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English Language and Literature

University of Richmond

Theses/Dissertations

John

Publication Year

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The Post-Postmodern Aesthetics Of John Fowles, Claiborne Johnson Cordle May 1981

The Post-Postmodern Aesthetics Of John Fowles, Claiborne Johnson Cordle

Master's Theses

Because a thesis is by definition a proposi­ tion to be argued, I feel some obigation to make strong assertion--either John Fowles is a post­ modernist writer, or John Fowles is not a postmodernist writer. What is immediately "problematic" about such an either/or proposition is that each side can be argued convincingly by a careful process of selection of examples to support the prospective cases (and omission of those which refute them). I cannot easily dismiss the wisdom of Northrop Frye's statement that, "They think of ideas as weapons; they seek the irrefutable argument, which keeps eluding them because all …


Milton And Socinianism, Joseph Johnson Collins Jul 1961

Milton And Socinianism, Joseph Johnson Collins

Master's Theses

The seventeenth century was a period of enormous scholarship and erudition. In the wake of the Reformation and the Humanist movements great interest was awakened in the field of Biblical scholarship, Many of the scholars, lay­ men, and divines began to devote much of their time and energy to the new Biblical exegesis. The doctrine which was receiving much attention during this period suggested that one might assure that the strongholds of the reformed religion were sufficiently fortified through improved trans­lation and qualified Biblical exegesis.

This was the era which produced John Milton 's method­ ical and learned tractate of …


Art And Religion In Milton's Critical Theory, Otto Leonhart Brenner Jul 1952

Art And Religion In Milton's Critical Theory, Otto Leonhart Brenner

Master's Theses

Unquestionably, behind Milton's writings stands his critical theory. Without it he could never have been great. His ability to select what was basic in the production of art was a prime factor in giving him the remarkable proficiency and power he displays in handling poetic forms in such a way that they ideally represent the thought and emotions experienced in nature.