Digital Commons Network^™

Spaces Of Citizenship: Negotiating Belonging Through Cold War Literature And Culture, Daria Goncharova

Theses and Dissertations--English

At the height of Cold War containment culture, when fears of Communism and nuclear warfare overlapped with anxieties about homosexuality, gender inversion, miscegenation, and juvenile delinquency, formal citizenship—narrowly defined as one’s legal status—did not provide all American citizens with a sense of belonging, equal access to civil liberties, and a reasonable degree of safety. Instead, spatialized identity, rather than civic responsibilities and legal rights, came to define the boundaries of proper citizenship. In this context, highly exclusionary suburbs, which sprang up outside major metropolitan areas in the late 1940s-1950s, emerged as a cornerstone of the cultural narratives defining American citizenship. …

"No, Not There": The Literary Precarity And Profundity Of Queer Spatiality, Samuel James Aftel

Theses and Dissertations--English

Love, broadly defined, needs space to grow. For love to materialize and sustain itself (in both literature and society), it must find hospitable geosocial, institutional, and psychic terrain. This is especially true for queer intimacies beyond heteronormative relationality, for the prospect of love’s radical––or reactionary––possibilities is contingent upon the more general sociality in which it develops. Yet love is often a worldmaking and, sometimes, historic mechanism unto itself. Love and its concomitant sexualities must therefore be understood within and without normative structures of hegemony; the workings of (neo)colonialism and capitalism––as well as patriarchy, white supremacy, and heterosexism––dictate to love, and …

Echoed Malice: Identity And The Doubled Voice In Gothic Horror, Brandon West

Theses and Dissertations--English

My dissertation argues we would benefit from focusing on the voice when analyzing gothic and horror texts. That is, I contend, there remains significant fertile ground for us to till in these texts if we shift our focus to the voice and its various iterations across these texts’ long history. To demonstrate this point, I delineate three variations of this theme: the doubled voice in the possession narrative, the split voice in the ventriloquist-dummy dynamic, and the inherent uncertainty of the voice without discernable origin. Each of these variations, I argue, offers fruitful readings of oft-studied texts and, moreover, offers …

Conceive And Control: Cultural-Legal Narratives Of American Privacy And Reproductive Politics, Emily Naser-Hall

Theses and Dissertations--English

Law and literature share a foundation in narrative. The literary turn in legal scholarship recognizes that the law itself is a form of narrative, one that simultaneously reflects socio-cultural norms and creates social and political regulations with a complex matrix of power. Cultural narratives from the 1950s to the mid-1970s pertaining to reproductive politics, domesticity, and national identity both produce and are productive of legal rulings that govern and restrict private acts of sexuality and speech. The Supreme Court used cases concerning sex and reproduction to enumerate, explicate, and complicate the right to privacy, which appears nowhere in the U.S. …

From Jane Austen To Meghan Markle: The Persistence Of British Imperialism In White Popular Feminism, Kathryn M. Kohls

Theses and Dissertations--English

This dissertation traces the persistent threads and values of white womanhood from the nineteenth-century British Empire to modern American popular culture. The figure of the white woman was significant to upholding colonialism and empire in the literary mass media and culture of the nineteenth century, and I argue that this figure continues to be used in popular media and online content today to surreptitiously uphold white supremacy and obscure race and gender inequalities. This dissertation will explore the overlaps between nostalgia, historical revisionism, white womanhood, white supremacy, and white feminism in modern American popular culture. The connections between, and the …

Myth, Mockery, & Misery: An Evolution Of Disillusion In Modern-War Expression, Richard W. Halkyard

Theses and Dissertations--English

Industrialization in 19th-Century America yielded a regrettable by-product: the modernization of warfare. Mass armies, technological innovation, and unprecedented rates of industrial productivity prompted the creation of machines designed to inspire fear, increase destructive capability, and inflict mass-death. The modernization of warfare altered forever the way war was experienced and represented literarily. Authors who attempted to represent the Civil and Spanish-American Wars, as well as World War I, articulated modernized warfare with a disillusionment which stems from the tragically dehumanizing effects of mechanical violence on an industrial scale. Myth, Mockery, & Misery argues that as far back as 1862, romantic idealization …

Representations Of Military Women In Contemporary War Stories, Deborah Daley

Theses and Dissertations--English

Representations of Military Women in Contemporary War Stories seeks to understand how war stories influence our perception of who belongs in military service. With the canon of western war writing dominated by the memoirs and stories of white men, what happens when service women enter into and author war stories, and how does their appearance destabilize questions of who is fit for military service? War literature provides an important lens through which to observe how military service is scripted by culturally and socially constructed expectations of one’s gender, race, and occupation. In male-dominated workplaces, women must not only perform in …

(Dis)Possessed Black Youth: How America's Architecture Challenges Coming Of Age In Twentieth And Twenty-First Century African American Women's Literature, Margaret Frymire Kelly

Theses and Dissertations--English

This dissertation advances studies of Black childhood, particularly Black girlhood, by examining how African American women writers depict the troubled journey to adulthood in stories of segregation, immigration, and incarceration. I argue that authors of four representative literary works emphasize architectural structures as well as ancestral hauntings among which Black children grow up. Without examining the material structures, we cannot understand the strategies these haunted Black youth deploy to reach adulthood. Examining the architectural structures that the protagonists of Maud Martha (1953), Brown Girl, Brownstones (1959), Zami (1982), and Sing, Unburied, Sing (2017) grow up in and around, I demonstrate …

"Wearing A Mask To Each Other": Masculinity & The Public Eye In Victorian Sensation Fiction, Shannon Branfield

Theses and Dissertations--English

Sensation fiction, as a genre, offers a field to explore the ways in which ideologies of masculinity are negotiated, contested, and enforced. The Victorian man has no respite from social surveillance; the public is always watching, always evaluating the performance. As these sensation fiction novels build on each other, a portrait of male claustrophobia in response to unceasing surveillance is revealed. The pressure this constant scrutiny puts on Victorian men is immense and sensation novels derive many thrilling plot twists from the dramatic lengths men to which men must go to protect themselves from this gaze. These habits persist even …

Fantasies Of Race And Place: White Nationalist And Alt-Right Undercurrents In Fantasy Roleplaying Games, Mark Hines

Theses and Dissertations--English

Representations of fantasy settings in roleplaying games often draw upon understandings of the medieval and early Renaissance world. This dynamic often extends to racial politics in such worlds. For the contemporary roleplaying game, this often means that game mechanics are built around race, species, or gender. Often, players interpret such mechanics as a means of bioessentializing race or practicing stereotypes rooted in Eurocentric morality and values.

This thesis examines the underlying rhetoric and implicit stakes by which race in fantasy worlds overlaps with the rhetoric and proposed stakes of White Nationalist and Alt-right actors. As fantasy roleplaying games, and especially …

Perilous Times: Reading The Apocalypse In Nineteenth-Century Black Women's Religious Writing, Brittany Sulzener

Theses and Dissertations--English

During the time of war, rebellion, and political upheaval in the early American nation, apocalyptic imagery featured prominently in the rhetoric of preachers, abolitionists, writers, and orators. As nineteenth-century, white, American men like George Lippard proleptically envisioned the ruins of America as a source of future longing for those looking back on a great nation, many Black religious women writing in the antebellum era imagined an apocalyptic event so cataclysmic that it would destroy and remake the nation. Apocalyptic discourse in the nineteenth century allowed Black women to eschew social constraints and deliver scathing critiques of the American sociopolitical landscape, …

Short Story Collection, Kevin Bond

Theses and Dissertations--English

This thesis consists of four pieces of short fiction workshopped as part of the Master of Fine Arts in Creative Writing program at the University of Kentucky. Themes and topics explored include familial dynamics, depictions of childhood and coming of age, solitude, adverse psychological effects of toxic masculinity, natural sphere as sanctuary and source of spiritual renewal, and sense of place.

Twenty-First Century Adaptations Of Early Twentieth Century American Protest Literature, Kathryn J. Mcclain

Theses and Dissertations--English

Twenty-First Century Adaptations of Early Twentieth Century American Protest Literature examines the resurgence of didactic political literature in the United States during the 21st century, specifically adaptations of early 20th century American leftist protest works by authors such as Upton Sinclair, Jack London, and Richard Wright. While the most political aspects of these writers’ fiction are often either criticized as too politically overt – such as Sinclair’s The Jungle and Wright’s Native Son – or forgotten in favor of an author’s perceived literary merit – London’s The Iron Heel in comparison to his other works like Call of the Wild …

Southern Alterity In The Global Modernist Novel, 1899-1966, Benjamin J. Wilson

Theses and Dissertations--English

My dissertation examines the portrayal of southern alterity in the global modernist novel. The trope of southern spaces as sites of decay, degeneration, and dissolution proves to be remarkably durable in both fictions set within the domestic U.S. south, as well as those colonial and postcolonial texts associated with the global modernist canon. Novels like Joseph Conrad’s Heart of Darkness and William Faulkner’s Absalom, Absalom! suggest that the alterity of places like the Congo and Haiti are inextricably bound up with racial hierarchies. On the other hand, texts such as Charles W. Chesnutt’s The Marrow of Tradition and Zora Neale …

Race Youth In Twentieth-Century American Literature And Culture, Claire E. Lenviel

Theses and Dissertations--English

Race Youth in Twentieth-Century American Literature and Culture argues for the centrality of black youth, both real and literary, to the trajectories of African American literature and its repudiation of white supremacy. Drawing on research into the rise of the adolescent and teenager as distinct social categories, I argue that age-based subjectivity should inform how we read race-based subjectivity. My first chapter explores how early twentieth-century black periodicals push back against white supremacist theories of human development in an explicit appeal to what I call “race youth,” the children and adolescents who would take up the mantle of racial uplift. …

Wilderness Of Freedom: Slave Narratives, Captivity Narratives, And Genre Transformation In Keckley's Behind The Scenes, Hannah Gautsch

Theses and Dissertations--English

As a modiste well-versed in the social expectations of the domestic world, Elizabeth Keckley crafted an autobiography that would appeal to this wide variety of audiences. Throughout the 1850s, women across the nation negotiated the terms of True Womanhood and identified activism as a space where women could engage with national concerns. At the same time, literary production in the US was increasing exponentially, creating room for literature to be used as a means of social change. Contemporary scholars have devoted much attention to the ways Keckley’s Behind the Scenes combines elements of multiple genres to assure its long-term survival …

Curious Natures: Constructing Queer Ecologies In Early America, Richard Lee Parmer Jr.

Theses and Dissertations--English

This dissertation argues that early American writers often constructed queer ecologies in order to naturalize Anglo-American civilization and justify its expansion into Native American territories. Since there is so little textual evidence on the subject, the major challenge to studying sexuality in early America is approaching sexuality studies creatively—to broaden both our understanding of what counts as sexual discourse and our frameworks for analyzing it. My dissertation addresses this challenge through what many ecocritical scholars of sexuality call queer ecology. In their groundbreaking anthology on the topic, Catriona Mortimer-Sandilands and Bruce Erikson remind us that, historically and in the present, …

Wholeness And Belonging In Nikky Finney's Head Off & Split: An Eco-Politics Of Resilience And Resistance, Mary Rudolph

Theses and Dissertations--English

Nikky Finney’s Head Off & Split illuminates an urgent and radical eco-political project: the creation of whole, resilient, co-species communities capable of surviving interlocking political, social, and ecological crises. Finney foregrounds the strategic practice of belonging as a method of survival within contexts of systemic oppression and climate chaos. “Belonging,” in these terms, is not a “natural” ontological state, but a mode of co-being that is continually (re)created and (re)enacted through daily world-making practices: foodways, spatial habitation, migration and movement. Belonging is a collection of reciprocal, adaptive, situated praxes that make and sustain beings and worlds. They rely on and …

“Innocent Bystanders”: White Guilt And The Destruction Of Native Americans In Us Literature, 1824-1830, Noor Al-Attar

Theses and Dissertations--English

Stereotypes describing the Native Peoples as lacking in many attributes such as religion, civilization, self-control, and even family bonds originated in the early years of contact, popularized through captivity narratives, and used in nineteenth century writings to justify the “vanishing” of the Native people. My dissertation adds to the discussion of myth of the Vanishing American by focusing on overlooked representations of Native illness. Illness, a shared human experience, was preserved for white characters in white authors’ writings. Ailing Native peoples were either denied any stories narrating this experience of human vulnerability or were depicted as resorting to superstitious and …

Poéticas Minimalistas De La Ciudad Contemporánea: Iribarren, Mínguez Y Del Val, David Delgado López

Theses and Dissertations--Hispanic Studies

Throughout the Spanish poetic production of the 20^th century, cities have developed a relevant role as a recurring space at the same time as society urbanized and an exodus took place from agricultural areas to the work centers offered by the cities. Since the second half of the 19^th century the city has been the meeting place for people from different backgrounds where the poet found, from his exclusive point of view, a new universe to develop in his work. However, the evolution of capitalist society sponsored the poet's transition from an artist to a worker in the …

Nineteenth-Century Pets And The Politics Of Touch, Valerie L. Stevens

Theses and Dissertations--English

Nineteenth-Century Pets and the Politics of Touch examines texts of the era in which both humans and animals find empowerment at the point of physical encounter. I challenge contemporary perceptions of human-pet relationships as sweetly affectionate by focusing on touch. I uncover an earlier interest in the close reciprocal relationships between human and nonhuman animals, arguing that these nineteenth-century thinkers presented what I call a “politics of touch,” in which intimate and often jarring physical encounters allow for mutuality and autonomy. I first turn to Charlotte Brontë’s Shirley (1849) and protective violence, a condoned ferocity that frequently unites and guards …

Values In The Air: Community And Capital Conversion In The Nineteenth-Century Novel, Deirdre Mikolajcik

Theses and Dissertations--English

Values in the Air argues that nineteenth-century authors attempted to challenge the individualizing and atomizing effects of the increasingly powerful and abstract investment economy by portraying the necessity of other fields of capital (cultural, social, domestic) to the formation and maintenance of local, knowable communities. I first look at the depiction of a successful integration of diverse capitals embodied in the figure of the male mill owner, wherein the idea of land stewardship is repurposed to include factories. Chapter 2 depicts an encroaching pessimism about tradition’s ability to answer the demands of the modern industrial economy even as the possibility …

Madness Narratives: Victorian Textual Responses To The Insanity Diagnosis, Jonathan Glenn Tinnin

Theses and Dissertations--English

In Madness Narratives, I examine four understudied texts at the intersection of Victorian asylums, patients’ lack of voice, and resistance narratives. I argue that these texts all reject the silencing power of the insanity diagnosis as they represent patients, former patients, and asylum reformers creating counternarratives that call for recognition of the patients’ humanity and right to be heard. In my first chapter, “Narrating Insanity: Constructing the Madness Narrative in Charles Reade’s Hard Cash,” I assert that Reade’s 1863 novel proposes a nuanced understanding of the insanity diagnosis as a collaboratively-composed story that justifies the confinement of the …

A Repurposed Narrative: Mary Rowlandson’S Narrative And Pre-Revolutionary Sentiment, Steven F. Thomas

Theses and Dissertations--English

Leading into the American Revolution, Puritan captivity narratives gained a resurgent popularity as nationalized sentiment burned towards political upheaval. Mary Rowlandson’s Narrative (1682) was reprinted six times between 1770-1776, signifying an incredible interest in Puritan stories that seemed to antithetically inspire a progressive and radical revolution against England. The Sovereignty and Goodness of God or A True History of the Captivity and Restoration of Mrs. Mary Rowlandson enhanced an already fervent revolutionary sentiment, transforming a seemingly straightforward captivity narrative into a totem meant to represent the oppressive struggle between England and her most coveted colony.

Such a literary revival taps …

The Revolt Against Mourning: Woolf, Joyce, Faulkner, And Beyond, Andrew Leo Beutel

Theses and Dissertations--English

The Revolt against Mourning calls into question the widespread critical alignment of literary modernism with Freudian melancholia. Focusing instead on “mourning,” through close readings of Virginia Woolf’s Mrs. Dalloway, James Joyce’s Ulysses, and William Faulkner’s The Sound and the Fury, I demonstrate how their depictions of this notion overturn both its traditional and contemporary understandings. Whereas Freud conceives mourning as a psychic labor that the subject slowly and painfully carries out, Woolf, Joyce, and Faulkner convey it as a destabilizing, subversive, and transformative force to which the subject is radically passive. For Freud, mourning is a matter …

Identity, Spectacle, And Embodiment In Social Protest, Craig Alan Crowder

Theses and Dissertations--English

This dissertation examines the way rhetorical performances of identity function within a social movement. Examining the University of Kentucky chapter of a campus activist organization, United Students Against Sweatshops, I argue that embodied performances of identity often leverage spectacle in disruptive ways and work not only to solidify activists’ identities as part of a social movement but ultimately help to create solidarity within the movement, thereby working toward movement objectives. Historically under-examined in social movement literature in the rhetoric and composition tradition, identity performance examples are taken from an oral history project and archival materials to show how identity is …

Uncertain Inheritance: The Motherless Heiress In Big House Novels, Anna Bedsole

Theses and Dissertations--English

Thus, Uncertain Inheritance traces the heiress in Anglo-Irish Big House novels situated at key times of change for the Irish Ascendancy. The Gothic triad of orphaned heiress, dead mother, and sinister uncle does not belong exclusively to the realm of Irish Gothic authors, but rather this triad is used for different discursive purposes than in its English counterparts. Sheridan Le Fanu’s Uncle Silas (1864), Sommerville and Ross’s An Irish Cousin (1903), and Elizabeth Bowen’s The Last September (1929) use the Gothic trope of absent mothers both to address anxieties about and to question the Irish “half” of the Ascendancy Anglo-Irish …

Fathers And Sons In Modern British, Irish, And Postcolonial Fiction, Alison Hitch

Theses and Dissertations--English

In this dissertation, I examine the portrayal of filial relationships in the fiction of James Joyce, Hanif Kureishi, and Zadie Smith. I assert that each of these authors, albeit in different ways, uses the archetypal father and son relationship to interrogate the formation of national identity and the concept of national belonging in modern, anticolonial or postcolonial cultures, including Ireland at the dawn of the twentieth century and Britain in the late twentieth century. Chapter one focuses on Joyce’s A Portrait of the Artist as a Young Man (1916) and Ulysses (1922). I argue that rather than solely bonding in …

A Reckless Verisimilitude: The Archive In James Ellroy’S Fiction, Bradley J. Wiles

disClosure: A Journal of Social Theory

The archive as both plot element and narrative presentation factors significantly into the work of James Ellroy’s novels in the L.A. Quartet and USA Underworld Trilogy series. This article examines the important role of the archive as a source of information and evidence that Ellroy’s characters utilize in their attempts at either maintaining or attacking the status quo. Through these novels, Ellroy conveys the potential power archives wield over the trajectory of history and our understanding of it by demonstrating how the historical record is often shaped in favor of the powerful. Yet even if the archive is a manifestation …

Wild Abandon: Postwar Literature Between Ecology And Authenticity, Alexander F. Menrisky

Theses and Dissertations--English

Wild Abandon traces a literary and cultural history of late twentieth-century appeals to dissolution, the moment at which a text seems to erase its subject’s sense of selfhood in natural environs. I argue that such appeals arose in response to a prominent yet overlooked interaction between discourses of ecology and authenticity following the rise and fall of the American New Left in the 1960s and 70s. This conjunction inspired certain intellectuals and activists to celebrate the ecological concept of interconnectivity as the most authentic basis of subjectivity in political, philosophical, spiritual, and literary writings. As I argue, dissolution represents a …