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Articles 1 - 12 of 12
Full-Text Articles in Entire DC Network
The Ur-Quiver In The Pro-Stiff Upper Lip: Secrecy And Reserve From Keble To Clough, Patrick Scott
The Ur-Quiver In The Pro-Stiff Upper Lip: Secrecy And Reserve From Keble To Clough, Patrick Scott
Patrick Scott
Voice In Writing Again: Embracing Contraries, Peter Elbow
Voice In Writing Again: Embracing Contraries, Peter Elbow
Peter Elbow
"Voice in writing" has fallen into a kind of limbo as a topic: it's vexed; it's discredited by most composition scholars; it's not much written about recently; and yet it remains widely used by readers, teachers, and writers. I examine good reasons for paying lots of attention to voice when we read and teach writing; and also good reasons for ignoring it. And finally insist that we can usefully do both.
Where I Am, There (Sh)It Will Be, Melanie Mcdougald
Where I Am, There (Sh)It Will Be, Melanie Mcdougald
Melanie E McDougald
No abstract provided.
Wives Of Steel: Voices Of Women From The Sparrows Point Steelmaking Communities (Book Review), Linda Niemann
Wives Of Steel: Voices Of Women From The Sparrows Point Steelmaking Communities (Book Review), Linda Niemann
Linda G. Niemann
Review of the book "Wives of Steel: Voices of Women from the Sparrows Point Steelmaking Communities", by Karen Olson. University Park: Pennsylvania State University Press, 2005.
Woolfian Resonances, Anne Fernald
“An Vnder Black Dubblett Signifying A Spanish Hart”: Costumes And Politics In Middleton’S A Game At Chess, Robert Lublin
“An Vnder Black Dubblett Signifying A Spanish Hart”: Costumes And Politics In Middleton’S A Game At Chess, Robert Lublin
Robert Lublin
Byron And The Choreography Of Queer Desire, Steven Bruhm
Byron And The Choreography Of Queer Desire, Steven Bruhm
Steven Bruhm
No abstract provided.
Exchanging Life Narratives: The Politics And Poetics Of Perzines, Doreen M. Piano
Exchanging Life Narratives: The Politics And Poetics Of Perzines, Doreen M. Piano
Doreen M Piano
No abstract provided.
“Devoid Of Guilty Shame: Ovidian Tendencies In Spenser’S Erotic Poetry.”, M. L. Stapleton
“Devoid Of Guilty Shame: Ovidian Tendencies In Spenser’S Erotic Poetry.”, M. L. Stapleton
M. L. Stapleton
No abstract provided.
Tragical-Comical-Pastoral-Colonial: Economic Sovereignty, Globalization, And The Form Of Tragicomedy, Zachary Lesser
Tragical-Comical-Pastoral-Colonial: Economic Sovereignty, Globalization, And The Form Of Tragicomedy, Zachary Lesser
Zachary Lesser
I examine the politics of tragicomedy by focusing on its 1620s shift from pastoral to proto-colonial settings. This formal transformation reveals the genre's connection to economic debates over England's coin shortage and to Thomas Mun's abstract, global model of trade, removed from monarchical authority and naturalized in self-regulating "laws of commerce." Like Mun's model, tragicomedy requires us to imagine the ability of past actions and distant causes to ramify across time and space. Set on a barren, inaccessible island, Fletcher and Massinger's Sea Voyage isolates the nature of money and demonstrates the dangers of transgressing the natural law of commerce.
Vernacular Literacy, Peter Elbow
Modernism And Tradition, Anne E. Fernald