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Reconsidering African-American Identity: Aesthetic Experiments By Post-Soul Artists, Letitia Guran Tudorica
Reconsidering African-American Identity: Aesthetic Experiments By Post-Soul Artists, Letitia Guran Tudorica
Master's Theses
The present study attempts to offer an overview of the Post-Soul aesthetic and its role in re-writing African-American identity and focuses explicitly on three authors: Spike Lee, Touré, and Suzan-Lori Parks. My premise is that Post-Soul art is a direct result of the sweeping changes brought by the post-Civil Rights era in the African- American mentality, which inaugurated a new age in African-American art. Thus, the Post-Soul generation represents blackness as diverse, free to define itself in its own terms; they promote a critical take on black nationalism, and new perspectives on slavery. Most of the Post-Soul artists consider themselves …
The New British Drama 1956-1966 : A Critical Study Of Four Dramatists: John Osborne, Brendan Behan, Arnold Wesker, And John Arden, Jeanne Fenrick Bedell
The New British Drama 1956-1966 : A Critical Study Of Four Dramatists: John Osborne, Brendan Behan, Arnold Wesker, And John Arden, Jeanne Fenrick Bedell
Master's Theses
In the history of England, as well as in the history of the English stage, 1956 was a momentous year. It was the year of the Suez, the year that saw the destruction of the myth of the British empire. And it was the year of the Hungarian Revolution, which crushed liberal illusions about Soviet Russia. In 1956 the old idols were crumbling fast, and defense of tradition was fast becoming not only impossible but ludicrous. The bankruptcy of the older generation was apparent; it was time for the new to speak out.
The Depression Years As Depicted By The American Theatre In The 1930'S, Lois Robinson
The Depression Years As Depicted By The American Theatre In The 1930'S, Lois Robinson
Honors Theses
The purpose of this paper is to show how various plays written in the 1930's reflected economic, political, religious, social, psychological, moral and ethical attitudes of the depression years. To achieve this and, the writer gathered material from the ten Pulitzer Prize winning plays of the 1930's, as well as other significant works of the decade as mentioned in secondary sources. No effort has been made to fit these plays into the time in which they were written. Instead, the writer has attempted to show the times as they were presented by the dramatists of the thirties.