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Revolting Delight: Posthuman Subversion In The Work Of Leonora Carrington, Jacob Breeding May 2022

Revolting Delight: Posthuman Subversion In The Work Of Leonora Carrington, Jacob Breeding

Masters Theses

This thesis explores the posthuman implications of Leonora Carrington’s writing, painting, and other works. Carrington’s is a remedial project, one that points to a healthier potential future beyond the conceptual limits of humanism. Her body of work disorders the projected/created order of human society (with its arrogant philosophies and systems of knowledge) and supplies a sublimely recombined “order” of its own—one that, in its very grotesquerie, defies human hubris and solipsism and celebrates everything else besides. In spite of the undermining inherent in her work, Carrington provides a positive alternative to some of the “-isms” that spring from humanism and …


When Family And Politics Mix: Female Agency, Mixed Spaces, And Coercive Kinship In Sir Gawain And The Green Knight, The Awntyrs Off Arthure At Terne Wathelyne, And “The Deth Of Arthur” From Le Morte Darthur, Lainie Pomerleau May 2013

When Family And Politics Mix: Female Agency, Mixed Spaces, And Coercive Kinship In Sir Gawain And The Green Knight, The Awntyrs Off Arthure At Terne Wathelyne, And “The Deth Of Arthur” From Le Morte Darthur, Lainie Pomerleau

Masters Theses

In this paper I will be examining the relationship and rivalry between Morgan and Guinevere, sisters by law, and the intricate combination of love, family loyalty, and political obedience they both elicit from their shared nephew, Gawain through the systemized use of coercive kinship. I will be arguing that Morgan and Guinevere are connected by a desire to exert control and influence on the masculine, chivalric world of Camelot. In order to do so, Guinevere accesses and utilizes the masculinized, political forms of influence available to her, while Morgan is dependent on the more traditionally female modes of access through …


No Place Like Home: Fiction Of Scandinavian Women And The American Prairie, Rebecca Frances Crockett May 2012

No Place Like Home: Fiction Of Scandinavian Women And The American Prairie, Rebecca Frances Crockett

Masters Theses

This thesis examines various fictional depictions of Scandinavian pioneer women and their struggle to adapt to the American prairie. It looks specifically at three novels: Johan Bojer’s The Emigrants, O.E. Rolvaag’s Giants in the Earth, and Willa Cather’s O Pioneers!. All three novels depict Scandinavian immigrant groups who settle in the Great Plains area during the late nineteenth and early twentieth centuries.

The thesis looks in detail at the numerous ways in which each author’s female characters adapt or fail to adapt to the landscape, exploring the possible reasons for these successes and failures. It argues that …


Snaps Of Eden, Michael J. Hudson May 2010

Snaps Of Eden, Michael J. Hudson

Masters Theses

The following poems are and attempt at reclamation and reconciliation. The first section wades through the delicate subject of personal history and is an attempt to show truth as a means of both self and communal healing. The second is plaintive, a brief effort to interlope into and understand worlds outside (but not foreign) to my own. The third is a poetic essay detailing the journey of a young woman facing the horrors of an undeclared, and seemingly eternal war. The fourth and final sections serve as a means of exploration of the self and place; tackling issues of sex, …


Embodied Vision: Sublimity And Mystery In The Fiction Of Flannery O’Connor, Andrew Patrick Hicks Aug 2008

Embodied Vision: Sublimity And Mystery In The Fiction Of Flannery O’Connor, Andrew Patrick Hicks

Masters Theses

This thesis serves as a study of representative pieces of Flannery O’Connor’s fiction alongside three particular theories of the sublime, and offers an exploration of the ways in which O’Connor employs and modifies and aesthetics of sublimity throughout her fiction. Three particular theories of the sublime are considered throughout this study: Edmund Burke’s empiricist sublime, Jean-François Lyotard’s postmodern sublime, and Frederick Christian Bauerschmidt’s theological sublime. Burke’s theory is considered alongside both the early O’Connor story “The Turkey” and the later “Greenleaf,” while the story “Parker’s Back” is read in light of Lyotard’s theory and the novel The Violent Bear It …


Experiencing The Modern American City And Addressing The Slum In The United States And Brazil: 1890-1933, Nathaniel Z. Heggins Bryant May 2008

Experiencing The Modern American City And Addressing The Slum In The United States And Brazil: 1890-1933, Nathaniel Z. Heggins Bryant

Masters Theses

This thesis examines the treatment of slum spaces in the US and Brazil spanning the period 1890-1933, seeking to understand better the ethics of representation regarding the slum as well as the varying aesthetic agendas and political engagements of four novelists. The works under consideration are A Hazard of New Fortunes (1890) by William Dean Howells, The Slum (1890) by Aluísio Azevedo, Manhattan Transfer (1925) by John Dos Passos, and Industrial Park (1933), by Patrícia Galvão. I chart the varying methods of representation associated with each novel, from Howell’s critical realism to Azevedo’s unique version of naturalism to the fragmented …


Writing Back With Light: Postcolonial Film Adaptations Of The Literature Of Empire, Jerod R. Hollyfield May 2007

Writing Back With Light: Postcolonial Film Adaptations Of The Literature Of Empire, Jerod R. Hollyfield

Masters Theses

Since decolonization began after World War II, citizens of colonized nations have attempted to subvert the literature of empire in order to write back to their oppressors and construct national identities. With visual media, such as film, surpassing print as the dominant form of artistic communication, many artists from former colonies have begun using the film medium as another channel to forge identities for their nations. However, in the wake of a decolonized world marked by the increasing power of multinational corporations, artists desiring to write back must address not only their colonizers but also a new form of imperialism …


Dismantling The Master’S Schoolhouse: The Rhetoric Of Education In African American Autobiography And Fiction, Miya G. Abbot Aug 2006

Dismantling The Master’S Schoolhouse: The Rhetoric Of Education In African American Autobiography And Fiction, Miya G. Abbot

Masters Theses

This thesis examines rhetorical understandings of education for African Americans in literature of three important time periods of American history. From the post-Reconstruction South, to Northern cities in the 1950s, and finally to 1990s Los Angeles, this is an examination of how African American authors of fiction and autobiography have presented the relationship between literacy acquisition and identity. Underlying the historical and rhetorical examination is the argument that, for African American students, the virtue of the educational space is dubious. It is at once the gateway to the "American dream" of prosperity, and the venue for the reinforcement of systemic …


The Artist’S Loving Hand: The Travel Letters Of Emily Eden, Isabella Bird, And Mothercatherine Mcauley Written To Their Sisters In 19th Century Britain And Ireland, Holly Elizabeth Ratcliff Aug 2002

The Artist’S Loving Hand: The Travel Letters Of Emily Eden, Isabella Bird, And Mothercatherine Mcauley Written To Their Sisters In 19th Century Britain And Ireland, Holly Elizabeth Ratcliff

Masters Theses

The purpose of this study was to observe the qualities of and techniques enlisted by British and Irish women travel writers corresponding with their sisters who remained at home. Some of the most vivid and telling works regarding the travels of extraordinary women are contained in the letters that they wrote to their families. These letters often involved brief factual commentaries; detailed descriptions of friends, other family members, or strangers encountered on a journey; advice and encouragement for life continuing on as normal back at home; and pictures or paintings that could serve as postcards to capture visions of people …


A Southern Journal Of 1838: Its Historical, Social And Literary Backgrounds, Emmie Delle Mullen Jun 1946

A Southern Journal Of 1838: Its Historical, Social And Literary Backgrounds, Emmie Delle Mullen

Masters Theses

(From the Introduction)

The discovery and study of a journal of considerable age is not unique. Journals, both published and unpublished, written alike by the famed and the obscure, are legion. A recently compiled bibliography of American diaries before 1861, which includes only the published diaries, is a substantial volume. It is, therefore, with some trepidation that I undertake for my thesis the study and editing of the journal of an almost completely unknown Southern woman who wrote it more than a century ago.


Thackeray's Reading, Mary H. Jenks Aug 1945

Thackeray's Reading, Mary H. Jenks

Masters Theses

Introduction: Before one can hope to gain an understanding of any author's work, and certainly before one can make any valid criticisms or interpretations of his writings, one should learn as much as possible about his life and his literary backgrounds. In studying the works of William Makepeace Thackeray, one observes that the tremendous amount and variety of his reading had a proportionate influence on the quality and range of his work. To date no serious study has been made of Thackeray's reading, although there have been numerous publications on his style, critical ability, humor, satire, travels, and personal life.