality in what can be interpreted as Dickinson's own equally defiant final statement on the relation of fame to enduring art. Dickinson expressed the logic behind this request four years earlier in an 1882 letter to Roberts Brothers editor Thomas Niles in which she refused his request for a "volume of poems" (L749b) and instead sent him "How happy is the little Stone" (Fr1570E), a poem in …

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The One Man Crew: The Creating And Sustaining Of A Master Folk Artist, Heidi Jean Williams May 2014

The One Man Crew: The Creating And Sustaining Of A Master Folk Artist, Heidi Jean Williams

All Graduate Theses and Dissertations, Spring 1920 to Summer 2023

Folk art is the art of everyday life. Framing homes can be artistic when done with a degree of exemplary expertise. Jerry Saville is a master folk artist because of his special skills and techniques exhibited in his trade of carpentry. This research provides a glimpse into a carpenter’s life to discover what creates and sustains a master carpenter. Through desire, drive, dedication (time/practice), life experience/opportunity (apprenticeship), purpose, and a community of support, Jerry Saville became a master folk artist.

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Using Tragedy, Gene Washington Jan 2013

Using Tragedy, Gene Washington

Gene Washington

Describes how three groups of people use tragedy: readers, writers, critics. Some effects are criticism of institutions, emotional effects, political, historical changes.

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Frenchifying The Frontier: Transnational Federalism In The Early West, Keri Holt Apr 2012

Frenchifying The Frontier: Transnational Federalism In The Early West, Keri Holt

English Faculty Publications

The antebellum West was a hotbed of literary activism. Western presses published more than one hundred local newspapers and literary magazines from the late 1820s through the 1850s. Cities such as Vidalia, Lexington, Marietta, New Orleans, and Cincinnati were thriving literary centers, boasting numerous bookshops, libraries, theaters, and literary societies, including the Semi-Colon and Buckeye clubs of Cincinnati, where members exhibited their western pride by discussing the work of local authors while drinking beverages from buckeye bowls.¹ The “West” at this time was located much closer east and south than the West we know today. It encompassed, roughly, the …

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Frenchifying The Frontier: Transnational Federalism In The Early West, Keri Holt Jan 2012

Frenchifying The Frontier: Transnational Federalism In The Early West, Keri Holt

Keri Holt

The antebellum West was a hotbed of literary activism. Western presses published more than one hundred local newspapers and literary magazines from the late 1820s through the 1850s. Cities such as Vidalia, Lexington, Marietta, New Orleans, and Cincinnati were thriving literary centers, boasting numerous bookshops, libraries, theaters, and literary societies, including the Semi-Colon and Buckeye clubs of Cincinnati, where members exhibited their western pride by discussing the work of local authors while drinking beverages from buckeye bowls.1 The “West” at this time was located much closer east and south than the West we know today. It encompassed, roughly, the states …

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“Changes” In The Country Of The Mind: Seamus Heaney’S Revision Of William Wordsworth’S “Tintern Abbey”, Trenton B. Olsen May 2009