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Articles 1 - 5 of 5
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Girlhood And Engendered Alienation In The Heart Is A Lonely Hunter And A Tree Grows In Brooklyn, Lauren C. Dolese
Girlhood And Engendered Alienation In The Heart Is A Lonely Hunter And A Tree Grows In Brooklyn, Lauren C. Dolese
University of New Orleans Theses and Dissertations
Utilizing a girls’ studies perspective and materialist feminist lens, this paper seeks to put Carson McCullers’ The Heart is a Lonely Hunter (1940) in conversation with Betty Smith’s A Tree Grows in Brooklyn (1943). Besides being published in the early 1940s, both works feature young girls navigating class struggles, exploring their identities, and struggling against dominant ideologies specific to their time and place. McCullers’ and Smith’s novels depict how a patriarchal, capitalist society imposes upon young women a narrow, misogynistic view of themselves and the women around them—facilitating the social reproduction of oppression and alienation. In depicting these realities of …
“An Eternity Or Two Later”: Family Of Choice In Elaine Castillo’S America Is Not The Heart, Caroliena E. Cabada
“An Eternity Or Two Later”: Family Of Choice In Elaine Castillo’S America Is Not The Heart, Caroliena E. Cabada
Beyond the Margins: A Journal of Graduate Literary Scholarship
Many of the challenges faced by environmental activists are issues of scale. How can vital changes be enacted and sustained over the necessarily long time scales of environmental restoration? Elaine Castillo’s America Is Not the Heart (2018) illuminates a possible avenue for activists engaged in environmental justice work. Parts of the book contains extensive flashbacks to Hero’s, the protagonist’s, time as part of a cadre of the New People’s Army in the Philippines during the Marcos dictatorship. Though the NPA is not strictly an environmental activist group, the organization takes their cues from queer ecofeminist frameworks and the intersections between …
A New Politics Of Black Regality: Zora Neale Hurston And Alice Walker’S Monarchical Method, William Martin
A New Politics Of Black Regality: Zora Neale Hurston And Alice Walker’S Monarchical Method, William Martin
Beyond the Margins: A Journal of Graduate Literary Scholarship
Literary critics conducting a comparative study of Zora Neale Hurston’s Their Eyes Were Watching God and Alice Walker’s The Color Purple diligently tend to the relationship between the two women, particularly at an intertextual level. This paper sheds light on an important third member of this relationship: Black women readers. An articulation of Black regality, which involves the incorporation of monarchical symbols and titles in characterizations of Black people, provides these readers with political tools poised to liberate Black women from hegemonic male authority and control. Examining the significance of adornment for the self exclusively to combat invisibility, the power …
Fantasizing A Free Black History: Post-Black Arts Movement Novels And Plays Re-Imagining Jim Crow, Wynter Lastarria
Fantasizing A Free Black History: Post-Black Arts Movement Novels And Plays Re-Imagining Jim Crow, Wynter Lastarria
Beyond the Margins: A Journal of Graduate Literary Scholarship
“Fantasizing a Free Black History: Post-Black Arts Movement Novels and Plays Re-Imagining Jim Crow” closely reads one novel and one play written in the early twenty-first century and set in the Jim Crow period. Analyzing how Toni Morrison’s novel Love (2005) and Lynn Nottage’s drama By the Way, Meet Vera Stark (2011) take up Jim Crow era Black history together, I find that both works intentionally offer incomplete, subjective and fictive narrations of black life during Jim Crow to deny readers a sense of realism. In doing so, these authors represent a group of African American novelists and playwrights that …
Enchanting Music: How English Playwrights Use Music In Renaissance Witchcraft Plays, Alyssa Anders
Enchanting Music: How English Playwrights Use Music In Renaissance Witchcraft Plays, Alyssa Anders
University of New Orleans Theses and Dissertations
Music is an integral aspect of the Early Modern theater, but because most of this music is lost, scholars and students typically only analyze these works using literary theories. This approach does not allow for a full understanding these plays, which is especially true of witchcraft plays because witches typically utilize music for their spells. In this thesis, I am exploring the interdisciplinary connection of music and literature in the Jacobean witchcraft plays The Witch (c. 1616) by Thomas Middleton and The Tragedy of Sophonisba or The Wonder of Women (1604-1606). From my analysis of the existing music from The …