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Beyond Gender : The Pursuit Of Power In The Henriad And Coriolanus, James Aaron Beavers

Master's Theses

The feminine in Shakespeare's plays, like the Bakhtinian grotesque, often offers a critical perspective on patriarchal society. Shakespeare creates characters whose feminine perspective enables them to stand outside of the patriarchal paradigm and operate according to alternative modes of behavior. While the dominant system regards power solely as a masculine territory, Shakespeare suggests that true power can only be effectively pursued by those who are not bound to a particular gender identity, but are able to shift their personas in accordance with their ever-changing milieu. In Henry IV, Parts 1 and 2, Henry V, and Coriolanus, Shakespeare depicts …

Exploring Memory As A Narrative Strategy For Enabling Black Consciousness In Ezekial Mphahlele's Down Second Avenue And Mongane Serote's To Every Birth Its Blood, Christina Leigh Buckland

Master's Theses

Ezekial Mphahlele in Down Second Avenue and Mongane Serote in To Every Birth Its Blood use the function of memory as a narrative strategy to illuminate the evolution of individual black consciousness. Mphahlele's novel is autobiographical, investigating the chronological memory of Zeke as his consciousness evolves. Serote's work is a collection of stories investigating several characters whose individual experiential memories create a collective consciousness. For Zeke in Down Second Avenue and the characters in To Every Birth Its Blood, memory is an active device which can recall apartheid experience in order to heighten black consciousness and analyze the current …

From Fancy Women To Demimondames : Working Class Women In Peter Taylor's Short Fiction, Frank Sung Cha

Master's Theses

In "The Fancy Woman" and "The Old Forest," Peter Taylor examines the identity of working class women in the southern social structure and the roles they play in revising class and gender perceptions. Josie Carlson, "The Fancy Woman's" protagonist, discovers the stifling nature of class divisions. The gap between the working and upper-middle-classes remains as the social hierarchy and Taylor himself lock Josie in a subordinate position. They prevent her from attaining any sense of liberation. However, the working class 'Demimondames' in "The Old Forest" exhibit a stronger independence spirit, compelling society to reevaluate traditional social perceptions. Although they too …

Didactic Anti-Didacticism : Aesthetics And Contradictions In Oscar Wilde's The Picture Of Dorian Gray, Dominic Laron Finney

Master's Theses

Oscar Wilde's The Picture of Dorian Gray calls for a reinvention of aestheticism during the Victorian Age. Wilde felt that the Victorians had surrendered any ornamentation in art to the rules of formality in religion and politics. He also believed that art should teach solely through its existence that there is a realm above mankind. Art should not be used for anything else. Dorian curses himself when he uses his portrait to exchange his soul for eternal beauty. Wilde wrote this novel as his work of art. And, the novel is to "civilize" the Victorian public, to return them to …

Katherine Anne Porter's Notorious Virgins : Female Sexuality And Catholicism In "Virgin Violeta", "Flowering Judas", And "Old Mortality", Christine L. Grogan

Master's Theses

The intersection of Roman Catholic ideology and female sexuality remains at the heart of Katherine Anne Porter's short stories, "Virgin Violeta" (1924), "Flowering Judas" (1930), and "Old Mortality" (1937). In these works, Porter implicitly suggests that the Catholic ideology of the early twentieth century has been reduced to a matter of sexuality, particularly female sexual purity. Through her portraits of the young virgin Violeta in "Virgin Violeta" and the frigid adult Laura in "Flowering Judas," Porter challenges the Roman Catholic emphasis on female chastity. In tracing the development of Miranda in "Old Mortality," Porter subverts Roman Catholic ideology by presenting …

The Politics Of Theater And The Theater Of Law: The Legal And Cultural Implications In Langston Hughes And John Wexley's Dramatizations Of The Scottsboro Trials, Mosby Garland Perrow Iv

Master's Theses

Collectively, the charges and convictions of nine black youths in Scottsboro in 1931 became a symbol of corruption and oppression for those interested in reshaping America's political and legal landscapes. Scottsboro instigated a decade of trials and retrials, two landmark United States Supreme Court opinions, countless dramatic interpretations, and various artistic responses. In particular, Scottsboro, Limited by Langston Hughes and They Shall Not Die by John Wexley were cultural revisions of the trials in 1931 and 1933, respectively. While both works supported the defendants, they were distinguished by their form, production and ultimate statement about the meaning of Scottsboro. These …

Narrating The Middle Ground : B The Examination Of Objects In The Modern Genre Of Immigrant Fiction, Meagna A. Patinella

Honors Theses

Dislocated objects tell stories about the places they come from, their migration, and their new surroundings. More importantly, they disclose the narratives of people that possess or interact with them. In this paper I examine objects present in novels ofimmigration and transnational movement, for objects in such fictions are most noticeably dislodged from their original or expected context. Their relocation allows me to interpret them and their narratives, which in turn, allows me to think about the genre of immigrant fiction in a new light.

Only In Story A World : Atheistic Metanarrative In Leguin, Pullman And Wolfe, Samuel N. Keyes

Honors Theses

Ursula K. Le Guin, Philip Pullman, and Gene Wolfe, despite their apparent ideological as well as stylistic differences, all profoundly question the way modernity has divided knowledge, posing serious challenges to contemporary distinctions between religion, science and magic. Moreover, they share a common concern for the power of narrative to accomplish this critique.

In each of their multivolume fantasies, the differences between the categories of science and religion become meaningless. After such a deconstruction, the possibility of nihilism looms unless a new system of meaning surfaces. The move away from discrete areas of science and religion, therefore, in these works …

A Case Study Of Events And Examples : History In Arundhati Roy's The God Of Small Things, Michell C. Smith

Honors Theses

No abstract provided.

The "Beyondness Of Things" In The Buccaneers: Vernon Lee's Influence On Edith Wharton's Sense Of Places, Suzanne W. Jones

English Faculty Publications

Since its publication in 1938, readers have been at odds in their assessment of The Buccaneers, Edith Wharton's only novel set in England. While her literary executor, Gaillard Lapsley, and many early reviewers on both sides of the Atlantic saw great promise in the unfinished novel, a few critics like Edmund Wilson wrote the work off as 'an old-fashioned story for girls' and judged Wharton's skill 'dulled' in this her last book. In the 1980's, however, feminist critics found much to value in the novel: from protagonist Annabel St. George's self-actualization to the comradeship of the American girls and the …

A Conversation With Velma Pollard, Daryl Cumber Dance

English Faculty Publications

Noted poet, novelist, linguist, and educator, Velma Pollard was Visiting Professor of English at the University of Richmond in Richmond, Virginia, during the fall semester of 2001 when I conducted the following interview. John Martin, my graduate assistant at the time, assisted me in videotaping and transcribing our conversation, which took place in her cottage at the University on December 3, 2001.

Whipping Up A Region : How The North Taught The South To Cook "Southern", Erin D. Bartels

Honors Theses

I will trace this progression toward the essentialization of southern cooking and therein southern identity by exploring cookbooks dealing with all or part of the South and ranging in years from 1877 to 1941.