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Veiled Victorian Vampires: What Literary Antagonists Reveal About Societal Fears Of 19th Century England, Jenna Harford

Honors Theses

In my thesis paper I look at three primary texts, Charlotte Brontë’s Jane Eyre, Charles Dickens’ Great Expectations, and Oscar Wilde’s The Picture of Dorian Gray to analyze their main antagonists through a vampiric lens. I explain how the characters of Bertha Mason, Miss Havisham, and Dorian Gray are all written with veiled vampiric traits that revolve around themes of sexuality, secrecy and seclusion, and unbridled physical and emotional violence. Although none of these texts is obviously a “vampire novel”, the authors lean into vampire tropes including eerie physical description, doubled relationships, and other vampire lore that can be best …

A Critical Study Of The Seven Major Victorian Pessimistic Poets, Frank W. Childrey

Master's Theses

The following thesis is a critical study of seven sig­ nificant Victorian pessimistic poets. Having as its basis a seminar paper for Dr. Lewis F. Ball in which four of the Victorian pessimists were discussed, the original study was expanded in order to include the remaining three.

In this critical study, the emphasis has been placed mainly upon the themes characteristic of these pessimistic poets, and the poems that I consider to be the best examples of their various attitudes have been incorporated, either partially or in full, into the text of this thesis. Fur­thermore, though these chapters are not …

An Introduction To The Victorian Woman : A Comparative Study Dealing With Poetical And Historical Sources, Lois Iffert Rudge

Master's Theses

The purpose of studying the Victorian women in poetry has been to find some relation between the historical woman and the literary woman. Louise E. Rorabacher in a similar thesis considered only the novels of the day (Victorian Women in Life and Fiction, University of Illinois, 1942). Her purpose was to determine the validity of the concept of the woman in the novel in terms of historical fact. She concluded that the fictional woman was real, in a narrow, myopic sense, but that she did not reflect the social change. The picture of her social and conservative home life was …