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Stories, Elizabeth Stuart Phelps, Roxanne Harde , Editor

Zea E-Books Collection

Today, Elizabeth Stuart Phelps (1844–1911) is best known for a handful of her novels: The Gates Ajar (1868), The Silent Partner (1871), and The Story of Avis (1877). During her life, however, the short story was a hugely popular genre in which she was fully invested and where she made a good deal of her living. Stories were her earliest and latest publications, and they were work that she both enjoyed and employed to greater ends. From 1864 to her death in 1911, she published almost one hundred and fifty short stories in the leading periodicals of the day. This …

A “Hired Girl” Testifies Against The “Son Of A Prominent Family”: Bastardy And Rape On The Nineteenth-Century Nebraska Plains, Donna Rae Devlin

Department of History: Faculty Publications

In Red Cloud, Nebraska, in 1887, Anna “Annie” Sadilek (later Pavelka) pressed bastardy charges against the “son of a prominent family,” even though she could have, according to her pretrial testimony, pressed charges for rape. To the literary world, Sadilek is better known as Ántonia Shimerda, the powerful protagonist in Willa Cather’s 1918 novel, My Ántonia. However, it is Sadilek’s real-life experience that allows us to better understand life on the Nebraska Plains, specifically through an examination of the state’s rape laws and the ways these laws were subsequently interpreted by the courts. The Nebraska Supreme Court, between 1877 …

Migration And Trauma: Memory And The Myths Of El Otro Lado, Elva Moreno Del Rio

Department of English: Dissertations, Theses, and Student Research

This thesis is composed of two parts that scrutinize the myth of the United States

and el cuento of El Otro Lado. The first part titled, “The Illness Rooted in the American Myth” connects the U.S. myth to J. Hector St. John de Crevecoeur’s piece Letters from an American Farmer, published in 1782. In analyzing the writings of Toni Morrison, James Baldwin, and Eden E. Torres, I indentify the impact that Crevecoeur’s myth had on Black, Indigenous and other people of color. This research illustrates the physical and psychological effects that these ideologies have on the mind and body of …

Idiomatic Surrogacy And (Dis)Ability In Dombey And Son, Peter J. Capuano

Department of English: Faculty Publications

To assert that Charles Dickens possessed a mastery of language unique among nineteenth-century novelists for its vernacular inventiveness is hardly controversial. The Oxford Dictionary of English Idioms lists Dickens among its most cited sources (others include the Bible and Shakespeare). Dickens’s use of ordinary, unembellished, and what Anthony Trollope termed vulgarly “ungrammatical” lower-class language sets his novels apart in style and tone from those of his famous peers (249). William Thackeray, the Brontës, George Eliot, Elizabeth Gaskell, Margaret Oliphant, Thomas Hardy and others – despite their many differences – generally composed their fiction in higher, more formal linguistic registers than …

Inscribing The South For Harper's Weekly In 1866, Ashlyn Stewart

Department of English: Dissertations, Theses, and Student Research

The top weekly publication in the nineteenth-century United States, Harper’s Weekly, faced a new challenge after it had survived the Civil War: what would keep readers subscribing to the periodical in peacetime? To maintain their remarkably large readership, the editors looked southward and produced abundant content about the Reconstruction South for its primarily Northeastern readership. A noteworthy portion of that content was a series of powerful illustrated articles known as “Pictures of the South,” which ran from April to October 1866. Seasoned war correspondents Alfred R. Waud and Theodore R. Davis travelled through the rapidly rebuilding South on behalf of …

Walt Whitman At The Aurora: A Model For Journalistic Attribution, Kevin Mcmullen, Stefan Schöberlein

Department of English: Faculty Publications

Relatively little manuscript material exists to definitively tie Walt Whitman to the bulk of the journalistic writing attributed to him, particularly the writing in the early years of his career. Because the vast majority of his early journalistic work was unsigned, attribution is most often based on the knowledge of Whitman’s involvement with a given paper, coupled with the identification of some sort of Whit- manic voice or tone in a given piece of writing. However, a writer’s style and tone are often affected by the form and context in which they are writing, meaning that Whitman’s journalistic voice is …

Non/Human: (Re)Seeing The “Animal” In Nineteenth-Century American Literature, Matthew Guzman

Department of English: Dissertations, Theses, and Student Research

Non/human: (Re)seeing the “Animal” in Nineteenth-Century American Literature uses canonical literary texts as specific anchor points for charting the unstable relations between human and nonhuman animals throughout the century. I argue that throughout the nineteenth century, there are distinct shifts in the way(s) humans think about, discuss, and represent nonhuman animals, and understanding these shifts can change the way we interpret the literature and the culture(s). Moreover, I supplement and integrate those literary anchors, when appropriate, with texts from contemporaneous science, law, art, and other primary and secondary source materials. For example, the first chapter, “Cooper’s Animal Movements: Across Land, …

Letters From Olive Fremstad To Willa Cather: A View Beyond The Song Of The Lark, Jessica Tebo

Department of English: Dissertations, Theses, and Student Research

In 1913, Willa Cather met opera-diva Olive Fremstad and the two formed a friendship that would span at least a decade. Fremstad has long been recognized as an inspiration for the character Thea Kronborg of Cather’s Song of the Lark (1915) but has not been portrayed as influential in any other aspects to Cather’s career. Letters sent by Fremstad to Cather have recently been located, and they reveal an ongoing and interdisciplinary dialogue between the two women that negotiates issues surrounding art and professionalism. I locate these letters within the broader context of Cather’s public and fictional statements about art …

The Relevance And Resiliency Of The Humanities, Stephen C. Behrendt

Department of English: Faculty Publications

Discussion has grown increasingly urgent among those involved in the humanities; threats to funding for the National Endowment for the Humanities and the National Endowment for the Arts are only the most highly visible indicators of what many call a “war on the humanities.” The issue is a familiar one. With everyone’s finances under increasing stress, there is mounting pressure to “cut back on nonessentials,” and among both educational institutions and the broader public community, the humanities seem easy targets for the cutters and the pruners. There’s a general sense that the humanities are not very useful when it comes …

Buried In Plain Sight: Unearthing Willa Cather’S Allusion To Thomas William Parsons’S “The Sculptor’S Funeral”, Melissa J. Homestead

Department of English: Faculty Publications

In January 1905, Willa Cather’s story “The Sculptor’s Funeral” appeared in McClure’s Magazine and shortly thereafter in her first book of fiction, The Troll Garden, a collection of stories about art and artists. In the story, the body of sculptor Harvey Merrick arrives in his hometown of Sand City, Kansas, on a train from Boston, accompanied by his friend and former student, Henry Steavens. Cather criticism has long been concerned with identifying real-world prototypes for characters and situations in her fiction, and two such prototypes have been unearthed for “The Sculptor’s Funeral.” First, the return by train of the …

The Transatlantic Village: The Rise And Fall Of The Epistolary Friendship Of Catharine Maria Sedgwick And Mary Russell Mitford, Melissa J. Homestead

Department of English: Faculty Publications

In June 1830, the American novelist and short-story writer Catharine Maria Sedgwick used the imminent London publication of her novel Clarence as a pretext for initiating a correspondence with the British author Mary Russell Mitford. In her first letter to Mitford, Sedgwick addressed her as “My dear Miss Mitford,” a violation of epistolary decorum in a letter to someone to whom she had not been introduced (FOMRM, 155).¹ As Sedgwick protested, however, “I cannot employ the formal address of a stranger towards one who has inspired the vivid feeling of intimate acquaintance, a deep and affectionate interest in …

From England's Bridewell To America's Brides: Imprisoned Women, Shakespeare's Measure For Measure, And Empire, Alicia Meyer

Department of English: Dissertations, Theses, and Student Research

This thesis examines the experience of largely single women in London’s house of correction, Bridewell Prison, and argues that Bridewell’s prisoners, and the nature of their crimes, reveal the state’s desire for dependent, sexually controlled, yet ultimately productive women. Scholars have largely neglected the place of early modern women’s imprisonment despite its pervasive presence in the everyday lives of common English women. By examining the historical and cultural implications of early modern women and prison, this thesis contends that women’s prisons were more than simply establishments of punishment and reform. A closer examination of Bridewell’s philosophy and practices shows how …

"More Than Custom Has Pronounced Necessary”: Exploring The Correlation Between Gendered Verbs And Character In The 19th Century Novel, Nebraska Literary Lab, Oliver Baylog, Laura Dimmit, Travis Heller, Gabi Kirilloff, Shannon Smith, Grace Thomas, Chandler Warren, James Wehrwein

Department of English: Presentations, Talks, and Seminar Papers

During the 19th century, gender politics played a crucial role in shaping the emergence of the novel as a popular and successful form of literature. Not only were middle class women becoming an important part of the reading public, women were also authoring novels and creating complex heroines that at times pushed against, and at other times bolstered, traditional conceptions of propriety and femininity. Along with a rise in popularity came a rise in the critique of the novel as a valid literary genre; many critics claimed that novels were capable of corrupting their female readership. Authors responded to this …

"What's A Goin' On?" People And Place In The Fiction Of Edythe Squier Draper, 1924-1941, Aubrey R. Streit Krug

Department of English: Dissertations, Theses, and Student Research

This essay is devoted to looking back into the life and fiction of Edythe Squier Draper, a twentieth-century writer in Oswego, Kansas. Many of Draper’s stories are set in southeastern Kansas. Through them, we gain a sense of how she attempted—and at times failed—to perceive, articulate, and adapt to her place on the Great Plains. Draper claimed the identity of a rural woman writer by writing herself into narratives of colonial, agricultural settlement, and she both complicated and perpetuated stereotypes of class and race in her fiction. By examining her and her characters’ perspective on their place in the Great …

Introduction: A Tale Of Our Own Times, Melissa J. Homestead

Department of English: Faculty Publications

Catharine Sedgwick and the American Novel of Manners

In his preface to his novel of manners Home as Found (1838), James Fenimore Cooper repeats what were already commonplaces about American society as the subject matter for fiction. Lamenting "that no attempt to delineate ordinary American life, either on the stage or in the pages of a novel, has been rewarded with successful he admits Home as Found is another such attempt but professes he has "scarcely a hope of success. It would be indeed a desperate undertaking, to think of making anything interesting in the way of a Roman de …

Two Kings: An Account Of The Preparation And Performance Of The Role Of Edgar In William Shakespeare's King Lear, Ryan Kathman

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

This work is my graduate thesis documenting the creative process behind my performance of the role of Edgar in the University of Nebraska-Lincoln’s 2009 production of King Lear by William Shakespeare. It is comprised of five sections including an introduction, pre-rehearsal research, rehearsal and performance journal, post-production responses and conclusion. The introduction outlines my impressions of Edgar and King Lear prior to researching or rehearsing the role. In my research section, I attempt to better understand Shakespeare, his play and the role of Edgar by studying the playwright’s life and the history of the character and play, while also making …

Middlebrow Readers And Pioneer Heroines: Willa Cather’S My Ántonia, Bess Streeter Aldrich’S A Lantern In Her Hand, And The Popular Fiction Market, Melissa J. Homestead

Department of English: Faculty Publications

Along with repositioning Cather in a new reading context, this essay aims to bring Aldrich and her novel into literary history (and college classrooms) by putting her work into dialogue with Cather’s. I do not, however, elevate Aldrich to the status of elite artist, a move that she herself would disavow. Instead, I seek to revalue the middlebrow as a mode of authorship, circulation, and reading for the literary history of the American West and to place Ántonia and Lantern together on that oft-scorned terrain. When Aldrich is taken note of in Western literary history, she receives only glancing attention …

Reading With Your Ears: The Uses Of Opera In Literature, James E. Ford

Music and Literature Archive

In both the East and the West the relationship between opera and literature is ancient and profound. As the Disciples of the Pear Garden would know, many of the most popular works of the Beijing Opera are based on famous Chinese historical novels. And when a group of late Sixteenth-Century Italians created Western opera they were trying to revive Greek tragedy. (They knew that Greek tragedy was sung in some fashion and the speaking-to-music we know as recitiative was their attempt to reproduce that ancient practice.) Of course, many, many Western operas have been based on plays, novels, and short …

Identity And Authenticity: Explorations In Native American And Irish Literature And Culture, Drucilla M. Wall

Department of English: Dissertations, Theses, and Student Research

This collection explores of some of the many ways in which Native American, Irish, and immigrant Irish-American cultures negotiate the complexities of how they are represented as "other," and how they represent themselves, through the literary and cultural practices and productions that define identity and construct meaning. The core issue that each chapter examines is one of authenticity and the means through which this often contested and vexed notion is performed. The Irish and American Indian points of view which I explore are certainly not the only ones that shed light on this issue, but these are the ones I …

Allusive Mechanics In Modern And Postmodern Fiction As Suggested By James Joyce In His Novel Dubliners, Kynan D. Connor

Department of English: Dissertations, Theses, and Student Research

James Joyce in his novel Dubliners conducts a series of narrative experiments with allusion, and in doing so suggests a new literary criticism based upon the allusive process. This new criticism of allusive mechanics considers the text in terms of its allusive potential for character—that is, the character is treated as capable of signification. Because Joyce can mimic the process of signification, it repositions the author to the act of writing and the reader to the act of reading. Character is greatly expanded through allusive mechanics because narrative elements like allusion in a text are treated as having a character-oriented …

Willa Cather As Equivocal Icon, Guy J. Reynolds

Department of English: Presentations, Talks, and Seminar Papers

All icons are ultimately equivocal: you can’t think of an icon without thinking about iconoclasm. Iconicity is a function of place. Cather turned the creation of icons, and the sceptical deconstruction of icons, into a form of narrative quest that could animate a whole fiction. After Cather’s death, her coterie, Midwesterners who had come East, were faced with what to make of an iconic heartlands figure who had moved to this re¬gion. Cather’s status as Midwestern icon became, after her death, a subject of struggle among E.K Brown, his widow Peggy Brown, Dorothy Canfield, Edith Lewis, Alfred Knopf, Leon Edel, …

At Risk In The Writing Classroom: Negotiating A Lesbian Teacher Identity, Irene G. Meaker

Department of English: Dissertations, Theses, and Student Research

"Education is a fearful enterprise," says teacher and philosopher, Parker Palmer. Student-centered/ processoriented pedagogy asks teachers to step out from behind the relative safety of the teacher mask and to enter the risky arena of learning. For the writing teacher, a special challenge is to help students negotiate the risks inherent in the act of writing and in sharing writing with the "Other."

To prevent fears from dominating our students, teachers must model risk-taking and risk negotiation. In my own teaching, my fears around students' reactions to learning my sexual identity meant that I more often reinforced fears than dispelled …

The Ideology Of Cather’S Catholic Progressivism: Death Comes For The Archbishop, Guy J. Reynolds

Department of English: Faculty Publications

Death Comes for the Archbishop (1927), Cather’s fiction about the Catholic mission in the Hispanic Southwest, is a historical novel, but one that approaches its subject in an elusive, teasing manner. The text incorporates the new primitivism, carrying with it a tolerant receptivity to Indian culture, racial heterogeneity, and Catholicism--all of which are aspects of American culture that narrow definitions of American progress would have excluded. Nonetheless, Cather cannot finally combine, incorporate, or reconcile her own perspectives on progress, and her open text shades into an evasive text

Chaucer's Epic Statement And The Political Milieu Of The Late Fourteenth Century, Paul Olson

Department of English: Faculty Publications

Sets Knight's Tale in the tradition of political verse, and argues that the tale encourages peace in the domestic and foreign affairs of Chaucer's England. The hortatory, heroic style of the tale presents Theseus as a peace-making ideal, pertinent to the French wars of the time. The juxtaposition of the Miller's Tale with the Knight's Tale encourages placid relations with the peasant class.

Several critics, both neoclassic and modern, have observed that) as to kind, the Knight's Tale is an epic fiction. Characteristically, the poems we call medieval epics are what Ezra Pound also says an epic must be in …

Thoreau's Argument In "Economy", William H. Hansen

Department of English: Dissertations, Theses, and Student Research

In the second paragraph of Walden, Thoreau explains that he is going to give a sincere and an honest account of his life in Nature to satisfy the curiosity of his friends who have expressed a desire to know the details of his two-year adventure at Walden Pond. In the third paragraph, he say's that he is also going to write something about the bad condition of his neighbors in and around Concord. These first two statements of purpose are important not only because they indicate what the book is going to be about, but also because they represent …

Nebraska Folk Cures, Pauline Monette Black

University of Nebraska Studies in Language, Literature, and Criticism

Folk cures form a conspicuous part of Nebraska lore. Nebraska pioneers from many states and many countries brought with them certain remedies which they believed particularly efficacious, and which became a tradition in families or communities throughout the state. The cures in the following collection have come directly from the residents of the state and are not limited to any specific locality. They have been recorded as nearly as possible just as the informants gave them. Some alterations have been made in diction and sentence structure to clarify ambiguity. The collection is doubtless incomplete, but it lists, I believe, most …

Ethnic Ideals Of The British Isles, Constance Rummons

University of Nebraska Studies in Language, Literature, and Criticism

The history of a people can be read truly only in the light of its ideals. To study only the recorded acts of men is to see only a series of phenomena that are often incomprehensible and apparently erratic. What a mad affair the Crusades must seem to one who knows nothing of mediaeval religious ideals! How inexplicable would appear the courageous resistance of Belgium to a student in a later age who should have no knowledge of contemporary thought, and should be unable to see the principles for which she stood! Any judgment of a human action which leaves …

New-England Or A Briefe Enarration Of The Ayre, Earth, Water, Fish And Fowles Of That Country. With A Description Of The Natures, Orders, Habits, And Religion Of The Natives; In Latine And English Verse, William Morrell, Andrew Gaudio , Editor

Electronic Texts in American Studies

This text, a Latin poem in dactylic hexameter with an accompanying English translation in heroic verse stands as the earliest surviving work of poetry about New England and the second oldest poem whose origins can be traced directly to the British American colonies. Only two copies of the original 1625 edition are known to survive; one is held at the Huntington Library in San Marino, California, and the other is housed at the British Museum. The Latin portion comprises 309 lines and praises the geographic features, flora and fauna of New England, and spends a majority of its verses describing …