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Intersections Of Race And Class In 1830s Othello Burlesques, Laura Michelle Keigan

LSU Doctoral Dissertations

In recent years, we have come to better understand how nineteenth-century burlesques critiqued and lampooned the respectable humbuggery of patent theater productions and middle-class culture. Their carnivalesque spectacle and low humor turned topsy-turvy what was falsely revered or pretentious in English society. This study, however, explores the extent to which some burlesques responded conservatively to social and legislative change, which supposedly weakened established hierarchies constituting English culture and society. My chapters examine how two burlesques of Shakespeare’s Othello—Charles M. Westmacott’s Othello, the Moor of Fleet Street (1833) and Maurice M. M. G. Dowling’s Othello Travestie (1834)—contributed to discourse surrounding debate …